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Alfred Hitchcock Obituary
Alfred Hitchcock, admired genius and master of film suspense, died of liver failure and heart
problems on April 28, 1980 in Los Angeles, California. He was the single most influential
director in the film genre of suspense, having partly created it, and is one of the most well known
and esteemed directors in the medium of film.
Hitchcock was born on August 13, 1899 in Leytonstone, England, the son of a grocer, William
Hitchcock, and his wife Emma. An interesting event occurred early in his life. When Hitchcock
was five, his father got mad at him for being mischievous, and sent young Hitchcock to the police
station with a note for the officer. Alfred was then locked up behind bars for awhile to think about
what he had done, and during this time he felt immense terror. It is thought that this had a
profound effect on the movies Hitchcock would go on to make; themes of innocent victims feeling
terror and confusion, as he did during this punishment, surfaced in many of his works.
Hitchcock received his education from St. Ignatius College (London), the School of Engineering
and Navigation, and the University of London, where he studied art.
Hitchcock's earliest film experience came in 1919, when he illustrated title cards for silent films
being produced at London's Players-Lasky studio. It was spending time at this studio that he
learned about many different aspects of film that would later be important in his film career,
including direction, stage art, and screen writing.
In 1922 Hitchcock met Alma Reville who he married in 1926. They went on to have a daughter,
Patricia.
Hitchcock's first mark as a film director came in 1925 with The Pleasure Garden. It was a largely
unimportant film, and was not recognized as being anything more than an average melodrama.
Writer Eliot Stannard, who worked with Hitchcock on the film, commented,
"Hitchcock, right from the beginning, always had a vision. How he worked at his first movie is
something I will never forget. He was born for movie making."
Hitchcock had far more success in 1926 with The Lodger, which introduced audiences to the
Hitchcock style that would be evident in many of his future films. It was a murder mystery with a
fair share of intrigue, and, though it was a silent film, still managed to produce what would
become the classic Hitchcock feeling of suspense.
It was also with The Lodger that Hitchcock started his trademark of making cameo appearances in
his films, something he has done in most of his films since. Other directors have followed in this