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John Diercks was born in Montclair, New Jersey, in 1927. He holds degrees from Oberlin, the
Eastman School, and the University of Rochester (PhD). His composition teachers included
Howard Hanson and Alan Hovhaness. For Asian music and dance he studied with Dorothy
Kahananui and Halla Huhm. His postgraduate study was at the University of Hawaii, the
University of North Carolina, Catholic University, the University of Washington, and Columbia
Teachers College.
Dr. Diercks taught piano at the College of Wooster (1950-54), then began a long tenure at
Hollins University, teaching theory and composition. He served as Music Department Chair
from 1962 until 1990 and was Chair for the Sallie Gray Shepherd Concert Series (1962-1990).
In southern Virginia, Dr. Diercks was Music Chair of the Roanoke Valley Bicentennial
Celebration (1975-1976) and President of the Chrystal Springs Music Publishers, Inc. (19781998).
Among many grants and awards he has received are those from the National Endowment for
the Arts, the National Endowment for the Humanities, the Southern Foundation for the
Humanities, the Mellon and Danforth Foundations (5 times), and ASCAP (15 times). As a
composer he has enjoyed residence at the MacDowell Colony, Wolf Trap Farm, and the
Virginia Center for the Creative Arts.
Much of Diercks’ music is influenced by exoticism, including microtonality and
“unconventional” musical sounds. An early work, Cave Music for vocalise and three players
on prepared piano, accompanied a dance performed in Virginia’s Dixie Caverns and
broadcast on NBC-TV’s Today Show.
His Suite No.2 for Orchestra was performed by the National Gallery Orchestra, Washington,
D.C., Richard Bales conducting. Renowned pianist Roy Hamlin Johnson performed four of Dr.
Diercks’ 12 Sonatinas on the American Music series at the National Gallery.
The Twelve Sonatinas, commissioned and performed by pianist Marthanne Verbit, are in the
catalog of Albany Records. In 2009 the Guild of Carillonneurs in North America published his
Fugue in C (for Elizabeth Graves Vitu) and Fantasia (commissioned by the University of IowaAmes).
Over 125 of Dr. Diercks’ music has been published, for piano, voice, choral, chamber
ensemble, and carillon. He has written more than 200 reviews and articles in newspapers
and journals, and authored two chapters published in the Denes Agay book “Teaching Piano”.