african american influence on music
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3. A. Spirituals, shouts, hollers, and work songs are forms of
black group singing that are the basis for African American music of the
past two centuries. The nature of these types of singing originated in the
early nineteenth century in the fields of the where the slaves toiled. The
slaves used this spirituals to express their sorrows of slavery, hopes for
freedom and used the shouts, hollers, and work songs to communicate.
Reminants if the African culture were evident in the music formed by
these slaves. The performance practices of black group singing were 3.
A. Spirituals, shouts, hollers, and work songs are forms of black
group singing that are the basis for African American music of the past
two centuries. The nature of these types of singing originated in the early
nineteenth century in the fields of the where the slaves toiled. The slaves
used this spirituals to express their sorrows of slavery, hopes for freedom
and used the shouts, hollers, and work songs to communicate.
Reminants if the African culture were evident in the music formed by
these slaves. The performance practices of black group singing were 3.
A. Spirituals, shouts, hollers, and work songs are forms of black
group singing that are the basis for African American music of the past
two centuries. The nature of these types of singing originated in the early
nineteenth century in the fields of the where the slaves toiled. The slaves
used this spirituals to express their sorrows of slavery, hopes for freedom
and used the shouts, hollers, and work songs to communicate.
Reminants if the African culture were evident in the music formed by
these slaves. The performance practices of black group singing were
