Before&After
BAmagazine.com
®
i U X
Howtoindthe
perfect
color
Getting that just-right
color is part art, part science.
We’ll show you. Continued
Continued
Perfectcolor 0453
Before&After
BAmagazine.com
®
i U X
Howtoindtheperfectcolor
Hiddeninyourphotoisthecolorpaletteyouneed.Here’showtogetitout.
No single visual element has
more effect on a viewer than
color. Color gets attention,
sets a mood, sends a message.
But what colors are the right
ones? The key is that color is
relational. Colors don’t exist in
a vacuum but are always seen
with other colors. Because of
this, you can design a colorcoordinated document based
on the colors in any element
on the page. Here’s how.
Here’sthesituation:Wehave
anacademicschedulefora
women’scollegetodesign,
andforaphotowehavethis
no-nonsense,freckle-faced
model.Thegoalistolook
fresh,aliveandpersonal(no
buildingsandgroundsshots)
whileconveyingthesense
thattheprogramisserious
andbusinesslike.Anote
oftrendinesswillbegood.
Colorisinvolvedinallofit.
2 of 16
Perfectcolor 0453
Before&After
®
Perfect color
BAmagazine.com
3 of 16
i U X
Lookclose,closer,closest
Every photo has a natural color palette. First step is to ind it and organize it. Zoom
in on your photo, and you’ll be astonished by how many colors you see.
Atnormalviewingdistance
(left)weseeafewdozen
colors:skintones,redhair,
blueeyes,bluejacket,but
zoomcloser,andweseemillions!Firststepistoreduceall
thosecolorstoamanageable
few;youwant16,32,64tops.
InPhotoshop,irstduplicate
thephotolayer(soyoudon’t
losetheoriginal),thenselect
Filter> Pixelate>Mosaic(right).
AlargeCellSizegivesyouvery
fewcolors;ifyouneedmore,
reducethesize.
3 of 16
Perfectcolor 0453
Before&After
Perfect color
®
BAmagazine.com
4 of 16
i U X
Pulloutthecolors
Now extract colors with the eyedropper tool. Work from the biggest color (the one you see
most of ) to the smallest. For contrast, pick up dark, medium and light pixels of each.
Workirstonthebigcolors.Thesearethe
onesyouseeataglance;herskinandhair
colorsandbluejacket.Thendothesmall
colors—hereyes,lips,thehighlightsin
herhairandsoftshadows.Youcanseein
thisimagealightsideandashadowside;
it’ssubtle,butpayattention.Finisheach
areabeforemovingon.Sortyourresults
bycolor,theneachcolorbyvalue(lightto
dark).Discardlookalikes.You’llbethrilled
bywhatyouind.
Lightside
Hair
Face
Shadowside
Hair
Jacket
4 of 16
Perfectcolor 0453
Before&After
®
Perfect color
5 of 16
BAmagazine.com
i U X
Tryeachoneon
Place the photo on a swatch of each color. The results are pretty, aren’t they? What’s fun
is that this will always look good, because the colors you’re using are already there.
Warmcolors
Thesearethewarmcolors—
pinks,salmons,sepias,
browns—ofthered-haired
model.Thewarmercolors
makeherlooksofterand
morefeminine.Thesecolors
wouldbegoodforacosmeticmessageoracaring
message.
Coolcolors
Thecoolcolors—blues,
mainly—makeforamore
serious,businesslikerelationshipandconveyadirect,
to-the-pointmessage.Note
thatasthevaluesgetdarker,
herfacegetsperceptually
brighterandappearstorise
offthepagetowardyou.
5 of 16
Perfectcolor 0453
Before&After
®
Perfect color
6 of 16
BAmagazine.com
i U X
Addtothecolors
The next step is to add more colors. Select any of the colors, and locate it on the color wheel.
The purpose of a color wheel is to show you a color’s relationship to other colors.
Pickanyofthephoto’scolors—
let’susethisblue—andindits
generalvicinity*onthecolor
wheel.We’llcallthisthebase
color.Wealreadyknowthatthe
basecolorgoeswiththephoto.
Ourjobnowistoindcolors
thatgowiththebasecolor.
Keepinmindthatiftypeor
othergraphicisinvolved(pretty
typical),you’llneedbothdark
andlightcolorsforcontrast.
*Becausethewheelisdeliberately
basic,youwillrarelymakeanexact
match.It’sonlyaguide.
6 of 16
Perfectcolor 0453
Before&After
®
Perfect color
7 of 16
BAmagazine.com
i U X
Createcolorpalettes
From your base color, you can now create an exciting range of coordinated color palettes.
Values can mix. For example, medium blue works with light teal and dark violet.
Monochromatic
Firstarethedark,mediumandlight
valuesofthebasecolor.Thisisamonochromaticpalette.Ithasnocolordepth,
butitprovidesthecontrastofdark,
mediumandlightthat’ssoimportant
togooddesign.
Analogous
Onecolorstepeithersideofthebase
colorareitsanalogouscolors.Analogous
colorsshareundertones(here,bluegreen,blue,andblue-violet),which
createbeautiful,low-contrastharmony.
Analogouspalettesarerichandalways
easytoworkwith.
7 of 16
Perfectcolor 0453
Before&After
®
Perfect color
8 of 16
Complement
Directlyoppositethebasecolorisits
complement—inthiscase,theorange
range.Whatthecomplementbringsis
contrast.Acoloranditscomplement
conveyenergy,vigorandexcitement.
Typically,thecomplementisusedina
smalleramountasanaccent;aspotof
orangeonablueield,asshownabove.
BAmagazine.com
i U X
Splitcomplement
Onestepeitherwayarethecomplement’sownanalogouscolors.This
paletteiscalledasplitcomplement.Its
strengthisinthelow-contrastbeauty
ofanalogouscolors,plustheadded
punctuationofanoppositecolor.In
thiscase,thebluewouldmostlikely
beusedastheaccent.
8 of 16
Perfectcolor 0453
Before&After
®
Perfect color
9 of 16
Complement/analogous
Thismixedpaletteisthesameasthe
splitcomplementbutwithmorecolor.
Itsaddedrangeyieldssoft,richharmonyonthewarmsideandsharp,icy
contrastonthecoldside,anintense
andexcitingcombination.
BAmagazine.com
i U X
Analogous/complement
Colorsanalogoustoourbasecolormake
coolharmonypunctuatedbyahotspotof
complementarycolor.Keepinmindthat
oppositesofthesamevaluetendtoight
butcomplementwhendifferent(below).
Thisiswhyyouwanttoeyedropperdark,
mediumandlightvaluesofeachcolor.
Oppositecolors,
samevalue
Oppositecolors,
differentvalues
9 of 16
Perfectcolor 0453
Before&After
®
Perfect color
BAmagazine.com
10 of 16
i U X
Editandapply
Design the page, and now it’s time to make color choices. How to pick? The key is to think
message. Weigh each against the original purpose by asking, which colors meet the goal? *
Mitner
Allbusiness—Blueiseveryone’sfavoritecolor.What’s
interestinghereisthatblueandorangearenativeto
thephoto,givingitexcellentnaturalcontrast.Theblue
backgroundswallowsherjacket,allowingherintensegaze
toliftrightoffthepage.Handsomeandbusinesslike.
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
*Reviewthedesigngoalonpage2
10 of 16
Perfectcolor 0453
Before&After
®
Perfect color
11 of 16
Mitner
i U X
BAmagazine.com
Serious—Thispalettebeganinthedeepredofherhair,
andforanaccenttooktwostepstowardyellow.Hereyes
andjacket,whichonbluerecededintothebackground,
nowstandincontrast.Notethattheredinherhairisa
merehighlight,butillingthepageitacquiresrealweight.
Serious,warm,drawsthereaderin.
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
11 of 16
Perfectcolor 0453
Before&After
®
Perfect color
12 of 16
Mitner
BAmagazine.com
i U X
Intense—Thehighlightsinherhaircarrythispage;the
blueaccentlendscontrastanddepth.Anunexpected
pointofinterestistheyellowheadline,whichseemscut
outofthephoto.Dimensionallylat,thismixisintenseand
engaging(andwouldwinthedesigncontest),butittakes
adaringclienttochooseit.
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
12 of 16
Perfectcolor 0453
Before&After
®
Perfect color
13 of 16
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
BAmagazine.com
i U X
Casual—Analogoustotheblue—asteptowardgreen—is
teal,abeautifulcolornotinthephoto.Itsdifferenceadds
depthandvibrancyandrelaxesthemessagesomewhat;it’s
trendiernow,moreapproachable.Hereyes,whichagainst
bluelookedblue,nowlookgreen.Typecolor,stilllight
orange,isasoftcontrast.
Reminder:Valuesmix.Youcan
alwaysusedark,mediumand
lightofanycolor.Notehereboth
mediumandlightteal.
13 of 16
Perfectcolor 0453
Before&After
®
Perfect color
14 of 16
Mitner
BAmagazine.com
i U X
Pretty—Onesteptheotherwayisblue-violet,another
colornotinthephoto.Blue-violetisashifttowardred;the
resultisaslightlylatterimage,becauseface,hairandbackgroundarenowmorealike.Blue-violetisacoolcolornormallyassociatedwithsoftness,femininity,andspringtime
(withundertonesoffreshness).
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
14 of 16
Perfectcolor 0453
Before&After
®
Perfect color
BAmagazine.com
15 of 16
i U X
Articleresources
Typefaces
Colors
1(a–b)TrajanBold|a)36pt,b)8pt
2TrajanRegular|18pt
8
Mitner
3
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
1a
2
1b
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
5
7
4
5
9
4
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
6
7
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
10
Images
3Rubberball.com
4
C0M40Y60K0
5
C100M60Y0K45
6
C0M40Y100K0
7
C0M90Y80K45
8
C0M25Y60K0
9
C60M0Y20K15
10 C30M0Y12K0
11 C100M90Y0K25
12 C60M50Y0K15
11
4
12
15 of 16
Perfectcolor 0453
Before&After
®
Perfect color
BAmagazine.com
16 of 16
SubscribetoBefore&After
Did you enjoy this article? Subscribe, and
become a more capable, conident designer
for pennies per article. To learn more, go to
/>
i U X
Before&Aftermagazine
Before&Afterhasbeensharingitspracticalapproach
tographicdesignsince1990.Becauseourmodernworld
hasmadedesignersofusall(readyornot),Before&
Afterisdedicatedtomakinggraphicdesignunderstandable,usefulandevenfunforeveryone.
To pass along a free copy of this article to
JohnMcWadePublisherandcreativedirector
GayeMcWadeAssociatepublisher
VincentPascual Staffdesigner
DexterMarkAbelleraStaffdesigner
others, click here.
Editorialboard GwenAmos,CarlWinther
E-mailthisarticle
Joinoure-list
To be notiied by e-mail of new articles as
they become available, go to
/>
Before&Aftermagazine
323LincolnStreet,Roseville,CA95678
Telephone916-784-3880
Fax916-784-3995
E-mail
www
Copyright©2005Before&Aftermagazine,ISSN
1049-0035.Allrightsreserved
Youmaypassthisarticlearound,butyoumaynotalter
it,andyoumaynotchargeforit.Youmayquotebrief
sectionsforreview.Ifyoudothis,pleasecreditBefore
&Aftermagazine,andletusknow.Tofeaturefree
Before&AfterarticlesonyourWebsite,pleasecontact
us.Forpermissiontoincludeallorpartofthisarticlein
anotherwork,pleasecontactus.
16 of 16
| Printing formats
Perfectcolor 0453
Before&After
BAmagazine.com
®
i U X
Before&Afterismadetoityourbinder
Before & After articles are intended for permanent reference. All are titled and numbered.
For the current table of contents, click here. To save time and paper, a paper-saver format of this article,
suitable for one- or two-sided printing, is provided on the following pages.
Forpresentationformat
Print:(Specifypages1–16)
Forpaper-saverformat
Print:(Specifypages18–25)
Print
Format:Landscape
PageSize:FittoPage
Save
Presentationformator
Paper-saverformat
Back
| Paper-saver format
Howtoindthe
perfect
color
Getting that just-right
color is part art, part science.
We’ll show you.
No single visual element has
more effect on a viewer than
color. Color gets attention,
sets a mood, sends a message.
But what colors are the right
ones? The key is that color is
relational. Colors don’t exist in
a vacuum but are always seen
with other colors. Because of
this, you can design a colorcoordinated document based
on the colors in any element
on the page. Here’s how.
0453 Howtoindperfectcolor
Here’sthesituation:Wehave
anacademicschedulefora
women’scollegetodesign,
andforaphotowehavethis
no-nonsense,freckle-faced
model.Thegoalistolook
fresh,aliveandpersonal(no
buildingsandgroundsshots)
whileconveyingthesense
thattheprogramisserious
andbusinesslike.Anote
oftrendinesswillbegood.
Colorisinvolvedinallofit.
Before&After|www.bamagazine.com
1 of 8
Howtoindperfectcolor 0453
Lookclose,closer,closest
Every photo has a natural color palette. First step is to ind it and organize it. Zoom
in on your photo, and you’ll be astonished by how many colors you see.
Atnormalviewingdistance
(left)weseeafewdozen
colors:skintones,redhair,
blueeyes,bluejacket,but
zoomcloser,andweseemillions!Firststepistoreduceall
thosecolorstoamanageable
few;youwant16,32,64tops.
InPhotoshop,irstduplicate
thephotolayer(soyoudon’t
losetheoriginal),thenselect
Filter> Pixelate>Mosaic(right).
AlargeCellSizegivesyouvery
fewcolors;ifyouneedmore,
reducethesize.
Pulloutthecolors
Now extract colors with the eyedropper tool. Work from the biggest color (the one you see
most of ) to the smallest. For contrast, pick up dark, medium and light pixels of each.
Workirstonthebigcolors.Thesearethe
onesyouseeataglance;herskinandhair
colorsandbluejacket.Thendothesmall
colors—hereyes,lips,thehighlightsin
herhairandsoftshadows.Youcanseein
thisimagealightsideandashadowside;
it’ssubtle,butpayattention.Finisheach
areabeforemovingon.Sortyourresults
bycolor,theneachcolorbyvalue(lightto
dark).Discardlookalikes.You’llbethrilled
bywhatyouind.
Lightside
Hair
Face
Shadowside
Hair
Jacket
0453 Howtoindperfectcolor
Before&After|www.bamagazine.com
2 of 8
Howtoindperfectcolor 0453
Tryeachoneon
Place the photo on a swatch of each color. The results are pretty, aren’t they? What’s fun
is that this will always look good, because the colors you’re using are already there.
Warmcolors
Thesearethewarmcolors—
pinks,salmons,sepias,
browns—ofthered-haired
model.Thewarmercolors
makeherlooksofterand
morefeminine.Thesecolors
wouldbegoodforacosmeticmessageoracaring
message.
Coolcolors
Thecoolcolors—blues,
mainly—makeforamore
serious,businesslikerelationshipandconveyadirect,
to-the-pointmessage.Note
thatasthevaluesgetdarker,
herfacegetsperceptually
brighterandappearstorise
offthepagetowardyou.
Addtothecolors
The next step is to add more colors. Select any of the colors, and locate it on the color wheel.
The purpose of a color wheel is to show you a color’s relationship to other colors.
Pickanyofthephoto’scolors—
let’susethisblue—andindits
generalvicinity*onthecolor
wheel.We’llcallthisthebase
color.Wealreadyknowthatthe
basecolorgoeswiththephoto.
Ourjobnowistoindcolors
thatgowiththebasecolor.
Keepinmindthatiftypeor
othergraphicisinvolved(pretty
typical),you’llneedbothdark
andlightcolorsforcontrast.
*Becausethewheelisdeliberately
basic,youwillrarelymakeanexact
match.It’sonlyaguide.
0453 Howtoindperfectcolor
Before&After|www.bamagazine.com
3 of 8
Howtoindperfectcolor 0453
Createcolorpalettes
From your base color, you can now create an exciting range of coordinated color palettes.
Values can mix. For example, medium blue works with light teal and dark violet.
0453 Howtoindperfectcolor
Monochromatic
Firstarethedark,mediumandlight
valuesofthebasecolor.Thisisa
monochromaticpalette.Ithasnocolor
depth,butitprovidesthecontrastof
dark,mediumandlightthat’sso
importanttogooddesign.
Analogous
Onecolorstepeithersideofthebase
colorareitsanalogouscolors.Analogous
colorsshareundertones(here,bluegreen,blue,andblue-violet),which
createbeautiful,low-contrastharmony.
Analogouspalettesarerichandalways
easytoworkwith.
Complement
Directlyoppositethebasecolorisits
complement—inthiscase,theorange
range.Whatthecomplementbringsis
contrast.Acoloranditscomplement
conveyenergy,vigorandexcitement.
Typically,thecomplementisusedina
smalleramountasanaccent;aspotof
orangeonablueield,asshownabove.
Splitcomplement
Onestepeitherwayarethecomplement’sownanalogouscolors.This
paletteiscalledasplitcomplement.Its
strengthisinthelow-contrastbeauty
ofanalogouscolors,plustheadded
punctuationofanoppositecolor.In
thiscase,thebluewouldmostlikely
beusedastheaccent.
Before&After|www.bamagazine.com
4 of 8
Howtoindperfectcolor 0453
Complement/analogous
Thismixedpaletteisthesameasthe
splitcomplementbutwithmorecolor.
Itsaddedrangeyieldssoft,richharmonyonthewarmsideandsharp,icy
contrastonthecoldside,anintense
andexcitingcombination.
Analogous/complement
Colorsanalogoustoourbasecolormake
coolharmonypunctuatedbyahotspotof
complementarycolor.Keepinmindthat
oppositesofthesamevaluetendtoight
butcomplementwhendifferent(below).
Thisiswhyyouwanttoeyedropperdark,
mediumandlightvaluesofeachcolor.
Oppositecolors,
samevalue
Oppositecolors,
differentvalues
Editandapply
Design the page, and now it’s time to make color choices. How to pick? The key is to think
message. Weigh each against the original purpose by asking, which colors meet the goal? *
Allbusiness—Blueiseveryone’sfavoritecolor.What’s
interestinghereisthatblueandorangearenativeto
thephoto,givingitexcellentnaturalcontrast.Theblue
backgroundswallowsherjacket,allowingherintensegaze
toliftrightoffthepage.Handsomeandbusinesslike.
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
*Reviewthedesigngoalonpage2
0453 Howtoindperfectcolor
Before&After|www.bamagazine.com
5 of 8
Howtoindperfectcolor 0453
Serious—Thispalettebeganinthedeepredofherhair,
andforanaccenttooktwostepstowardyellow.Hereyes
andjacket,whichonbluerecededintothebackground,
nowstandincontrast.Notethattheredinherhairisa
merehighlight,butillingthepageitacquiresrealweight.
Serious,warm,drawsthereaderin.
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
Intense—Thehighlightsinherhaircarrythispage;the
blueaccentlendscontrastanddepth.Anunexpected
pointofinterestistheyellowheadline,whichseemscut
outofthephoto.Dimensionallylat,thismixisintenseand
engaging(andwouldwinthedesigncontest),butittakes
adaringclienttochooseit.
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
0453 Howtoindperfectcolor
Before&After|www.bamagazine.com
6 of 8
Howtoindperfectcolor 0453
Casual—Analogoustotheblue—asteptowardgreen—is
teal,abeautifulcolornotinthephoto.Itsdifferenceadds
depthandvibrancyandrelaxesthemessagesomewhat;it’s
trendiernow,moreapproachable.Hereyes,whichagainst
bluelookedblue,nowlookgreen.Typecolor,stilllight
orange,isasoftcontrast.
Mitner
FALLSCHEDULE
Reminder:Valuesmix.Youcan
alwaysusedark,mediumand
lightofanycolor.Notehereboth
mediumandlightteal.
SCHOOLOFBUSINESSADMINISTRATION
Pretty—Onesteptheotherwayisblue-violet,another
colornotinthephoto.Blue-violetisashifttowardred;the
resultisaslightlylatterimage,becauseface,hairandbackgroundarenowmorealike.Blue-violetisacoolcolornormallyassociatedwithsoftness,femininity,andspringtime
(withundertonesoffreshness).
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
0453 Howtoindperfectcolor
Before&After|www.bamagazine.com
7 of 8
Howtoindperfectcolor 0453
Articleresources
Typefaces
Colors
1(a–b)TrajanBold|a)36pt,b)8pt
2TrajanRegular|18pt
8
Mitner
3
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
1a
2
1b
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
5
7
Images
3Rubberball.com
4
5
SCHOOLOFBUSINESSADMINISTRATION
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
6
7
Mitner
FALLSCHEDULE
SCHOOLOFBUSINESSADMINISTRATION
5
C100M60Y0K45
6
C0M40Y100K0
7
C0M90Y80K45
8
C0M25Y60K0
9
C60M0Y20K15
11 C100M90Y0K25
4
FALLSCHEDULE
C0M40Y60K0
10 C30M0Y12K0
9
Mitner
4
12 C60M50Y0K15
10
11
4
12
SubscribetoBefore&After
Before&Aftermagazine
Before&Afterhasbeensharingitspracticalapproach
tographicdesignsince1990.Becauseourmodernworld
hasmadedesignersofusall(readyornot),Before&
Afterisdedicatedtomakinggraphicdesignunderstandable,usefulandevenfunforeveryone.
Did you enjoy this article? Subscribe, and
become a more capable, conident designer
for pennies per article. To learn more, go to
/>
To pass along a free copy of this article to
JohnMcWadePublisherandcreativedirector
GayeMcWadeAssociatepublisher
VincentPascual Staffdesigner
DexterMarkAbelleraStaffdesigner
others, click here.
Editorialboard GwenAmos,CarlWinther
E-mailthisarticle
Before&Aftermagazine
323LincolnStreet,Roseville,CA95678
Telephone916-784-3880
Fax916-784-3995
E-mail
www
Joinoure-list
To be notiied by e-mail of new articles as
they become available, go to
/>
Copyright©2005Before&Aftermagazine,ISSN
1049-0035.Allrightsreserved
Youmaypassthisarticlearound,butyoumaynotalter
it,andyoumaynotchargeforit.Youmayquotebrief
sectionsforreview.Ifyoudothis,pleasecreditBefore
&Aftermagazine,andletusknow.Tofeaturefree
Before&AfterarticlesonyourWebsite,pleasecontact
us.Forpermissiontoincludeallorpartofthisarticlein
anotherwork,pleasecontactus.
0453 Howtoindperfectcolor
Before&After|www.bamagazine.com
8 of 8
Howtoindperfectcolor 0453