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<b>KY THI HQC SJNH G I ~ I TBANH PHO </b>
<b>M ~ N THI: TIENG ANH </b>
<b>Nghy </b>thi: <b>05- 4 </b>
<b>( 9 . m </b> <i><b>gbnd </b><b>rang. 'Thi sinh </b>ihn+ <b>bdi </b>vdo (d. ;it& <b>niry </b><b>v d </b></i><b>khdng </b><i><b>dvy c </b></i>s i i <i><b>dung </b></i>
<i><b>bkr </b><b>k.C </b><b>loai </b><b>ttri </b><b>ligu </b>n i o <b>kg </b><b>cd </b></i><b>ri </b><i><b>dibn. </b><b>G i m </b><b>thj khdng </b></i>gibi <i>rhich gi <b>rhirn) </b></i>
<i><b>A. </b><b>You </b><b>will </b><b>hear </b></i><b>Lhae </b><i><b>dgermt </b>tWuc& <b>For </b><b>qu&w </b></i> <i><b>1- </b></i>
<i><b>Extract One </b></i>
<i><b>You </b><b>hear </b><b>two guests on a </b></i><b>radio </b><i><b>program discussing </b><b>f r a l l ~ l </b><b>and holidays. </b></i>
1. What do they
<b>A. </b>Watching television can spoil a holiday.
B. Holidays are for <b>getting away </b>from it all.
C. It's important not to lose touch with realib on hoiiday.
2.
B. It's not the best part of <b>a holiday. </b>
<b>C. </b> It generally makes her feel restless.
<b>Extract Two </b>
<i><b>You </b><b>hear </b><b>part </b><b>ofan intetview with </b><b>a Formula </b><b>One </b><b>racing </b><b>driver. </b></i>
3. What does the driver say about keeping fit?
<b>A </b>Working <b>out </b>in the
B. <b>Playing other sports helps </b>develop key muscles.
<b>4. In </b>his <b>opinion, what makes a great Formula One driver? </b>
<b>A , </b>an outstanding natural ability behind the wheel.
B. enough mechanical knowledge to help design cars.
<b>C. </b>the flexibility to perform well in <b>a </b>range of <b>vehicles. </b>
<b>Extract Three </b>
<i><b>ZIou </b><b>hear </b><b>huo </b><b>people </b></i>
S.The presenter says that each of the finalists in the competition <b>will </b>
<b>A. win a money prize </b>
<b>B , </b>be invited to a prestigious <b>event. </b>
<b>C. </b>Have their story published in the press.
6. Moira advises those entering the competition to
<b>A , </b>write about <b>their own life and experiences. </b>
<b>B, base their </b>story on one by a well-hi now^ writer.
C, avoid being over-ambitious in the scope of the story.
<b>PART II: PHONETICS (2,Opts) </b>
<i><b>I. </b><b>Choose </b><b>the word whose </b><b>BOU) </b><b>part </b></i><b>is </b>
<b>1. </b>
<b>5. A , other </b>
<i><b>II. </b><b>Choose the word </b><b>whose </b><b>stress pattern </b></i> <b>is different </b><i><b>from </b></i> <i><b>that of the </b><b>otliers </b><b>by </b></i>
<i><b>circling </b><b>A , </b><b>B, C </b><b>or </b></i>
.0 1. <b>A. </b>community
<b>2. A. infa </b> <b>El, W ~ Y </b>
3. <b>A. </b>concen
<b>4. A. </b>repeat <i><b>3 , </b></i>affect <i><b>C . </b></i><b>accept </b>
<i><b>5 . </b></i><b>A . awake </b>
<b>Chu Qch h@i </b>
I
~b
, ...
<b>1. He regrets </b> <b>Ann </b>the <b>truth. </b>He <b>shouldn't have trusted her. </b>
<b>A. to </b>tell B. tell <b>C, </b>telling
<b>2. That old woman asked me </b> <b>a </b>coin but <b>I didn't </b>have <b>any. </b>
<b>A. </b>with
<b>3. You </b><i><b>are </b></i>going <b>to </b>
<b>A . will you </b>
<b>A. </b>that <b>B , </b>which <b>C. </b>who
<b>A. get </b>
<b>A. has </b>stolen B, <b>have stolen </b>
<b>A , so were </b> <b>B, neither were </b> <i>C, </i>were <b>too </b>
<b>8. </b>
<b>A. </b>suits
10. <b>There are two small rooms in the beach house, </b> <b>served as a kitchen. </b>
<b>A , smallest of </b>that <b>B. the smallest of </b>which
1 1. <b>They decided to buy </b>a <b>(an) </b> <b>car </b>that doesn't <b>use </b>too <b>much </b>petrol.
<b>A. </b>economic <b>13, </b>low-priced C. economical
<i><b>12. </b></i>You <b>will </b> <b>to </b>go
<b>A , form </b>
13. <b>The brothers are so alike I cannot </b> one fmm the other.
<b>A. say </b> B, notice <b>C, mark </b>
14.
<b>A. at the centre </b> <i><b>3. </b></i><b>on her way </b> <b>C. </b><i>in </i><b>the middle </b>
<b>A. </b>on €3. about <b>C, </b>for D. in
<i><b>11. </b><b>Fill </b><b>in </b><b>each </b><b>gap </b><b>of </b><b>the </b><b>following </b><b>sentences a </b><b>suiiuble prepositwn: </b><b>(1 </b><b>-0 </b><b>pi) </b></i>
1. <b>We have acted </b> accordance <b>with your wishes. </b>
<b>2. </b> They often spend their holidays
3.
5. <b>After walking around the garden, </b>he sat ease in an armchair.
<i><b>6 . </b></i> <b>I don't </b>believe you made the pot hand.
<b>7. </b> <b>others he </b>began ro use foreign languages as a means to <b>know the worid. </b>
8. With the help of my classmates, I <b>made progress in all subjects </b> <b>physics. </b>
9. <b>She lives in </b>a <b>world of her own. She is out </b> <b>touch with reality. </b>
<i><b>111. </b><b>Use </b><b>the words </b><b>given </b><b>in </b><b>boM </b><b>at </b><b>the end </b><b>of </b><b>each </b><b>tine </b><b>to </b><b>form </b><b>a word </b><b>thatfus </b><b>in </b><b>tile </b></i>
<i><b>space. </b><b>(2.0 pts) </b></i>
2. The homemade <b>ice-cream </b>- <b>after it had </b>been in the <b>frcezer for an </b>hour
<b>(hard) </b>
3. He is <b>so </b>
<b>4. </b>
<i><b>5 . </b></i><b>It was a long, s l o ~ </b>film. I <b>nearly died </b>of <b>{bore) </b>
<i><b>6 . 1 </b></i>enjoyed
7. The <b>traffic in the city is </b> , . <b>especially in rush hours. (chaos) </b>
<b>8. </b> houses <b>are degraded </b>more <b>quickly </b>than <b>inhabited ones. (use) </b>
<b>9. We can look forward to </b>a period of <b>(proper) </b>
<b>10. The teacher warned the children </b>that if <b>they </b> again, they would b
<b>punished. (behave) </b>
<i><b>W. </b><b>Compk-te the foUo </b><b>wing </b><b>sente~ces </b><b>with </b><b>rke </b><b>correct </b><b>form </b><b>of the </b><b>phrasal verbs given i </b></i>
Eg. (0). <b>I'll-take- </b> that book <b>-along </b> with me.
<b>1. </b> Shall <b>we </b> your sister when <b>we </b>visit London?
<b>2. </b> Sorry, I am late. I was. '
in <b>the </b>traffic <b>for half an </b>hour.
<i><b>bold </b></i>
-
<b>3. </b>The course <b>was </b>so <b>difficult that 15 s~udents: </b> <b>before the end. </b>
4. It's too dark. I can't <b>really </b> <sub>who is </sub><b>standing </b>outside the door.
<i><b>5 . </b></i>I think the milk has
7. Unless you put more <b>wood on </b>the fire, it will
8. It took the firemen 5 hours to - the fire.
<b>9. </b>Let's the <b>grammar </b>one more time before the test.
10. We had thought <b>it </b>might be <b>a bit </b>cold, but it to be
<b>NATURE'S </b>CLOCKS
Our biological clocks govern <b>almost every aspect of our lives, Our sensitiviv </b>to stimuli (1 ) <b>over </b>the course of the day, and our
ability to perform certain functions is <b>subjects </b>to fluctuations. Consequently, there <b>is a(n) ( 2 ) t i m e </b>for <b>tasks such </b>as <b>making </b>
<b>early evening. </b>What <b>(4)- </b> there is a dramatic drop <b>in performance </b>if these activities are <i>(</i> <i>5</i> <i>)</i>out <b>at </b>other <b>times. The risk </b>of
accident in a <b>factory, for example, is </b>20% higher during the <i><b>night (6) </b></i>
<b>reduced ability </b>to <b>make </b>decisions, which is a waving thought, <b>as </b>serious <b>(9)- </b> of judgment can be <b>made, And this may be just </b>
the tip of the iceberg. An increasing number <b>of people suffer </b>born <b>seasonal </b>affective disorder (SAD), a fonn of depression that can
be (10)- <b>by living in artificial conditions. SAD can </b>be serious, <b>and </b>sufferers, may even need to <b>take </b>antidepressant drugs.
1. <b>a, modifies </b> <b>b. ranges </b> c, varjes <b>d, </b>wavers
7. a. peak <b>b. </b>summit
<b>3. a, requess </b> <b>b. </b>demands c. dictates d. stipulates
4. a. <b>mare </b> b. else
<b>5. </b>a made b. done c. canied d. <b>performed </b>
<b>6. a. labour </b> b. <b>work </b> c. <b>duty </b> <b>d. shift </b>
7. a. <b>whim </b> <b>b. </b>determination c. will <b>d. desire </b>
8. a, accustom <b>b. adjust </b> c. change <b>d. </b>alter
<i>9. </i>a. errors b. <b>mistakes </b> c. inaccuracies <b>d. </b>fallacies
10.
<i><b>D. </b>Fill <b>in </b><b>twck blarok with </b><b>one </b><b>ailable </b><b>w r d </b></i>lo <i>complete hpaswgc </i><b>(3@) </b>
illiteracy is the condition <b>of being ( 1 </b>) <i>to </i>read
Most of us (4) use computers <b>know </b>how to <b>send emails, or </b>how to create a new folder. But we <b>know </b><i><b>( 5 ) </b></i>
about programming languages,
<b>they know </b>the d e- the set of detailed instructions that lell a <b>computer what to </b>do. <b>in </b>the (14)
<i><b>I l l . Circle </b><b>the b e ~ l </b><b>option A, </b><b>B, </b><b>C </b><b>or </b><b>D </b><b>to </b><b>c c v l e t e the </b><b>in </b><b>formation </b><b>below. (0.5 </b><b>pt) </b></i>
<b>Specis </b>hi klong <b>to an </b> am^ are <b>said to </b>
<b>a d they </b>are well adapted <b>to </b>
another conk* exotics may seriously disrupt <b>deli& </b> <b>~ I o g i c a l bal- </b>
<b>One of </b>other reason <b>to cause </b>species <b>extinction </b>is overexploitation. nlis <b>word refers to the utibtion of a species at a </b>IT& that <b>is Iikely to </b>
<b>cause </b>its <b>atreme </b>endangerment or <b>outright </b>&tion. <b>Amox many examples </b>of <b>w v e ~ averexplaitatig </b>the <i>case </i><b>of& great whales </b>stand
out <b>in special </b>relief By <b>the middle </b>of <b>h e 20th century, mmtrictd </b>whaling
<b>1. Native species </b>
<b>A. </b>are not u d to the local e n v i t n m e t r
B . <b>never </b>get along well with <b>other native species </b>
<i><b>C . </b></i>
<b>2. </b><i><b>~ o t i c </b></i><b>species </b>
<b>A, </b>do <b>no </b>harm to <b>native species and the local environment </b>
<b>B. may kill native species for food </b>
<b>C. always share </b>the environment peacefully <b>with </b>native
species
<b>3. Amrding to the fmt paragraph, </b>
<b>A. non-native </b>species have <b>caused badly damage to d v e ones </b>
<b>B, introducing new exotic species to </b>I denvironments <b>is necesmy </b>
<b>C. exotic </b>species <b>have </b>never <b>been </b>indued <b>on islands </b>
<b>4. According </b><i><b>to </b></i><b>the. -nd </b> <b>paragraph, by the middle of the 20' </b> <b>century </b>
<b>A. </b>whale population was the <b>most crowded in marine life </b>
<b>B. whale hunting was </b>illegal
<b>C. </b>whale <b>popuhon increased dramatically </b>
<b>5. Tiger bone and rhino horn </b>
<i><b>A, </b></i><b>are not: popular in Asian markets </b>
<b>B, </b>areneverinthehackofanimal park
<b>C. are </b>
<b>PART </b>
<i><b>I. </b><b>Finish </b><b>the </b><b>second </b><b>sentence </b><b>in such a </b><b>way </b><b>that </b><b>is </b><b>similar </b><b>fo the </b><b>original </b><b>one. </b><b>(1.2 </b><b>pts) </b></i>
1. <b>Are </b>they <b>likely </b>to pass the <b>exam? =>Is there </b>any ?
<b>2. 1 </b>suggest not <b>spending ail </b>your money now so that you'll <b>have some </b>later.
=> What <b>about </b> - - ?
<b>3. It was her lack </b>
<i><b>5 . </b></i><b>As soon as I had left my house, it began </b>to rain. <b>=>No sooner </b>
<b>6. It's </b>verj <b>kind of you to give me a lift. </b>=> <b>I appreciate </b> -
<i><b>II. </b><b>Complete </b><b>ih </b><b>e second </b><b>sentence </b></i><b>so </b><i><b>that il </b><b>has a </b><b>similar </b></i><b>meaning </b><i><b>to </b><b>the </b><b>first sentence, using </b><b>the </b><b>word </b><b>given </b></i><b>in </b><i><b>the </b><b>brackets. </b></i>
<i><b>Do </b><b>not </b><b>change these words </b><b>in </b><b>any </b><b>way. </b><b>You must </b><b>use no </b><b>more </b><b>than 3 words, including rhe word </b><b>given. </b><b>(1.2 </b><b>pts) </b></i>
I
<b>=>I </b> <b>parking in the supermarket </b>car <b>park </b>
<i><b>2 . </b></i><b>There is something on your mind, isn't there?. (about) </b>
=> <b>You are </b>
=> <b>She was so beautihl that I couldn't </b> --off <b>her. </b>
<b>4. If you are not satisfied with the hotel service, you should say </b>so. (make)
=> You should <b>if you are not satisfied with the hole1 service. </b>
<i><b>5 . </b></i><b>Did your mum gain </b>any money when <b>she sold her business? (profit) </b>
=> <b>Did your </b>mum <b>when she sold her business? </b>
<i><b>6 . </b></i>