Sách tự học piano hay nhất cho người lớn Tập 2

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'"

,

2

.
.

CONTENTS

REVIEW SECTION
4 Review- The Key of C Major. DOWN IN THE VALLEY.
6 Review- The Key of A Minor. TUMBALALAIKA.
8 Technique Builder: Crossing 1 Under 2. LIGHT AND BLUE.
10 Technique Builder: Crossing 1 Under 3. ROMAN HOLIDAY.
12 Review- The Key of F Major. MORNING HAS BROKEN.
14 A New Time Signature (6/8 time). LA RASPA.
16 Review- The Key of D Minor. SCHERZO.
18 INTRODUCTION AND DANCE.
20 Review- The Key of G Major. LA CUCARACHA
22

THE KEY OF E MINOR
The E Harmonic Minor Scale.

23 THE HOUSE OF THE RISING SUN.

.\

24
26

The Primary Chords in E Minor. SAKURA (Cherry Blossoms).
WAVES OF THE DANUBE.

28
30
32
33

THE KEY OF D MAJOR
The D Major Scale. ROCK-A MY SOUL.
The Primary Chords in D Major. YOU'RE IN MY HEART.
BRAHMS' LULLABYE.
LONESOME ROAD.

34
35

THE CHROMATIC SCALE
The Chromatic Scale. Chromatic Warm-ups.
VILLAGE DANCE.

36

IN VERSlONS OF TRIADS
The 1st Inversion. THE HOKEY-POKEY.

38 NIGHT SONG.

40

,
:

The 2nd Inversion.

41 A New Time Signature (2/4 time). SPACE SHUTTLE BLUES.
42
43

Triads in AII Positions.
FAREWELL TO THEE (ALOHA OE).

44

TWO.PART WRITING
Two-Part Writing. POMP AND CIRCUMSTANCE (Elgar).
SEVENTH CHORD REVIEW

46 The Complete "7th Chord Vocabulary."
47

SWINGING SEVENTHS.

'"

4

Review- The Key of C Major
Primary chords in C Major:
Block chords
C

~

F

~~i~~~1.
1:

.

3.
5.

2.
5.

IV

F

~);~ ~ ~ ~

1.

2

5.

I

Broken chords
C

G7

G7

I~

~

3

C

F

I~~~II~

~

2

,

y7

~

~

G7

I~ ~ ~ I~~~II

2

Do WN IN TUE V ALLEY
American Folk Song

I

Moderato
1,

~~

C

POown

in

.

.

tJ
~
I

I

the

:

-

val

lev,

Val

- lev

so

I

5

~ --~~::::==::==:::
G7

.

I

4 ..,

1
3

I

~.

rEXTENDED POSITION~
1,
23
~

~

.

tJ

~

I

low,

Late

in

the

eve

-

.
.

5

1
2

You are now ready to begin ADULT ALL- TIME FAVORITES BOOK 2, ADULT CHRISTMAS BOOK 2,
ADULT POP SONG BOOK 2, ADULT SACRED BOOK 2 and ADULT THEORY BOOK 2.

5

:~

4

~

I

tJ

t

.::---

.

f')

C

ning,

Hear

the

:

wind

.

blow.

-

.

I
I

I

---

.

J

t

=::::::-

.

.

I tJ

I

<
I

I .
.

Hear

I

the

'.

wind

blow,

love,
,

-

I

5

-;;;:=:::;~

.
I tJ

I

(

blow,

I

t-

.

I

,

the

I

1

p2

-

I

Late

in

I

POSITION-,

3

the

5 .

"""

f')

-

eve

.

f')

ning,
,

:
5

2

C

~ /tJ

wind

I

13

rEXTENDED

~ ~~G7

Hear

Hear

F

.
the

wind

C

.

blow.

.

=::::::::

1';'\

.

1;"\

I

rEXTENDED POSIJIO~8l
.
.

I

521

542
I

'-

-

-"~--

1

I

Review- The Key of A Minor
REMEMBER!

The keys of C MAJOR and A MINOR are called RELATIVES, because they have
the same key signature: no sharps, no flats.

Primary chords in A minor:
Block chords

Broken chords
Dm

E7

Dm

REMEMBER:

E7

1
3

.5

1
2

5

:=f:=f

11

~

#

I

~

1

IV

.

~

2

5

~

~

y7

y7

~!

I

:

~

;'

I

iv

~

2

5.

.

.

2

i

Am

1.

5

.

3

5

1.

.

~~~~i~.
:

.

Am
~

Small Roman numerals (i & iv) are used to indicate minor chords.

TUMBALALAIKA

AII egro mo d era t 0

Traditional

Am
4
2

E7
3
.

I

2

I

3

1

J\'
J\

~3

Am

1-

~.

...

:

Dm

5

5

F

POSITION-;:l

rEXTENDED

I

5

3

1
I

5

-~

-,-

~---

1\

1
2

1\

3

J\
,=~~--.

I

1

.
.

ooc

l

6

7
Dm

E7

Am

1

.

--A

2

.

1\

1\

4
2

1\

.

>-

I

E7

2

.
.

I

1\

4
2

I

Am
>.

I

r EXTENDED
1~2

/\

POSITIONFl

Dm

5-9

3

I

1\

Dm

Am

5~"--""'---;~

3
"";

1\

:-_':_~

~~ "" 3

/\

E7

'îc-,

I

Am

1

1':'\

2

.
I":".

--A

/\

1\
- .

--

1\

I

~

8

Technique Builder: Crossing In
It is important to develop the ability to cross 1 under 2 and 1 under 3 with a relaxed wrist, and with no
"twisting" motion ot the hand. The next tour pages ot this bock will help you improve this technique.
Play the exercises slowly at tirst, then taster.

~

ross 1

under 2
~

RH:

~ ~-}~~

I

1

~~

1

~~~~

I

I~~g~

III

mf
LH:

mf

Cross 1
under 2

LIGHT

AND BLUE

M d

I

0 erate
C

~

1

2

1

2

F

1-

C

1--2--,--:;-:-1

,-4-

=- ...,/

P

I

Willard A. Palmer

ues tempo
5

~~--~

*

tJ

bi

--

~

I

:

~1-2

-

I

I

I

I

8va4-- - - - - - - - - - - -,
3

tJ
~

~

- ...

--:---

2

::::0-

F

1_~,

I

1

L-III-

2

1

2

_4
1

I

~

1

-

I

-

2-1

.,

~-----

I

---

-

I

,
8va - - - - - - - - - - - - - - 1

~

)

I

t.J

I

:

C

~

G7

~2--ï:-2

2~~

-

-

::::0-

1

'

I

'

I

The eighth notes may be played a bit unevenly:

J
long

l
short

J
long

.

2
"

5

l.
short, etc.

-

5

1~

~

9
F

I

,

1

l

I

5

2

-

tJ

C

12

5

2

~

'""""--.

G7

12

4

~

-

~--~

..:!. -

::>::>
: 21~

3
1.

-====:=

.

~

5

4/--2--'---2-- 1

C

1

tJ

~

F

2

2

I

1

ol

2

-

C
~--

2

-

-.-

1
1--==-- 2~

-

mf

--

,. :

L-

.

------------4

8va

1

3
::>/,:::
2

1

"

1

F

I/""4

2

2-'--2---'-

J

2-12---1

~

-

tJ
I

.
.

-1-

,

--

i

I

.
8va

4
3

C

1 ~-1-2
,

2

~
---

fJ

------------1

..L

oL.

-

~

G7

5
1

2

-- ~
---L-.;;;;.

~

-L-

~

~.L

-=
--

~

--=

---

--

-

.;:;.

.

::>
.
.

I

5
1

F

1
oL

I

'

I

5
1

C

11.
G7

112.

,~

~--

fJ

~

-=~

.

:

--

= --"

oL.

'--.:!-.

.

---

1

-

.

~

====--

~--=

1
~

r--

.

'"
-=

1':'1

C

-St.

::>::>
I

,

=

1

-

1':'1

.

~

=6

I':"

TEACHER'S NOTE:
1. The LH may be played staccato, except where slurred.
2. The repeat may be played Bva,with notes marked Bva played as writter:1.
3. The final chord may be played with tremolo:

.
.

I':"

I-:'

"":._,,",

I

L

10

Technique Builder: Crossing 1 Un
REMEMBER:

8

Keepthe wrist loose and relaxed.

8 Avoid any "twisting" of the wrist as 1 goes under 3.
8 Move the thumb under the hand as soon as it plays, to have it ready for its next note.
8 Play slowly at first, then gradually increase speed.
Cross 1
under 3

RH"

mf

~

3

2

':)

1~-

t

~~~ ~mf

~

~\

-~~~~~~~~~i
~3

-~~~~~~~~
~~

~

LH:

1

I

~

11

~

1

2

3

[~

.

~11

1

~

~

1

r~~~~~~~i~
~~ ~ I

ri~~~~

~~jJ

"} ,

~~i~~~~~Ii
§F j I~~~~~~~~~
~j~

~]

.

91

..

ROMAN HOLIDAY

Allegro moderato
C

I

1--2---3

~

tJ

..

G7
1:~-;--12--

--:

1

I

*
mf

1

1

. -

I

.
I

*Play the eighth notes EVENLY!

-I

'1

~

-I

11

~~

C

F

1

tJ

1 -~

I

-

'

--

..

G7

1

---

1

---

""

,

I

~

1

tJ.

-

11.

1"':;;;:

112.*

C

..

-- C

1

::>

::>

I

I

~

I

.

:
I

::>

::>

1:"

rme

5

~
I

I

1

-. ~~

tJ

t. f
.

...

1 2

"'! ~

3

1 2

13

~
1

~

.

I

""'!

~

~

~

1

""'!
-::::

.. --::-;

r

l'

.

~

1

,

,.~

IJ

L

5
1

~

tJ

~

--

~

5
2

1
1'";'1

~

-==.

~

1'";'1

I

::>

D.C. al Fine
*When playing

D.C.al Fine, always omit the 1st ending and play the 2nd ending.

Tempo Indications
Tempo is an Italian word meaning "rate of speed."
are given in Italian.

In most music, tempo indications

Allegro = Quickly, happily
Andante = Moving slang ("walking speed")
Adagio = S!owly
Largo = Very Slowly
Moderato = Moderately
Moderato may be combined with the other words: Allegro moderato = moderately quick.

of

F

Major

major:

F

in

chords

Key

Block chords

Broken chords

1

IV

Bb

y7

5

1
3

5

B

1
2

5

IV

~

11

~

~

1
2

y7

ROKEN

(B},)

C7

Bb

F

3

.

ae IC F0 Ik Song
'

G

Bb

5-~

2

1

8va 2nd time
rE-xt;~d;~-~-;;sitio~1

I

flat

1

MAJOR

F

OAS

Signature:

OF

G

~

Moderato

Key

KEY

RNIN

~

I

~

Ë

~

I

~

~

,'

I

Mo

C7

.

F
.

2

5.'

.

2.

1

5

3.
5

.

.

C7

1.

~

Bb

~I~~~~~.

~

F
~

.

Prlmary

Review-The

.

mp

.

I

3

1\

51
2.

substitution."

2

51

1\
"finger
BOOK

led

2

cal
DUET

is

1\

51
ADULT

This

2

down.
begin

to

key

/\
ready

the

3

holding
now

are

while

4

to

You

change

then

5,

with

.Play

I

51.51

.
.

~

~

12

13
B~
1

4

F

.

.

G7

.

.
.

I

/\

/\

F

B~

F

/\

F

.

I

/\

G7

5

1

.

.

/\

/\

B~

G7

F

2

1

.

.

I

/\

/\

I

. .
. .

.
ritard. 2n

.

.

.

I

/\

1\

.
.

A

I

Most POPULAR SHEET MUSIC has chord symbols above the treble notes just as you see in
MORNING HAS BROKEN. You may supply your own LH chords to such music, using BLOCK CHORDS
or BROKEN CHORDS in various styles.
OPTIONAL:

.

Play MORNING HAS BROKEN again, using braken chords as shown in the following
.1 examples. The chords you use should be the same as those indicated
by the chord symbols above the treble notes in the music above.

Example 1:

1

F
~
---

",,~

B~

G7

5.

B~

3

F

.
mp

etc.

.
.

5 I 3
Example 2:

~

1

2:,

1

5A

2

1

5/\

2

F

B~

G7

,..

5
'r;.

3

:;--54-3
.

1

5/\

J ..;

Ll-

m

I

.

-"

-"

.- ..

...R.

---

.. ~
r-

I

3

1

I

.
I

.-~

:
531531

5/\
F

I

.!IJ
I

1

B~
r-

v

2

-

etc.
~

-"

r-

521

521

521

531

A

/\

/\

/\

I

...

14

A New Time Signature

6
8

means 6 beats to each measure.

means an eighth note gets one beat.
GIsp (or tap) the tollowing rhythms.
Clap ONCE tor each note, counting aloud.

J

=

EIGHTH
Count

"1 note
"

(or

~

REST)

Q_r-.]
~

- J_rJ-

-

Count:1
J

=

QUARTER
note
Count
"1-2"

(or

~

REST)

Count:

~

.

= DOTTED
(or ~

-JQUARTER
RESTS)

note

Count "1-2-3"

d.

= Count
DOTTED"1-2-3-4-5-6"
HALF note

1 2

~
~

-J ..

Count:

1

A
M

For a WHOLE measure ot silence,
a --- WHOLE REST is used.

2 3 4

J
.

Q

~

-

~
-

J
-

3

4

j -

-

l_r-.J
I
-

5 6,

~
-

5

6,

-J ..

2

3

4

5

I

J
-

I

5

6,

~ -

:1.
ill

]1
-

J

-

]\
-

:11
;11

-J ..

.11
;11

etc.

IJ.
I

1 2 3 4

-

etc.

6,

J. .

-

etc.

IJ.
I
-.

C..J

Count:

l_r-"J
-

-

:1.
;11

C..J.

etc.

LA RASPA
A Mexican Stamping Dance
KEY OF F MAJOR
Key Signature: 1 flat (B},)

,

Allegro

2nd time accelerando poco a poco al ftne-F
5

6.

I

r)

2

t.J

r,

mf

I:

1

"

e.!.

1
f

I

-.

-. -

4

1

,.

r

R8181

.

P..
8181

1
3
5

8e.!

1
2
5
taster."

Poco a poco means "Iittle

'-

2

-

r

..

*Accelerando means "gradually

C7
5

by little."

Accelerandopoco a poco al fine means "gradually taster little by little to the end."

15
~

~1

4

- 81 - .-

2

~

81 &

1- 81 81 r

F

4

-

fJ

,.

,.

.. ."."..

)".-1

f
I:

8I8I_alal

.,

,,-.

81.

al.-

8181'

fJ

1

4.

-

I

al

1'"

:

)

~

I:

_81.

_81.

I '"

:

."

11. To next strain 112.
F
F

..."

(FineJ 1

;

I"

~..:.
sf*

"
.al

3

al8l-

I,.-=--

,.

.~

",

..

r-

I

fJ

I

-

-

81

2.-

.

..

al,

G7

-.

(
t

I'

."..

5

t~

2.-

r-

al

..

.

81

>-

Fine

2nd time 8va segue
2

}

1

tJ

I

G7

..

:

.. I:

)

2

3

2

-

r-

I:

sf

..

~~:.

F

- -

-.

~.

,
, tJ

-

,

~

.

I

."
:,

sf

:

.

r'

F

--- .

-

-

sf

~:.

8va - -, 112.

2

."..

~

11.

3

-

..

G7

3

,.

3,

I

F

.. -

I '81 al ,

sf
1::

..

'. .

8181

r

D.G. al Fine
* sf = sforzando, Italian tor "torcing."

It means to play louder on one note or chord; in this case

it applies to the note above sf and the chord below it.

-.

16

Review - The Key of D Minor
REMEMBER:

The keys of F MAJOR and D MINOR are cal led RELATIVES because they have the
same key signature:

1 flat (B~).

i~~~i~.
2.
~. .
5.
~. .

~..

Primary chords in D minor:

Dm

Gm

1.

i

1

iv

A7

.

y7

SCHERZO *
Respectfully

dedicated

to the world-renowned

concert

pianist,

Vladimir

Horowitz.

KEY OF D MINOR
Key signature:
1 flat (Bh)

Andante moderato
Dm
1

I1

5

3

Gm

'.

tJ

mfMuch

<

to

,:

my I sor - row

J

it's

Gm

81

81

J

.

mir Hor - 0 - witz

.

;.4
plays

A7

1

.

pi

- an - 0

I
1
2
5

Dm

Gm

Dm

-...

1...1

bet - ter

than

I,

Gm

~.
WAnd

.

pi

- an - is - si - mo,~

-

al - so

tor

81

81

iJ.

- tis -

si - mo,

.

.
I

-

much

81

A7

..

-...

.

Who

2

1
2
5

Dm

v
t.J'

Dm
1

.
Vlad - i -

'0.
81

1
3
5

.

Dm

.

ra

KEY OF F MAJOR
(relative of D MINOR)

~
t.J

Dm
1

.
I

A7
2

~4
can't

1

.

81

be - lieve how

-

81

3

-.

.
..

Dm
1

IJ.

his

~

.

L.H.
3
fin - gers

Can7f,Y!

Allegro
F

5_3

1

-

B~

mf
If

I

just

81

81

had

a

mere

81

81

81

81

..

81

81

"

I

*Scherzo. This word means "a musical jest or joke."

1
3 .
5
It is applied to light and playful pieces.

1
2
5

17

F-

'J

t.J

por - tion

.

I

ot

1-'

.

--

Bb

F

Vlad - i - mir

F

C7

.

Hor - 0 - witz' tal - ent

..

KEY OF D MINOR
Dm
~

5
3
1

Bb

I'd

prac - tice

..

R-

all

dav!

~..:.

..

I

tJ (p,
~e

a

.

.

.

-

Gm

Dm

.

sus - pi - cion

.

-.

it's

-

Gm

more than

Dm

am - bi - tion, it's

D
1

.

D.

C. al

5

,~~1

3
51

mLMav -

.

how man - V

-

8./

A7

ti - nes vou plav.

.

-

8./

Dm

Gm

be

5
2
. ,

to - mor - row It s

Vlad - i - mir Hor - 0 - witz

.

.
.

.

accelerando poco a poco al fine
Both hands 8va

Dm

Gm

Dm

A7

Dm
1

.
.
.
.

.
who'll

rBoth

be

hands

Dm

8va)

ap - plaud

-

ing

the

mu

- sic

3

5

------------Gm

,
f

.

*Pres- to, pres - tis - si - mo.

- - - . - - - - - - - - . - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -1

Gm

0, brav - is - si - mol

Dm

2

1

A7

Dm
1

and

3

5

.

1:"\

bet - ter each dav!

.
.

* Presto.

Italian tor "fast." This tempo mark means"faster than allegro."

I

The word prestissimo means "very fast." It usually means "as tast as possible."
* * Bravo, bravissimo! These Italian words are of ten shouted by audiences of virtuoso performers.
They can't be exactly translated, but they mean something like "Marvelous,
VERY marvelous!

I

..

18

INTRODUCTIONAND DANCE

This very popular folk tune uses mostly the primary chords in D MINOR, but you will also find two
D MAJOR TRIADS, plus the V7 and I chords in A MINOR and F MAJOR.
The popular song "Those Were the Days" was based on this aid folk melody.

KEY OF D MINOR
Key signature:
1 flat (Bb)

.

Adagio

.

Dm
J

-.

1/",

Folk Song

-

-

:::::::::,

r-

tJ

-...

r-

.

.
mp :::::::

10 ~

...

:::::--

-

1
3
5

D

~

tJ

.

.
.

1

--

~

t

tJ

~

0

.

-

1

-

\

mf
0

~
1
2
5

Dm
::-~

E7
4

.

A
1":"1

'

<
~
I

-

I

1
3
5

1

Gm
2

A7
~
8J 5
1

1":"1

~~

:
1
3
5

1":"1
4
1

=
1":"11":"11":"1
8J

1
2
5

I:::'

5

,
19
Allegro

' D

Dm
5

.
.

~

I
f)

4

1

-..1

..

5

-

-

..

-

1

.

f

Gm

-

-

TI

4

3

2

11

I.

I

r-

15

1

1

I

1

1

...

- -

-

I

...

1

1

3

I

I

2

I

C7

F

.

Gm

.

3

3

1
2

5

1
2

",..
Dm

I

'-

.

v

t.J
(

I

I

1

I

2,

:-~

-

==f

;

-:--

--

--

1_-

I

1

5

I

3

11'Dm

-

f)

~

..

~

3

I

~

1

2

-

A7

J

-

-

~

I

, ---5

1--~

=

I

...

.. I

I

.

-

-

A7

112.

- -.

1":"'\ 1":"'\ 1':"1

.

Dm

8va

~

.
.

-.

::>

1":"'\ 1":"'\

~

./ ",~~--

~ ~---

~

.

.
1
3
5

I
5

.

3

18
::>

I

.

thumb.

.

.

I

G'

1

3

I

I

4

Traditional

V7

2

2

3

*

1

5

1

5

1

5

1

5

:

);

~

.

2

5.

.

.

~

~

~

I

~

1

[~~
11

L:

Ë

I

~

1

.
~

Bva)

:,

I-

IV

I

V7

IV

2

5

.

3
5.

~

not

5

3

3

(F#J

sharp

1

1

~

written,

(as

loco

..

4'-';;:212

3

POSITION

1

~

3

,

moderato

MAJOR

G

OF

~

12.

I

1

..

~

.

.

r-EXTENOEO

3

.2

G

Signature:

:

.

I

I

.

l'

'2

2

1

..

the

G

1

5

2nd time 8va segue

of

3

1

07

Allegro

KEY

1.

.

1

D7

C

G

07

C

G

chords

Broken

chords

Block

MAJOR:

G

in

chords

Primary

,

side

2

3

.

Key

Review-The

the

--;-2

2

5

f-p

with

together

43

3

11.

:

~

h~h~B.

D

.

tJ

I

LA

and

.

I

~

C

the

Play

*

20

Key of G Major
-

CUCARACHA

~

r-E:XTENOEO POSITION~

..

.

21
G

1

3

5

1

5
1

4

.

f

...

.
.

5

1

','

I

I

I

:~;~f:' .
D7

1

.

3

3'

1

5

v.,

[

~

I

1

G

4~3

2---;--2

1

.

3

1

.
.

5

51

I

I

4

D7

I

.

..

1

2
1

I

1

3/,

[

r:;

4

--;;-2

1 2--'

I
5
2

"?--

f

::>

.
.

I

I

I

I 5

~

51

1

-

22

-

-

.

--

_..'III~

-

The Key of E Minor (Relative of G Major)

"

E MINOR is the relative of G MAJOR.
Both keys have the same key signature (1 sharp, F#).
REMEMBER: The RELATIVE MINOR begins on the 6th tone of the MAJOR SCALE.

~

,

'

"-

G MAJOR SCALE
.J

1st

2nd

4~n"

3rd

5th

6th

. .

E MINOR SCALE
1st

2nd

3rd

4th

5th

6th

7th

8th

The minor scale shown above is the ~TURAL MINOR SCALE.
The natural minor uses only notes that are found in the relative major scale.

The E Harmonic Minor Scale
In the HARMONIC MINOR SCALE, the 7th tone is raised ascending and descending.
The raised 7th in the key of E MINOR is D#. It is not included in the key signature,
but is written as an "accidental" sharp each time it occurs.
Practice the E HARMONIC MINOR SCALE with hands separate.

-

Begin slowly.

KEY OF E MINOR
Key

Signature: 1 sharp (F#J
7th raised

~äi

~

~

~

~

I

~

~

.~/~

I

~1~

~

~

I

~

7th raised

!

~

7th ra

+
.
.

1

IMPORTANT!

2

3

1

2

3

4

5

5

4

3

2

1

3

Af ter you have learned the E HARMONIC MINOR SCALE with hands separate,

you may play the hands together in CONTRARY MOTIO~, by combining
the two staffs above.

~

;11

23

THE HOUSE OF THE RISING SUN
KEY OF E MINOR.
Key signature:
1 sharp (F#)

.
..

Andante moderato
. .
2nd time both hands8vasegue
'\

---

3-1

,-v1..

1

~

..

.

2

legato
---

mf

tJ

.

-

~

-

'

5
I

3

4

.

1

15
/\

2

-

1

5
/\

13

1

~

~

I tJ

-

I

:

I

5

.

I

5,

.

13

1

5

I

I

2

.

..,.

4

2

1

5

3

-

I
1

15

3

1

Pedosimile*

.

..
5

2

~

1

1

5

tJ

..

5

Pedosimile

-

3

= Continue to

I

-5

-

I

~

2

R.H: d

~

I

~I

---~""---

.E){iE~DED

I

2

1

1':'\
5
1

"

~

*

1

I

pedal in the same manner.

I

1

'~'2
-A

.

poS\i \O~1':'\

..
:

1

I

~

24

The Primary Chords in E Minor
Reviewing the E HARMONIC MINOR SCALE, LH ascending.
,
..

KEY OF E MINOR

': .

Key signature:
1 sharp (F#J

e
4

5

i

iv

E MINOR

A MINOR

V7

B7

2

3

The following positions are of ten ~sed,

~

:

~

.0.,

678

I

~~~~~~~E~1

1

~

~

~

for smooth progressIons:
i
E MINOR

iv
A MINOR

V7
B7(5th omitted)

~

E Minor Chord Progression with i, iv, V7 chords.

~

4

5

4

"4

4

1

1

1

1

1

2

3

i

2

iv

3

i

2
5

i

i

1

3

5

iv

2

y7.

~.. i~~!~~~~~~~i~~~~fi~~~i~~~LH:
1
1
1
3
5

..

~j~

~~~~~~

~~!~~~~~g

~i~~

:

H

~R

Play several times, saying the chord names and numerals aloud:

1

2
5
i

3
5
y7

:
i

SAKURA
(Cherry Blossoms)
Andantemoderato
Em
1 ~

I
I '" Lr
t.J

I

.
.