The Illustrated Book of
o
Horseshoe
Centaur
uellect
vs.
Symbol of Good Luck
y
Instinct
Tortoise
Symbol of Long
TAROT
Life
^S
lard of Decision
Thousands of Signs
and Symbols from Around the World
Miranda Bruce-Mitford
CADUCEUS
Tiblem of Medicine
Freemasonry
Compass and Square
The Illustrated Book of
Symbols
The essential reference for decoding
signs and symbols
The world around us is filled with signs
and symbols. Those we have chosen to create,
such as alphabets and
flags, are universally
recognizable, but others, of uncertain and ancient
origin,
mean
Why,
different things to different peoples.
for example,
love, or a snake a
West and
a sign
a red rose the flower
is
symbol of
of wisdom
in
of
evil in the
China? Find the
answers to these questions and thousands of
others in this comprehensive and stimulating
visual guide
of signs and symbols. Specially
commissioned
illustrations
and photographs,
including artifacts, famous paintings, and
sculptures, provide a
much-needed
visual
key to this mysterious language.
The ultimate visual catalog
Showing thousands of
signs
symbols from East and West, The
Book ofSigns
and
Illustrated
& Symbols not only gives the
meanings of each, but also explores the symbols'
origins in art, religion, literature, psychology,
folklore.
and
For ease of reference the signs and
symbols are grouped by category, from flowers
and
religious
symbols to shapes and numbers, and
a clear cross-referencing system directs the reader
to related signs and symbols.
to
waders of
into
ir>n
all
ages, this
Designed to appeal
book
is
a rich source
of
and an indispensable reference book
for interpreting
and understanding signs and
symbols
Do
Azt
in
everyday
life.
eaded Serpent
Associated with
-ivingRain
re
$24.95
The
Illustrated
Book of
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The
Illustrated
Book of
Miranda Bruce-Mitford
ALLSTON BRANCH LIBRARY
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>ôôôôôô.%ôã%
AL BR
REF
AZ108
B78
1996x
A DK PUBLISHING BOOK
Emma
Senior Editor
US Editor Camela
I
Foa
Decaire
Senior Art Editor Sarah Ponder
iJREDTODK
Shamrock
Managing Editor Anna Kruger
Managing Art Editor
Peter Bailey
Art Editors Joanna Pocock, Martin Wilson
Editor Shirin Pahi
Assistant Designer Ali Cobb
DTP
Designer Nicola Studdart
Picture Research Sharon Southren
Production Katy Holmes
Index
& Glossary
First
Joanna Lane
American Edition,
I
468 10^75
Published
b)
DK
m
the
I
I'M M1STR1
nited States
Publishing
in.
York 1001(1
Vk
it
us on the
Copyright
©
All rights reserved
Egyptun funerary stela
(detail)
Conventions.
in a retnc,
Wot Id Wide Web Imp //www
1996 Dorling Kinderslej
I
ilk
com
muted, London
under International and Pan American Copyright
ublication ma) be reproduced, stored
transmitted in any form 01 b) an) means,
No pan
electronic, mechanical, phot>
rding, or otherwise,
without the prior written permission of tl
pyright ownei
Published in Great Britain by Dorling Kindersle) imited.
I
A CIP
I
catalog record for this
bi
liable
from the Librar
Congress.
ISBN 0-7894-1000-1
Islamic
Colour reproduction by Colourscan, Singapore
Pnnted and bound in Spain by Artes Graficas Toledo, S.A.
1)1. TO 1192- 1999
Shiva,
1
1
>rd 01
mi dani
i
Contents
Introduction
Tools
6
Weapons
iSr
90
Mythologies
& Religions
& Mourning
Death
92
12
Architecture
Ancient Deities
94
H
l:\er\da\ Objects
Judaism
96
16
Christianity
Symbol Systems
18
Hinduism
20
Buddhism
22
Islam
24
Ancestor
& Nature Spirits
Sea Creatures
Picture Writing
Numbers
& Others
Insects
56
Reptiles & Amphibians
58
102
Shapes
60
Mythical Beasts
Birds
28
64
& Patterns
104
Color
106
Mammals
26
00
J
54
Alchemy
108
Freemason r\
Nature
Sun
32
& Moon
Sex
& Sk\
Divination
&
34
Earth
70
\\2
72
Heraldic Emblems
114
Dance
& Theater
76
Magic
& Charms
40
78
Gardens
42
Musical Instruments
Trees
^strolog)
Human Body
38
Precious Stones
no
Fertility
36
Precious Matter
109
People 68
International Signs
116
Symbolic Gestures
118
80
Love
&
Marriage
(
rloSSCU
44
82
120
Plants
Clothing
Index
4d
84
111
Natures Foods
Jewelr)
48
86
I
lowers
50
Royalt)
88
\
urthei Reading
I
117
\
(
bicw ledgments
IS
l
Signs
&
Symbols
Introduction
tO
A FUNDAMENTAL PART OF HUMAN" NATURE not Onlv
J
survive and reproduce, but also to seek explanations
for the mysteries of life. Because these mysteries are in
T
IS
nTTTBTTTTl SMTUGQ
|JX.
/
beyond explanation, we use the language of
i
symbolism to represent them. Whether we live in
commercialized societies or communities relatively
unchanged by time, we are surrounded by signs,
images, and ideas that are often highly symbolic.
Most of us are largely unaware of the meaning and significance - even
the presence - of much of this symbolism, and an area of great richness
is closed to us. This book sets out to examine the nature of symbolism
and to present, in
fact
simple terms, both
familiar
and
unfamiliar symbols.
Signs or symbols?
A sign is an object or
idea that represents or
points to something else
in a fairly straightforward
Alcfo
kowing
i
way.
the
and
the
An advertisement,
for
example, reminds us of the
product it is promoting; a
\rabia, the tuple sun.
m
road sign indicates
conditions ahead; and a gesture expresses a mood,
the
we
modem world
challenges our sense
ol identity
often adopt signs to define ourselves, for
example
by donning badges or brand-name clothing.
A symbol is clearly linked in function to a sign,
and the two words are often used interchangeably,
but symbol generally has a deeper meaning. A
symbol is something that through its nature or
appearance reflects or represents another thing more
profound than
itself.
A
the flames of the sun.
fire,
for instance,
which
itself
may symbolize
has qualities of
warmth, light, and creative power, and is thus
equated with life force and masculine creative
strength. The creator gods of mythology, who possess
these very qualities, are usually linked to the sun.
On
a small scale, objects
such as the candle or lamp can
be also related to the imager) of the sun A symbolic
-
image
is
thus linked to
many
interpretations.
Paul Dehaux's surreal painting seems to be a hymn to
the goddess within her temple. The moon, night
nine
sea, flowers, and statue-head are all
realm, and the lamp signifies the divine spark
i
[NTRODl
(
%*%«-<
SYMBOLS
Symbols grow in meaning and complexity over
A\(
II
\
I
changing according to their
cultural context. But the subjects that have
preoccupied mankind from the earliest times hawremained relatively constant: fertility, both of the soi
and oi the human race, birth, life, and death.
Like the sun. the symbol ol the moon has also
always been recognized as significant because of
hundreds
qualities
it
ol years,
possesses that relate in
some way
to
deeper truths. The moon controls the tidal waters
and passes through stages from new moon to lull
moon. It is thus symbolic of water, pregnane), and
the cycle of death
and
birth.
Women,
the dark, and things of the night
all
sea creatures,
belong
to the
hrist's sacrifice
sphere
the
ol
fo)
the laithlul
moon. The Temple, by Delvaux,
combines much of
moon
bears fruit of redemption
this lunar imagery,
down on
shining
with the
mysterious goddess
Animals, birds, and trees all have
a
lull
figure.
their individual associations, as
well.
A
tree
may
and growth,
for
the Tree ol Life
represent
life
example, and
is
a S)
mbol
the
world over. In the I6th-centunj
engraving above, Christ is seen
crucified on the Tree ol Life, and
his crucifixion can be viewed as
a s\
mbol
ol sac rifice.
The death
or sac rifice ol a god or king
common theme
ol
is
a
- the shedding
divine blood ensures the
well-being
LO<
Kl
1)
mankind
ol
l\
(
OMB
\l
two reatures used
widespread One form,
represenl opposing for
found almost universally, shows a hud ol pre) doing
[mages
'
ol
<
perhaps the most symbolic ol
the bird represents the sun and
battle wiih a serpent
all
creatures
i
[ere
the heavens while the serpent, whic h w rithes on the
nd mk\
m
the water symbolizes the earth
and
&
Signs
Symbols
-%s%s%sA
In
Henri Pierre Picou
s
Homage
to
Nature summei
i
lie
and
_
»
»
\
«/«»
s
di/-v theii />Ic'iimuc'->
life-giving waters.
fertility
ct(
the feel
<>/
die i^ulili-ss
The two together represent creation
and die precariously balanced forces of nature.
Universal symbols
The theme ol die Goddess, or Earth Mother, permeates
world mythology and dates back thousands of years. Clay
figurines depicting large-
breasted
women
in their
nurturing, procreative role have
been found dating from as early
20,000 he All human Life
sprang from this symbolic
mother figure and depended on
her. The earth itself is regarded
as feminine and nurturing
because it is fertilized by rain,
and life springs from its soil.
Perplexed by the random,
as
.
1
5th-century cherub with \kull
some cultures chose to personify
woman. She is sometimes shown
often cruel, nature of fate,
form of a
blindfolded to symbolize the arbitrary nature of her decisions.
Along with the randomness of life, the inevitability ol
death turns up in common symbolic images. These take
many forms, from paintings showing a cherub juxtaposed
with a human skull, to the more familiar image of sand
ebbing out of an hourglass - all stark reminders ol the fate
fate in the
1
*rtuna, pit*
thewhee!
I
hat
must
befall
us
all.
I
N
However, although certain images are recognized as
symbolic by main societies, the symbolism ol a particular
image may vary From place to place and over time. The
forest, for example, is symbolic of retreat and meditation to
many Indians, a place in which the soul may draw nearer
tc> Brahman, the one true totality However, in the West, the
forest tends to be a sinister place, harboring dangerous
animals and robbers, us shadows representing the dark
places of the unconscious.
C \h
The
l\
MYTHOLOGY AND
ITU
l\l
U.l\
\l
In
[ON
captured our imaginations from ancient
Egyptian times to the present day, although, like the
The Cat
thai
Walked
cat has
to
human)
symbolism has varied enormously. In farming
communities the cat has always been a working animal, used to kill rats and
mice, and there has been little mystique surrounding it: however something in
the cats nature and appearance has given it associations with the night, mystery,
forest, its
.Ailutu Egyptiai
Tiu
and aloofness. Black cats, now considered luck) in main places, were
once associated with witchcraft, and ^ats feature prominently in children's
stories. Both the c heshire cal horn Alice's Adventures m Wonderland and
Kipling's Cat thai Walked h\ Himselj emanate mockery and enigma
In ancient Egypt cats were worshiped and the cull o\ Bastel centered around a cat
goddess Images ol ^ats were revered, and domestic ^ats were mummified at death so
that, like people, they
I
In
III
could enter an
afterlife
SYMBOl ISM ol DR1 SMS
main
parts ol the world
dream images,
interpret
dream symbolism
is
Wise men
the gods, and people act on
treated with respect
often thought to be sent In
tin
West however dreams are nowadays thought to be relativel)
unimportant, and the urgings ol the unconscious mind go largel) ignored In most
he psyc hologist Sigmund reud studied the s\ mbolism ol dreams and found
people
interpretations
I
In the
I
Signs
much
of
it
fulfillment.
to
&
Symbols
be related to wish-
He
believed that dreams
our deepest desires, often
rooted in infancy, and thought many
had sexual or erotic overtones. His
reflected
pupil Carl Jung believed that the
symbolism went deeper than the
purely sexual to include a spiritual
dimension.
Jung was fascinated by the way
which ordinary objects or people
Goya's The Sleep of Reason Produces
Monsters shows how daytime fears
can produce night-time terrors
in
appear in strange, often distressing,
contexts in peoples dreams and sought
to understand why. Many images, he
believed, appear in our dreams as a
direct product of the individual
unconscious, which is a highly
personal
amalgam
of
memories and
In this Indian miniature, men grapple with a giant trapped
emotions buried deep within us. Often we are not conscious of
in a well, representing "the shadow," or base desires we try
these impulses and they can only surface in dreams. A hairbrush,
to bury m the unconscious.
for instance, might tngger memories of ones hair being brushed by
ones mother in childhood, so symbolizing a caring
mother; however another individual might have been
struck with a hairbrush in childhood, triggering very
different associations. In Magritte's painting The Restless
Sleeper, a figure
dreams about
mundane and
are all somehow
a series of
apparently unrelated objects, but they
linked meaningfully in his unconscious.
Universal subconscious
After analyzing the dreams of many
Jung
concluded that certain images appear as symbols
universally and are therefore part of what he called the
collective unconscious, built on the cultural experiences
and memories of our ancestors. Images of being
pursued by a huge monster, of yearning for safety, or of
patients,
dangers lurking in the dark, are very commonly
experienced in dreams in all parts of the world.
Jung termed these universal images "archetypes."
There is the "anima," or female principle, which can
manifest as the goddess, queen, princess, or witch; and
an "animus," or male principle, which could be a god,
king, prince, wizard, or demon character. These figures
symbolize for us our image of male and female and
could represent either an aspect of ourselves, a parent,
or a loved one.
Other archetypes include the shadow, embodiment of
feelings of guilt or fear, particularly about our hidden
and unacknowledged feelings or desires.
Modern symbolism
todays world, symbols retain their power to affect
us, although we are perhaps less aware of their effects
In
The images
in Magritte's Restless
Sleeper seem disconcertingly simple
10
INTRODI
%^%s%^%sm
than in the past.
Some
symbols have remained
constant for centuries,
some
have evolved new meanings,
and
yet others are entirely
new.
One dramatic symbol
have emerged during the
course of the twentieth
century is the mushrooming
cloud of the atomic bomb.
to
This surely
is
the ultimate
image of the great
shadow
V
"a giant leap for
mankind"
ot
destruction that
humankind has
brought upon itself by opening the
Pandoras box of knowledge.
A more positive image is the American
moon landing from 1969. Witnessed by
600 million people throughout the world.
it
film star
is
often literally largei than
life
has become the ultimate symbol of
mans indomitable
spirit
and urge
for conquest.
Today's gods, goddesses, and superheroes
*
Some modern
that
assume semi-godlike status similar to
of the ancient Greek heroes. Creations such as Superman are not
fictitious characters
thought of as real, yet they embody the
classic male archetype o( the powerful
and heroic force for good. In
righting the wrongs of the world,
such figures appeal to an innate
need
in all of us.
Also appealing to this need are
the pop, sports, and film stars
who,
some, have
supplanted the gods
for
Since the death
largely
ol old.
ol "the King
Elvis Presley, for example, his
home, Graceland, has become
a shrine and place ol pilgrimage
for millions ol
devoted
men
followers
Sports heroes, too attraci
a
huge following, espec
among men
identity -
<\\u\
I
he sense
passion -
iall)
ol
group
tru
any football stadium as hordes ol Luis
cheer their heroes on in moments ol shared admiration Similai
instinctual urges can be seen ai rock concerts \\ hen members ol the
audience strike matches, light lighters, and hold up candles to express
nspire
is
evident
at
their devotion to then idols
lit
I
he resultani sea
(lames harks back to the symbolism
aupl
cultures throughoui histoi
I
I
ol flickei h
ol fire in religions
and
~**4
Mythologies
&
Religions
Our
search to explain what
our understanding
many myths and
is
lies
beyond
expressed
religions that
in the
have
evolved over the centuries. This quest has
resulted in the
and faith
religions
that
and
Greece
is
complex web of myth, legend,
our inheritance - from nature
the almost
human gods
of ancient
to today's multiplicity of faiths.
f
&
Mythologies
Religions
Greek
Ancient Deities
second millennium bc, Aegean
around the cult of the
mother goddess, but later the center of
civilization moved to the mainland, where
the Greeks worshiped divinities who fought,
squabbled, and loved, just like humans.
In the
religion revolved
The classical religions of Europe and Egypt no longer exist as belief
systems, but their mythology survives. Like modern-day Hinduism, these
religions were centered around groups of gods who more or less controlled
the lives of humans - and much of human activity involved the worship
and placation of those gods. Many of these ancient gods live on in our
imagination, and their symbolism has been absorbed into our language,
our music, poetry, and art. It is hardly unusual to hear
songwriters pay tribute to Venus, symbol of feminine
beauty, or to Cupids arrow piercing a lovers heart.
Zeus's I
thunderbolt
symbol of
powet
his
Egyptian
Eg\puan gods developed from the merging
of two earlier cultures, one with gods in
human form, and one with animal-shaped
Zeus
Zeus was king of the gods and god of the skies.
His well-known amorous conquests reflect the
Greek conquest of many outlying regions, and
the absorption of their mother goddess cults
gods. Gradually a remarkable religion
evolved that centered around the cult of
the dead.
Apollo
.Apollo, twin brother ol
Ami n-re
The creator god,
Amun, was merged
with Re. the sun god,
to form Amun-Re.
Known as "the hidden
\mun-Re was
the power ol the
invisible wind and
Osiris
Originally a powerful
god, Osiris was
in the Nile
River. His body was
fertility
drowned
ISIS
AND HORLS
mother
queen, and
as the
goddess, a
the sister of Osins. She
shown here suckling
Thoth
dismembered and
Depicted variously as
an ibis-headed man
scattered over the Nile
and
a
her son, Horus. Her
animals sacred to
him), Thoth is lord of
crown
the
is
is
in the
form of
a throne, suggesting
that she
was
the throne of the
pharaohs.
rr
/*
jL'
^
O
£.-3.
lord of
and reckoner of
the years.
He
is
-* *
2
£ £ ^ -^ -» ****
/
r
the
* >
r*
underworld. He
'
depicted
*
* *
m I
* 'A
T
all
of the earth to ripen.
His arrows were the
sun's rays.
Athena
music.
The daughter of Zeus,
Athena was the
He was also
god of shepherds and
goddess of wisdom
and learning, but
things.
Even the other gods
were unable to
also of warfare (hence
her helmet). Often
depicted with an owl,
she was the patron of
Athens - her owl is the
penetrate his
mysterious nature.
emblem
often
of that city.
in a
mummylike
«
is
the soul of
posture.
*
*
*
Eros
Known
9S>
2SS
Sky Goddess, Ni
ensuring the
growth of crops, which
sprang from his flesh.
He was later restored
to life and became a
symbol of resurrection,
as well as the god of the
helper of the dead and
protector of Osiris,
ruler of the underworld.
a personification of
? flF\
moon,
time,
originally
valley,
baboon uhe two
Artemis and son of
Zeus, was the sun god,
and caused the fruits
Anubis
JLl
Originally the jackalheaded god of the
dead. Anubis was
supplanted by Osiris
He was nevertheless
the protector of the
i
Nut was the sky goddess of Egyptian mythology and she is often depicted
touching the earth with her toes and fingers. The arch of her body
represents the arc of heaven. The stars on her body denote the Milky Way,
and she is sometimes surrounded by astrological signs.
dead and was often
carved on rock lombs.
,
14
to the
Romans
DON
Cupid, Eros was a
symbol ol earthly love.
He was the son of
Aphrodite, and carried
a bow and arrows with
which he pierced the
uhe Roman NeptUl
was symbolic ol the
power of the waters. He
hearts of his victims,
carried a trident,
causing them to
of creation,
as
passionately
in
fall
love
POSl
I
Brother ol Zeus and
god ol the sea, Poseidon
protect
i
symbol
and could
hose
at sea.
s
Roman
Celtic
The Romans absorbed elements ol all the
cultures they came into contact with. They
adopted the Greek gods as well as those
of other peoples they conquered, and had
hundreds of different gods, goddesses,
demigods, and spirits - each ol which
Although the pre-Roman
Europe
and the British Isles adopted some of the
gods ol the conquering Remans they had
related to virtually every aspect of
I
their
beliefs in a creatoi
trio
.
life.
They honored and worshiped the gods
order to safeguard themselves - in this
hie and the next
own
mother goddess, and nature
ol mothei 01 fertility godd< s»
sometimes presented together
-
are
in
Mini
r\
\
he warlike Minerva
often wears am
ike her Greek
I
I
counterpart Athena,
she represents the arts
wisdom, and teaming.
M \Ks
The son
ol
|up
Mars was
much-respected god
war He is usually
depicted with
in
a
one hand and
spear
a
The
shield in the other
month
March
ol
ol
ci
Irom his name.
Merc
i ry. Jt im m r. Jl no. Apoi lo
Mercury was the god ol commerce He appeared
late in the pantheon, at a time when trade
flourished He is sometimes equated with the
Greek god Hermes, messenger of the gods Here
he weighs Trojan against creek to decide the
i
the Trojan
Jupiter
i
War With him
are
Greek Zeus); |uno, wife
and goddess of
light, marriage, and
childbirth, and Apollo,
son of Jupiter
the
ol lupiter
Cerm nnos
emunnos is found throughout
Mere he is shown with antl
surrounded by animals In his [eft hand he holds
The horned god
the
Flora
Bacc
Flora was the goddess
l
of spring, the vine,
flowers,
and
grain,
she symbolized
i
estivals in her
fruit,
and
fertilit)
honor
were otten wild events
in
sualh depicted as
beautiful south.
nis was ''
a
(
eltk lands
ram-headed serpent, symbol
ol fertility
a
wine, and his worship
leatured much
drunken
(
Norse
I
revelry
he Nordic people,
who
lived in a harsh
climate, worshiped gods ol the elements
and nature
The birth of Aphroditi /Venus
name Aphrodite means
myth the goddess was said
The
em
ni a
scallop shell.
B) respecting
the gods, they
bom
from the loam, and in Creek
appeared from the
The image captured the imagination
hoped
and honoring
some
to exert
control over the fierceness ol the weather
to have
and painters through the ages English poel Alfred
Tennyson wrote ol Aphrodite beautiful hesh a\phrodite symbolized love and beaut) Hei Roman
equivalent, Venus, is equalh famous Below in
Bottieelli s painting, the god ol the West \\ ind is
gently blowing the beautiful Venus toward the shore,
where a nymph awaits read) to cloak her
ets
I
hen.
Odin,
l
hor,
I
un
Si
i
\LSO
i
Oon
I
ght:
HOI
i
>
binh
»»*»%.»%.%,%
&
Mythologies
Religions
Judaism
Judaism emerged
in
about the 14th century bc and has
evolved into a strongly monotheistic religion based on
a dialogue
between God, or Yahweh, and
people, the Jews.
The
chosen
his
patriarchs of Judaism are the
ancient leaders Abraham, his son
and grandson Jacob, whose
Isaac,
M
11
deeds are recorded in Genesis,
,-
i
i
Jk
book of
Bible. Today
the
first
the
Jews are scattered
throughout the
world, but
inked by
are
all
a culture
centered on Jewish
and
history, law,
family
life.
Jerusai
Star of David
Allied to Jewish
d to light the
mysticism, the star
of David
is
\i
i
|udaism, Islam.
\\o\\ to
and
(
hristianit)
Jerusalem was the
A.
made up
capital ol the ancient
two triangles, the
upward-pointing being
the sun, fire, and
ol
kingdom and
Jewish
site
the second temple,
ol
000 years ago
To Jew- the
buih
masculine energy; the
>
c
downward-pointing
the moon, water, and
ii
to symbolizi
ie
[ewish nation
female energy.
Aspects of pram
r
H Wl KKAH
Tin- 8-armed
is
Pram
menorah
used to celebrate
Hanukkah,
the festival
of light- Candles are
lit
on 8 consecutive
and
-
More
time
supply of sacramci
oil lasting 8 days, when
celebrating a
boy
starts
liberation
from
I
age
ollu
1,1
o
at
thirteen.
r) and
Jewish
slavi
a
s
coming
he
sabbath marks the Israelites
the eternal light in the
temple of Jerusalem
was relit in 164 u
I
BOOK
probably a Bar
Mitzvah gift,
the sabbath
sunset on Frida)
R
In- silvei prayei
book was
lews say
ill
on
which
at
in
home
at
ferveni |ews pray three
rs
nights to mark the
miracle of a da
[udaism both
pari in
the
I
i
BOO!
nation.
SlIOl \K
The shofar horn
Rosh Hashanah,
Mezuzah
Jewish
si{
Boy at prayer
the
New Year, and
I
Ins bo) has the
i
on the Jews
Traditionally the
calls
mezuzah
repent their sins bi
the Day ol Atonement.
is
positioned
by the front door. It
contains a tiny scroll,
>:cma, with words
from the Bible. This
calls on God's people
him totally,
and sums up the heart
to love
of the Jewnsh faith
The shofar
is
to
made
horn as a
reminder of the animal
KlPPAH
God
Male lews wear
Abraham
to sacrifice in
place of Isaac
around his arm and
on his forehead
he
wearingol God's
words" m this way is
I
of
a ram's
gave to
strapped
ritual telillm
\\
l
s|
This
i<\ \\ \|
|
is
Temple
70
itself
and
Jerusalem, destroyed by the
It
is
a
symbol both
ol
ol
Romans
the temple
and is the
pilgrimage and worship
of the Jewish nation,
most hoi) place
a skull-
cap, or kippah, as a sign
|
the onl) wall that survives from the
ol
& TEFILLIN
In
ol respect tor
God The
small leather boxes, or
contain passages
/('lillni
From the rorah and are
also worn while praying.
thought to foster
humility
he boy
also wears a tallit, or
prayei -haw
which
I
I
lias a tassel at ea< h
cornei symbolizing
the lour comers ol
,
the earth.
J I
[•
I^»
rORAH
The
Tor.i:
commandments - God
insti
s
nt the
ol Isra
word
___
^fter
The birth of Jewish
i
ol
God
they are
d thai
(
no one may toueh them They may be
unrolled only bv means of the handles
Dor
/hi
Torah because
w
During the Jewish people's long journey Irom
where they had been slaves, God spoke
heir leader, and made a pact, or
/i>uh
the
is i/i
ToKAIl MANTL1
Torah
covenant, with them His Ten Commandments
to the Jews were written in lire on tablets ol
stone and set out a moral and religious code
duct for his chosen people
-.re
traditionally
often
an
t
embroidered mantle, which both
protects them and reinforo
their aura ol p
Sukkot
Passover
'
The
>mmemorates
:
Passover
the
meah
Jus ol the |ews Irom Egypt, when the
angel ol death
the Israelites
sparing their lives At thi
ler, or
ritual
eaten
in
lamb
da
I
at the
Si
The
meal, all the foods
symbolic of that
journey
KKOl
'
koi
commem
in the
wilderness on
S\l IU VII k
A
dish of saltwater
shed
by
:mg
th-
in
their
Hou
captn
\kk
\/M>
Si/
I
I
1
V*
\|
M/VII
\l\i
flat,
ned
Passovi
k
n
I
\ii
Hill III
th.
;h
un
which the
l
in the
HI
1
1
WISH
|
••
&
Mythologies
Religions
*-%s%-*s%^s%s%^s**
Christianity
Christianity has
its
roots
m the Jewish faith and
its
belief of the Bible
prophecies of a Messiah (savior). Chnstians believe these prophecies were
fulfilled in the life of Jesus,
who
they believe
teachings, recorded in the gospels of the
love
and compassion, and
New
the
Son of God. His
Testament, stress brotherly
are rich in symbolic meaning. Since
2,000 years ago the Christian church has
all
is
its
binh
many denominations, but
split into
Christians are united in the central belief that Christ
died to redeem the sins of the world and
that his resurrection offers salvation.
Sacred Lamb
The
lamb is a symbol ol
John the Baptist described
him as the lamb of God that
taketh away the-sins ol the
sacrificial
Christ.
world." In this crazier (bishop's
crook) the lamb stands lor the
salvation ol the faithful.
A
Fish
The fish
a
is
symbol of
ROSAM
The rosary
is
both the
repetition of the
prayer "Hail
and
Man
also the string
ol beads used to count
each incantation. It
takes its name from the
rose,
symbol
ol
Man
Christ because in
Greek the
first letters
words Jesus
Son of God,
ol the five
Christ
Jesi
s
This
modern Russian icon shows Christ ble.-manner of the Eastern church. The thumb
m
1
the
forms a circle with the founh finger and the middle
and index fingers are crossed This represents
Chi and Rho, the first two Greek letters of his
name. Icons are seen as embodying spiritual truths
III
\ IRGIN
M
\R1
Christ,
and Roman Catholic churcl
is worshiped in her own
right She intercedes between man and God. and
is often called Mother of God. The cult ol Man is
similar to some mother goddi
In the Eastern
Man,-. Jesus
mother,
out ol the need for
ami
Savior, spell Ichthi
or
fish.
Three fishes
sent the
Trinity: the Father, the
Dovi
Son. and the Holy
John the Baptist saw the
Hoi) Spirit enter |esus
in the form ol a dove
Spirit.
The Cross
T:ias many
forms St. Peter was crucified
upside down. Constantine s combines th<
two letters for Christ in Greek; an anchor
combines the cross with
mbol
Man: and the Russian cross inclui.;
.
I
the inscription
and the
footi
the crucifix
CRl IH\
The image of
Christ on the
(
cross, the crucifix,
an object of
Christian
devotion. It
is
is
the most
rful
symbol of
Christian;'
reminder that
although Jesus
died on the cross
he rose again,
triumphing over
(
I
I
The
IK
ROSS
on a Celtic
(
ring
nbol of Irwh
-
F
Christianity, slant!
death.
in
and
eternity.
C
R<
III
.1
ol a
18
refers
)lace
both to Christian believers
of worship The central part
church, the nave,
flip,
"+>^%s%s%s%.
II
The church
and
symbol
ol the
i-
named
church
alter the Latin
usell
CHR
I
*•
T
1
A\
I
"n
Saints
Christian saints were particular!) devout people who lived -and
often died - for the Christian cause and have since been canonized
hy the church. There are thousands of saints, and main
are depicted in sculpture and paintings
ol
them
carrying attributes related to their life
or manner of death. St. Francis, for
instance, is seen with birds or
animals, and
St.
Catherine
carries a wheel.
sometimes
St. John the
M \ki
Baptist
carries his severed
A
head on
si
a platter.
Mac. dai
i
\i
pn isl
Mary Magdalene
former,
represents the
penitent sinner
\
John the
Baptist
in
coming
He
and
him He was
beheaded
at
it)
ind his whole life
humble beginnings
5u< h
ol his
-
I.
foretold the
of Christ
baptized
simplic
emphasize the spiniujl nature
opposed to matt rial rii hness.
the
disciple.
bom in
was the
Old Testament
prophets and Jesus' tirst
ol
\ii\in
Jesus was
John mt Baptist
COMMl NK)N
A
the wish ol
his last supper with his disciples |esus
broke bread and poured wine, which he
blessed and shared among them, saying that
they were his body and blood By imitating
i
Herod's wife and her
daughter. Salome, and his
head was presented to
them on
St. Ciiristophi r
St. Christopher
a plate
his actions at the
communion
Juki across
- the Juki was
carried a
a river
Chnst.
s
01
bod)
ritually ol the
the world
Christopher
the patron ol travel
itself
service,
hristians partake
c
i
and
bio, >d ol
i
Iiim
is
Bri \d
symbolizes the
ol
hrist
c
communion
it
In
takes
the form ol a wafei
(
Mill
St
ho
KlM's Will
I
\\i\i
The wine drunk
communion
blood
ol
c
is
at
the
shed
hrist,
mankind
fol
I
atherine died for
i
(
hristian beliefs,
flaming wheels -
hence net symbol
the whi
is
\i\
I
IGIOI
1
s
HOOKS
Si
he Bibl
||M
ith
I
Ol h
I
preach the Gospel
10
St
him
Ik
|ohn
\N(
is
01
Assist
the
l
\LSO
i
C
MHI
I
A
lil'
\cosii is
hrist to
Ml \
IK. .IN
Ml.
I
I
Pi
Hole
hold
letter,
the
s
symbolizing
n
i
hi-,
hi-
manner
right
ol
Mark,
man
like |onn,
holds the
<
to the Huils
iospel
then
ileum
%.--%s%s%^-+
19
&
Mythologies
Religions
Hinduism
Hinduism
is
the major religion of India.
It
has evolved over millennia and
complex range of traditions, religious beliefs, philosophy, and
mythology: The roots of Hinduism can be traced to the Aryans, who arrived in
India with a pantheon of male gods in the second millennium BC. The
encompasses
a
indigenous Indus valley peoples already had strong religious beliefs centered on
fertility cults
and
a
Mother Goddess. The Aryans adopted many of
their beliefs,
including the Goddess. All the gods and goddesses of Hinduism,
including Brahma (creator), Vishnu (preserver), Shiva (destroyer)
and the Goddess
are aspects of
Brahman, the one eternal
principle.
The conch,
The chakra, whet
symbolizing
oJc\
and
creation
transience
Brahma
The four heads of Brahma,
Krishna
An
incarnation
ol
Vishnu. Krishna
embodies divine
love.
His adventures are
recorded in the
Purana. Here
naughty child
the creator, symbolize the
four quarters, the four Vedas,
or religious texts, and the four
castes of Hinduism. Brahma has
become
less
important than Vishnu, Shiva, and the Goddess.
at
lu
i-
.1
stealing butter
Tht
man) hand
symbolize the
man)
aspet
q) ih,
deit)
ts
Lotus,
symbol oj
creation
and
purity.
Hanuman
1
lanuman, the mighty
monkey
general of the
epic Ramayana,
represents loyalty,
religious devotion,
Shiva
and courage.
Originally a mountain god, Shiva, meaning
auspicious, is the god of destruction. But, in a world
ol endless rebirths, destruction precedes creation.
He may be worshiped as a linga, or phallic symbol,
as an ascetic, as a teacher, or in his form as dancer
in the great
dance of creation and destruction.
Ganesha
Many
Ganesha overcomes
all obstacles and is
the god of new
signs
represent the
arm.
-
Club,
contained
symbol of
within the god
ventures.
authority
the head of an
elephant, and so
can forge through
DURGA
Vishnu
Durga
Originally connected with the sun, Vishnu is the preserver of the
universe and the embodiment of love, truth, and mercy To his
worshipers he is the supreme being from whom everything emanates.
He rides on Garuda, the fabulous bird, or rests on Ananta, the cosmic
serpent. Vishnu has been incarnated on earth in nine avatars, or
incarnations, some human, some animal. The tenth incarnation, the
Mother
Goddess and wields
horse avatar,
is
yet to
come.
is
oi
the ferocious
the
various weapons in her
ten hands. She stands
for the more active,
destructive aspects of
feminine nature
20
He has
le thickest jungle
myth Shiva
mistakenly
In
beheaded the
god, and only an
elephant's head
could be found
as a replacemeni
.
H
ISM
l\ PI
Objects oi worship
Hindu worship
In
*
ind involving the
>.
form
and
ide in the
ol Ri
d air.
clarified butter. Ritual
i
sprinkling rose water and scent, burning
ir other n
inc<
St
SHAW
\l
I
K
This ivor) sunt
shaker is shaped
like the
Om
This
is
perfumed
symbol ol
a sacred
syllable thought to
lotus,
shaped
\si
Bl R\l R
The incense
Inc
and future
exist
is
a ate
Sensuous nymphs
like this are found on
temple walls. They
shrine in a
symbolic
sacred to
Hindus, and even the
Swastika
as a
symbol of well-being.
specimen
must not be harmed.
Valued for us milk and
its dung, which is used
as fuel, the low
Count ere lock v.
probably represents
swastikas are
Mother
In India the swastika
is
an auspicious mark
worn as jewelry or
marked on objects
lowliest
purification
''/JJtillx.
The
Hindu temple
The central tower
represents
mouniatntop,
because mountains are the
sacred abodes ol the g
The image ol the god is in
architecture ol a
Wheels
is
the
.1
iky-chariol
qj
tnbolic
.
thai this
personify rain clouds
and mists and are
associated with
is
i
around a
Temple
Apsaras
The cow
used to
sprinkle
gods with sweet smells.
Sacred cow
like
a flower,
i
burner is waved
back and forth in the
shrine. Wafting the
aroma around welcomes
The sound, pronounced A-U-M, is thought to
be the one eternal syllable, in which the past.
the sun
god
and growth.
fertility
k
sprinkler.
creation
be the seed" of all
mantras, divine and
powerful words or sounds
present,
KOSE-W \n
M'RINKI ER
The »
headily
the cavelike inner
sanctum, the earthy
or
womb cnamb
ibolism
Earth.
sometimes considered
inauspicious The
symbol, which predates
Hinduism, is associated
with the sun and the
wheel of birth and
rebirth, and is
f
•
an emblem of
Vishnu
Shrine
DrvALi
The fall
The household shrine
Divali, the festival of
is
an important focus
light, is
festival ol
celebrated in
(.
WGES
honor of Lakshmi.
consort of Vishnu and
goddess of abundance
and good fortune It
The
also celebrates the
to visit holy sues,
of fresh flowers, fruit,
return Irom exile of
and cooked food
the hero
Benares, birthp
lliva
[*o she on the banks ol the
of daily pu)a. or
I
worship This is where
the gods are invited.
welcomed, and
worshiped Offerings
are-
placed before an image
and ino
may be burned
of the god,
.
iv.it. ir
.'I
Rama
Himalayas, home
sonified by the goddes!
:
Pilgrims
.111
Vishnu,
lamps were
holiest of the rivers ol India, the
rises in the
when
come
Ganges and
ashes
relit all
over the kingdom
to
llo.it ,iw.i\
to the
(
ol the
*
gods h
ranges
such as
hav
on
its
the best ol deaths for a
current
is
Hindu
Vncieni
II
Sm
M
illy
\\^\>
This
MAM
tain
suJK
I
1
i
1
KJUSHNA
a fol
t •
Smi\
i
\
milL
Ihenu, the
Sw IMIk
n his
>l
later life is 10 live
r
as
indicated by the
horizontal lines on his
ind the
buffal
Brmimv
Ganesh
\/s<>
•
in
1
Him!
•nan
2
1
the
\ IMIV
I
•
>
I