Books on Modern British Art | 2012 – 2013 pot

Books on Modern British Art
|
2012 – 2013
Cover image: Adrian Heath,
Composition Yellow, Black & Pink,
1952. Oil on canvas. Artist’s estate.
Taken from Adrian Heath by Jane Rye,
January 2012
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
Order online at www.lundhumphries.com/mba or phone: +44 (0)1235 827730/ US 1–800–535–9544
1
Documenting Modern and Contemporary British Art
Modern British Art is on the ascendant – or so the
recent stories from the salerooms would have us
believe. In 2011, a Bonhams sale established a
new world auction record for a work on paper by
Henry Moore, and buyers fought to acquire works
by Barbara Hepworth, Kyffin Williams, Elisabeth
Frink and Sheila Fell. Sotheby’s sale of the Evill/
Frost Collection earlier in the year set record prices
at auction for a host of Modern British artists,
including Edward Burra, John Craxton and Lucian
Freud.
Moore, Hepworth and Freud have long been
household names, but a number of these artists
have been out of fashion for some time. The
recent resurgence of interest in artists such as John
Craxton and Sheila Fell (whose work has been
meticulously researched by authors Ian Collins
and Cate Haste respectively) is perhaps testimony
to the importance of the serious documentation

of an artist’s output, however belatedly, through
exhibitions, TV and radio documentaries, and
publications.
At Lund Humphries, we endeavour to contribute
to that process of documentation, and we are
actively filling the gaps. In 2012, we publish the
first illustrated monographs on Prunella Clough and
Keith Vaughan, both of which draw on previously
unexplored journals and letters to provide
thoroughly researched accounts of the artists’
life and work. A new monograph on Paul Nash
by Andrew Causey (November 2012) provides a
comprehensive account of the artist’s significance
as a painter, reproducing key works from all
periods. In Spring 2013 we publish a new, updated
edition of the catalogue raisonné of Elisabeth
Frink’s sculpture. And Alan Powers’ forthcoming
illustrated survey of the work of Eric Ravilious
(2013) will provide the first serious assessment of
this enduringly popular artist, reproducing his work
in all media in a single volume.
As 2011’s Turner Prize winner Martin Boyce
shows, the aesthetic and aspiration of Modernism
embodied in so many of our books are still an
important reference point for many of today’s
artists. Accordingly, our list has a growing focus on
younger artists too, as the expanded Contemporary
Artists section in this brochure shows, and in 2012
we publish new books on Abigail McLellan, Kurt
Jackson and Richard Woods.

Please do contact Lucy Clark (lclark@
lundhumphries.com) or Emma Lilley (emma.lilley@
btinternet.com) with ideas or proposals for new
books in Modern and Contemporary British Art.
There is much documentation still to be done.
Lucy Myers, Managing Director
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
Order online at www.lundhumphries.com/mba or phone: +44 (0)1235 827730/ US 1–800–535–9544
2
early 20th century
the england of
eric ravilious
Freda Constable with Sue Simon
Includes 32 colour and 38 b&w illustrations
May 2003, 104 pages, Paperback, 270 x 215 mm
ISBN 978-0-85331-880-4, £19.99/ $40.00
/>‘There is a haunting emblematic quality in Ravilious’s patterned
landscapes and scenic geometry, a plangency that has proved
prophetic.’ The Guardian


Eric Ravilious (1903–42) died at the age of 39 when the Air Sea Rescue mission, which he was accompanying
in his capacity as Official War Artist, failed to return to its base in Iceland. In his short working life he figured in
a group of exceptionally gifted artists, including Edward Bawden and John Nash, who came into prominence
just before the Second World War. He achieved considerable success with his design work in a variety of
fields. Ravilious, however, felt that his most serious work was landscape painting in watercolour. The England
of Eric Ravilious is a study hailed on publication as ‘an irresistible book about a still underrated artist’. This
re-issue marked the centenary of the artist’s birth.
edward burra
Simon Martin, with contributions by

Andrew Lambirth and Jane Stevenson
Published in association with Pallant House Gallery,
Chichester
Includes 120 colour and 30 b&w illustrations
October 2011, 176 pages, Hardback, 270 x 228mm
ISBN 978-1-84822-090-4, £35.00/ $70.00
/>Edward Burra (1905–76) was an English painter
who is best known for his paintings of the seedy
underworld of urban life. Yet, as this fascinating new
monograph on his work reveals, his interests were much broader, incorporating landscape
and still-life paintings, stage designs and book illustration. Somewhat neglected by histories
of modern art because his singular vision was often at odds with the mainstream art world,
his work is now due for a re-appraisal.
Published to accompany a major exhibition
of Burra’s paintings and drawings at
Pallant House Gallery, this important book
represents the first full-scale monograph
on Edward Burra and reproduces 100 key
paintings alongside drawings and a range of
fascinating contextual material. It positions
Burra as a major figure in the history of
20th-century art, placing his work alongside
that of the German Expressionists and other
important contemporaries and influences,
such as Surrealism and the macabre. Long
awaited, this book will be widely welcomed
by all those with an interest in the art of this
fascinating maverick and documenter of
modern life.
paul nash

landscape and the
life of objects
Andrew Causey
Includes 100 colour and 40 b&w images
November 2012, 168 pages, Hardback. 260 x 220mm
ISBN 978-1-84822-096-6, £35.00/ $70.00
Paul Nash (1889–1946) is one of England’s most
important artists.Though his career was relatively
brief, Nash’s oeuvre is impressively diverse and
draws in paintings, watercolours, prints, set design,
book illustration and photography. Focusing on the
artist’s work as a painter, Andrew Causey skilfully
discusses Nash’s work from all periods to present
the artist’s continuity of ideas and ambitions.
Paul Nash does not fit easily into any pattern of 20th-century British art.
The many themes which run through his work – personal and national
identity; the horrors of war – and the many movements and ideas
with which he was engaged – Cubism; abstraction; Surrealism; Neo-
Romanticism; animism and totemism – makes the task of unravelling the
trajectory of his career challenging. By taking a chronological, thematic
approach, Andrew Causey analyses the many influences and directions
Nash explored in his remarkable career to reveal an artist who combined
elements of Modernism and tradition to create a wholly original vision.
Including 100 colour images, this publication combines first-rate, up-to-
date scholarship with the very best of Nash’s paintings and is an invaluable
addition to the literature available on this significant British artist.
new
eric ravilious
Alan Powers
Includes 150 colour and 75 b&w illustrations

September 2013, 216 pages, Hardback, 270 x 249 mm
ISBN 978-1-84822-111-6, £35.00/ $70.00
More popular than ever, the work of Eric Ravilious (1903–42) is rooted in
the landscape of mid-20th-century England. This new survey of his work by
Alan Powers, the established authority on Ravilious, is the first to provide a
comprehensive overview of his art in all media – watercolour, illustration,
printmaking, graphic design, textiles and ceramics – and positions Ravilious
firmly as a major figure in the history of early 20th-century British art.
In an accessible and engaging text, copiously illustrated with reproductions
of work drawn from a range of sources, Alan Powers discusses the
reception of Ravilious’s work since his death in 1942 and the part it has
played in creating an English style of the time, positioned between tradition
and Modernism, and borrowing from naive and popular art of the past.
He assesses the relation of Ravilious’s work as a book illustrator and
illustrator to the private-press movement in England; his importance and
influence as a watercolourist; his work as a designer in the context of the
campaign for design reform; the part played by his work in the renewal of
national identity in art and design around the Coronation of George VI; and
Ravilious’s distinctive war art.
Forthcoming 2013
Edward Burra, Landscape near Rye c.1934–35 © Estate of
Edward Burra, courtesy Lefevre Fine Art Ltd, London
Paul Nash, Harbour and Room
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
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3
william roberts
an english cubist
Andrew Gibbon Williams
Includes 60 colour and 40 b&w illustrations

January 2005, 152 pages, Hardback, 260 x 220 mm
ISBN 978-0-85331-824-8. £45.00/ $90.00
/>‘The book is a good read. Comprehensive, well
illustrated, meticulously researched this study is a
welcome arrival.’ Artists & Illustrators
William Roberts was a key player in the development
of Cubism in England before the First World War and the longest surviving member of
Wyndham Lewis’ Vorticist movement. The book looks for the first time at the whole range
of Roberts’ work and asserts his true status as a major contributor to the art of the twentieth
century.
Roberts was the only English artist of his generation who succeeded in manufacturing a
mature style in which was preserved something of the aesthetic of Cubism. As an official war
artist for both the Canadians and the British, Roberts produced two of the most meaningful
images of the First World War. Adept at portraiture, he not only painted an extraordinary
lifelong series of himself and his family, but tackled a number of the most famous personalities
of his age including Maynard Keynes and T. E. Lawrence.
William Roberts’ life was one of artistic and practical struggle not helped by an intransigent
and latterly hermetic personality. Widely illustrated with reproductions of his work, William
Roberts: An English Cubist offers a fuller understanding of the life and work of this major
British artist.
matthew smith
catalogue raisonné of the
oil paintings
John Gledhill
Includes 59 colour and 670 b&w illustrations
November 2009, 312 pages, Hardback, 290 x 240mm
ISBN 978-0-85331-998-6. £130.00/ $260.00
/>Matthew Smith (1879–1959) was one of the most
well-known British painters in the first half of the
20th century. He trained at the Slade School before

moving to France in 1908, where he attended the
Atelier Matisse. He spent much of his time working in France between the wars, as well as
an extensive period in Cornwall. Initially influenced by Fauvist painting, he evolved a richly
intuitive and painterly style. Employing an alla prima technique, he painted thickly and
fluently – his combination of sensual form and colour, particularly in his nudes, has been
likened to the work of Delacroix.
This volume provides, for the first time, a complete catalogue of the oil paintings by
Matthew Smith from 1905 to 1957 together with a substantial critical reappraisal of the
artist’s work. Gledhill situates the artist in the context of Modernism, his Bloomsbury peers
and the London Group. Provenance, exhibition catalogues and literature are brought
together in extensively researched entries, and the majority of the paintings are illustrated.
Four colour-plate sections showcase the glowing colours and textures that typified Smith’s
work.

f.c.b. cadell
the life and works of a
scottish colourist 1883–1937
Tom Hewlett and Duncan Macmillan, with a
Foreword by Timothy Clifford
Includes 180 colour and 20 b&w illustrations
September 2011, 192 pages, Hardback, 270 x 228 mm
ISBN 978-1-84822-088-1, £35.00/ $70.00
/>Originally published in 1988, F.C.B. Cadell: The
Life and Works of a Scottish Colourist 1883–1937
was the first book devoted entirely to the life of the remarkable artist, and leading Scottish
Colourist, F.C.B. Cadell. Now fully revised, this expanded edition includes a new essay by
Duncan Macmillan which complements the fascinating biographical material presented in
Tom Hewlett’s original text.
Highlighting the artist’s outgoing and generous personality and his wit, the narrative also
demonstrates Cadell’s extraordinarily versatile artistic talent, which helped to lay the

foundations of 20th-century Scottish art. While the spontaneity of early works reveals
Cadell’s debt to Impressionism, later paintings, produced after the artist’s time in the
trenches, established his reputation as a master of colour. Works which combined well-
defined structures with striking primary colours placed him alongside artists S.J. Peploe, J.D.
Fergusson and Leslie Hunter – a respected grouping now recognised internationally as the
Scottish Colourists.
s.j. peploe
1871–1935
Guy Peploe
Includes 160 colour and 25 b&w illustrations
January 2012, 200 pages, Hardback, 270 x 228 mm
ISBN 978-1-84822-115-4, £35.00/ $70.00
Fully revised and expanded since its first publication
in 2000, Guy Peploe’s insightful book on his artist
grandfather, S.J. Peploe (1871–1935), reveals the
considerable talents of one of Scotland’s greatest
painters and leading Colourists.
With the narrative constructed around private
papers and images found within the family archive,
the life and work of a complex and brilliant artist are presented. Complemented by images
which span the painter’s whole career, from the luscious still-life paintings and Sargent-
esque figure compositions of his early period, through the vibrant work done in France
before the First World War, to the landscapes of his maturity, this publication is a visual feast
for art lovers, collectors and devotees of Peploe’s work.
new
early 20th century
S.J. Peploe,Tulips and Fruit c.1919
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4

john minton
dance till the stars come down
Frances Spalding
Includes 24 colour and 39 b&w illustrations
May 2005, 336 pages, Hardback, 234 x 156 mm
ISBN 978-0-85331-918-4. £45.00/ $90.00
/>John Minton (1917–57) was an artist, a Bohemian
and, in his own lifetime, a myth. During the 1940s
and early 1950s he become a central figure within
Soho, an intimate friend of, among many others,
Michael Ayrton, Robert Colquhoun, Lucian Freud
and the poet W.S. Graham. He enjoyed early success
as a painter and was associated in the 1940s with the
English Neo-Romantics. By the early 1950s he had become the most admired and influential
illustrator of his day.
Frances Spalding’s sensitive account of Minton’s life and work makes use of letters, articles
and revue sketches by Minton himself, as well as many interviews with the artist’s friends
and acquaintances. She brings out the many conflicts within him, and shows how these
were reflected in his art through its combination of romantic imagery and taut severities of
style. His deep melancholy was for the most part kept hidden behind a euphoric generosity
and a wild restlessness. But gradually, like his alcoholism, it became all-pervasive, and tragic
and embittered he took his own life, aged thirty-nine.
This new edition incorporates a new preface by the author and a new appendix featuring
lists of public collections, exhibitions, illustrated books and book jackets, and a select
bibliography. It will be widely welcomed by art historians, curators, dealers and all those
interested in this fascinating period in British art and culture.
neo-romanticism & surrealism
john craxton
Ian Collins, with an Introduction by
David Attenborough

Includes 179 colour and 47 b&w illustrations
May 2011, 186 pages, Hardback, 270 x 249 mm
ISBN 978-1-84822-069-0. £35.00/ $70.00
/>‘ superb, sumptuously illustrated book ’ World
of Interiors
This is the first full-scale monograph on British artist
John Craxton (1922–2009), a key figure in post-war painting who authorised this publication
shortly before his death.
Craxton was a brilliant and well-connected artist with a passion for Greek life, light and
landscape. Rejected for military service in 1941, he shared premises in London with Lucian
Freud, provided by their benefactor and friend Peter Watson. Through Watson he met
other artists linked to Neo-Romanticism and, like many of his generation, came under the
influence of William Blake, Samuel Palmer and Graham Sutherland. But by 1945 his work
was more closely connected with that of European artists such as Picasso and Miró. Always
longing to escape, Craxton travelled around the Mediterranean after World War II, finally
settling in Crete from 1960, where he continued to develop his Romantic pastoral themes
in sunburst images influenced by Byzantine mosaics. He also created scintillating ballet and
book designs.
Ian Collins’s engaging text is informed by his many conversations with the artist, who was
also a celebrated wit and story-teller, and is supported by more than 200 reproductions
of life-affirming paintings and drawings. The book will be welcomed by art historians,
collectors, curators and all those with an interest in the history of Modern British Art.
prunella clough
regions unmapped
Frances Spalding
Includes 110 colour and 30 b&w illustrations
February 2012, 240 pages, Hardback, 260 x 220 mm
ISBN 978-1-84822-011-9, £35.00/ $70.00
/>Prunella Clough (1919–99) was one of the best
and most original artists to emerge in the second

half of the 20th century. This book celebrates her
outstanding contribution to British art providing, for
the first time, a comprehensive overview of Clough’s entire career.
Situating the development of Clough’s art within the trajectory of her life, Frances Spalding
explores the key themes and inspirations that informed the artist’s work. The author’s unique
access to hitherto unpublished letters, a journal which Clough kept in the late 1940s and
notebooks from the artist’s visits around England, combined with her extensive knowledge
of 20th-century British art, ensure that this highly readable account of Clough’s life and work
breaks new ground.
Themes such as the importance of place in Clough’s oeuvre, and her interest in Surrealism,
Neo-Romanticism and Abstract Expressionism, run alongside broader debates such as the
artist’s position within the English art scene and her critical reception. Her relationship with
her aunt, designer and architect Eileen Gray, is given due attention, as are other key alliances
in her life. With its breadth of material, Prunella Clough: Regions Unmapped will appeal to
a wide spectrum of readers, from those with a general interest in the artist and the period to
curators, collectors, dealers and academics.

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keith vaughan
Philip Vann and Gerard Hastings
Includes 150 colour and 30 b&w illustrations
October 2012, 184 pages, Hardback, 270mm x 228mm
ISBN 978-1-84822-097-3, £40.00/$80.00
Keith Vaughan (1912–77) was a major figure in
post-war British art who is known for his searching
portraits of the male nude and his association with
the Neo-Romantic painters. This book provides for
the first time a definitive, illustrated account of his life
and work, exploring his wide-ranging achievement
as a modern British artist.

Drawing on Vaughan’s considerable writings,
Philip Vann explores the many aspects of the artist’s
personal, professional and philosophical-inner life. His
text interweaves art-critical and biographical exploration
to reveal a figure for whom art was inseparable from the nature of its creator. He reviews
Vaughan’s large body of paintings, drawings and illustrations: his early Neo-Romantic
paintings of male bathers and boys in semi-abstracted landscapes, his post-war illustrations
of young men immersed in elegiac contemplation of the landscape, and his later gouaches
and landscapes. A fascinating essay by Gerard Hastings provides a close-up examination of
Vaughan’s gouache technique.
Published in the year of Vaughan’s centenary, this book will be essential reading for all
Modern British Art specialists, collectors and enthusiasts.
new
Keith Vaughan, Bather, 1959, Oil
on canvas. Private Collection
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5
surrealism in britain
Michel Remy
Includes 70 colour and 100 b&w illustrations
August 2001, 404 pages, 234 x 156 mm,
Paperback, ISBN 978-0-85331-825-5. £25.00/ $50.00
/>Hardback, April 1999
ISBN 978-1-85928-282-3. £25.00/ $50.00
/>‘Michel Remy is the leading authority on British
Surrealism Surrealism in Britain a substantial,
well-researched history.’ Daily Telegraph
Since the rediscovery of British Surrealism at the
Children of Alice exhibition at Marcel Fleiss’s

Galerie 1900–2000 in Paris in 1982, there has been a major revival of interest in Surrealism
outside France. Surrealism in Britain is the first comprehensive study of the British Surrealist
movement and its achievements. Lavishly illustrated, the book provides a year-by-year
narrative of the development of Surrealism among artists, writers, critics and theorists in
Britain, from the 1936 International Surrealist Exhibition in London right through to the
present day.
leonora carrington
surrealism, alchemy and art
Susan L. Aberth
Includes 95 colour and 25 b&w illustrations
March 2010, 160 pages, Paperback, 290 x 249 mm
ISBN 978-1-84822-056-0. £20.00/ $40.00
/>‘ full of stunning colour reproductions of
Carrington’s visionary art, whose hybrid forms
borrow from nature, culture and religion in order to
take themselves beyond all three. A beautiful book…’
The Sunday Telegraph
Now available in paperback, this book remains the definitive survey of the life and work of
Surrealist artist Leonora Carrington (b.1917), providing a fascinating overview of this intriguing
artist’s life and rich body of work. Carrington’s preoccupation with alchemy and the occult, and
the influence of indigenous Mexican culture and beliefs on her production are all explored.
the sources of surrealism
Edited by Neil Matheson
Includes 80 b&w illustrations
October 2006, 872 pages, Hardback, 234 x 156 mm
ISBN 978-0-85331-949-8. £125.00/ $250.00
/>‘Altogether, in both detail and scope, it has the feel of
something satisfyingly comprehensive. Matheson’s
introduction alone, at over 70 pages, is almost
book-length. With all these elements in place The

Sources of Surrealism looks certain to remain an
essential reference work on the group for many years
to come’. Arlis
Surrealism is a particularly complex international
movement, embracing both the literary and the visual arts, while lacking any single visual
or literary style, and this, together with its long existence, has served to generate a very
substantial body of writings – poetry, novels, essays, theoretical writings, manifestoes and
other documents – which might be considered as fundamental to any proper understanding
of the movement.
The Sources of Surrealism is a comprehensive sourcebook documenting the origins and
development of Surrealism internationally through a collection of 234 original documents.
The texts have been selected from across the whole range of Surrealist writing, as well as
including influential predecessors like Rimbaud and Lautréamont, and contemporaries such
as Raymond Roussel and Alfred Jarry. Texts are published in English throughout, with new
translations provided for previously untranslated material.
This fascinating collection presents what was most vital about this complex and often
contradictory movement, and serves as an essential reference book for scholars, as well as
stimulating reading for all those with a general interest in the subject.
surreal friends
leonora carrington, remedios
varo and kati horna
Stefan van Raay, Joanna Moorhead
and Teresa Arcq, with contributions by
Sharon-Michi Kusunoki and
Antonio Rodriguez Rivera
Published in association with Pallant House Gallery,
Chichester
Includes 70 colour and 60 b&w illustrations
May 2010, 144 pages, Hardback, 260 x 210 mm
ISBN 978-1-84822-059-1. £30.00, $60.00

/>Surreal Friends brings together for the first time the work of three women Surrealist artists,
brought together in exile in Mexico in the 1940s: British painter Leonora Carrington, Span-
ish painter Remedios Varo and Hungarian photographer Kati Horna. For all three women,
Mexico offered freedom to explore their art in ways that had not been possible in Europe.
Surreal Friends tells the fascinating story of their artistic friendship.

neo-romanticism & surrealism
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6
the st ives artists
a biography of place and time
Michael Bird
Includes 22 b&w illustrations
March 2008, 192 pages, Paperback, 234 x 156 mm
ISBN 978-0-85331-956-6. £19.99/ $40.00
/>‘A fascinating and highly readable account of St Ives
and its artists’ Cornwall Life 2008
Michael Bird opens up new ground in exploring
connections – often unexpected – between the
St Ives artists and contemporary developments in
society, literature and other fields. As the idealism
of pre-war Constructivism was transformed by St
Ives artists in the post-war decades, he shows how
local themes of landscape and community reflected much wider social and cultural changes
during the Austerity era and beyond.
For the first time, this book fully integrates the St Ives artists into the cultural narrative of
20th-century Britain, especially from the 1930s onwards. It ranges from the intense hopes
that accompanied the Labour victory in 1945 to the explosion of consumerism and American
influence in the 1950s, and beatnik youth culture of the 1960s – all of which connected

interestingly with St Ives. The artists emerge as vivid and very different personalities, as often
embroiled in conflict as in any shared artistic agenda.
Drawing on fresh research, Michael Bird has created a fascinating and highly readable
account of St Ives and its artists. The question ‘What was St Ives art really about?’ is often
asked. This book provides some authoritative, provocative and entertaining answers.

st ives and british abstraction
margaret mellis
Andrew Lambirth
Includes 126 colour and 25 b&w illustrations
October 2010, 200 pages, Hardback, 270 x 228 mm
978-1-84822-048-5, £40.00/ $80.00
/>Margaret Mellis (1914–2009) was an artist of diverse
skills: a painter, a maker of collages and reliefs, and a
sculptor. She was a key figure in British Modernism
and with her first husband, the author and critic
Adrian Stokes, was pivotal in establishing the
influential artists’ colony in St Ives. Surprisingly, relatively little has been written about Mellis.
This book, which incorporates groundbreaking new research, is the first comprehensive
monograph on this important artist.
Skilfully unravelling the complexities of Mellis’ oeuvre in the context of her fascinating life,
Andrew Lambirth presents an unrivalled account of a truly remarkable artist and woman.
Including a wealth of visual material, which illustrates Mellis’ unique vision, Margaret Mellis
combines insightful analysis with outstanding imagery and as such is essential reading for
anyone interested in Modern British Art.
sandra blow
Michael Bird, with a Foreword by
Norman Rosenthal
Includes 100 colour and 38 b&w illustrations
October 2011, 172 pages, Paperback, 270 x 228 mm

ISBN 978-1-84822-089-8, £25.00/ $50.00
/>‘A fascinating read for any Blow enthusiast.’
Cornwall Today
In this highly readable account, now available in
paperback, Michael Bird looks in depth at Blow’s
evolving studio practice and the personal nature of her abstract vision. He places Blow’s
achievement firmly within the wider context of British and international art movements of the
post-war period and late 20th century. He also casts new light on the role played in her life by
Alberto Burri and Roger Hilton, two influences she acknowledged to be crucial to her art.
Through close attention to Blow’s working methods, this book provides a unique insight
into her creative process. It reveals the intensity of emotional engagement and technical
experimentation that lie behind the apparent spontaneity of her vivid handling of materials,
colour and form.

adrian heath
Jane Rye
Includes 155 colour and 20 b&w illustrations
January 2012, 216 pages, Hardback, 290 x 240 mm
ISBN 978-1-84822-038-6, £40.00/ $80.00
/>This is the first book on British abstract painter
Adrian Heath (1920–92), who was a member of the
Constructivist circle and a pioneer of abstraction in
Britain in the post-war period.
Adrian Heath was born in Burma and studied art
under Stanhope Forbes in Newlyn before attending
the Slade School of Fine Art in 1939. In a German prison camp during the Second World War
he was an active escapee and gave lessons in oil-painting to Terry Frost, who became his
lifelong friend and described him as ‘the bravest man I ever knew’. He returned to the Slade
after the war and became a pivotal member of the circle of abstract artists around Victor
Pasmore in the late 1940s, which included Mary and Kenneth Martin and Anthony Hill.

The three exhibitions of art and design held in Heath’s Fitzroy Street studio in 1952/3 have
become legendary in the history of post-war British modernism, and he is an important link
between the abstract painters of St Ives and their Constructivist London counterparts. His
house and studio in Charlotte Street are celebrated as convivial meeting places for discussion
between artists of all persuasions.
Jane Rye paints a rounded portrait of Adrian Heath’s life and career, alongside reproductions
of a wide selection of work from his entire oeuvre, and gives a clear account of the theories
and development of abstract art in Britain in the 1950s and 1960s, and of the vital part Heath
played in the avant-garde art world of post-war Britain.

new
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7
roger hilton
Adrian Lewis
Includes 16 colour and 80 b&w illustrations
July 2003, 234 pages, Hardback, 244 x 172 mm
ISBN 978-1-84014-673-8. £35.00/ $70.00
/>Roger Hilton’s extraordinary career is discussed in all
its phases, from the intriguing earliest explorations
in paint to the inception of his first abstract pieces
around 1950 and the complex and intriguing
interchanges of imagery and form that mark his final
works. Adrian Lewis explains the artist’s mature
works as both attracting the viewer and resisting
easy reading, and discusses in detail the artist’s debt
to the Ecole de Paris and his relation to the notion of
the ‘act of painting’ that pervaded post-war culture.

ben nicholson
drawings and painted reliefs
Peter Khoroche
Includes 80 colour and 40 b&w illustrations
March 2002, 160 pages, 270 x 249 mm
Hardback, ISBN 978-0-85331-802-6, £25.00/$50.00
/>Paperback, ISBN 978-1-84822-004-1, £19.99/ $40.00
/>‘I can think of nowhere else that a reader can gain a
more thorough appreciation of the reliefs than in this book The quality of the illustrations
in the book is high ’ Burlington Magazine
This is the first book to focus on Nicholson’s drawings and painted reliefs made between
1950 and 1975. The 120 illustrations include works rarely or never reproduced before, and
much of the extensive quotation is from Nicholson’s own unpublished writings.

bryan wynter
Michael Bird
Includes 129 colour and 50 b&w illustrations
April 2010, 216 pages, Hardback, 290 x 240 mm
ISBN 978-1-84822-009-6. £35.00/ $70.900
/>Bryan Wynter (1915–75) was a major figure in post-
war British art. This is the first full-length survey of
his career. It examines the cultural, intellectual and
social contexts of his work, from his early studies
at the Slade and interest in Surrealism, through his
move to Cornwall after the Second World War and
his place in the progressive art scene in London
and St Ives between 1945 and 1975. Generously illustrated with works from all periods of
Wynter’s creative life, including many works never previously reproduced, this book makes
an important contribution to the history of post-war British art. It will be a valuable source
of reference for all those with an interest in abstract art, the St Ives painters, and post-war

cultural history.


terry frost
David Lewis and David Archer, Ronnie Duncan,
Adrian Heath, Linda Saunders.
Edited by Elizabeth Knowles
Includes 96 colour and 150 b&w illustrations
October 2000, 240 pages, Paperback, 280 x 270 mm
ISBN 978-0-85331-793-7. £37.50/ $75.00
/>‘A beautifully illustrated biography’ The Times
Presenting the life and work of the painter Terry
Frost, this book encapsulates his own thoughts and writings about art and life, the history of
his five decades of creative output and reflections on particular qualities of his art.
rose hilton
something to keep the balance
Andrew Lambirth
Includes 120 colour and 30 b&w illustrations
June 2009, 176 pages, Hardback, 260 x 220 mm,
ISBN 978-1-84822-008-9, £40.00/ $80.00
/>Limited Edition Hardback
ISBN 978-1-84822-025-6 £200.00/ $400.00
/>Outlining Rose Hilton’s life and career, this book,
the first on the artist, draws heavily upon diaries Hilton has kept sporadically throughout
her life. Skilfully interweaving diary entries throughout the narrative, Andrew Lambirth has
created an exceptionally frank portrayal of the emotional and psychological wellsprings of
an artist who has had to fight for her identity, but who has won through to genuine acclaim.
Thoroughly engrossing, Rose Hilton is essential reading for anyone interested in British art in
the 20th century.
See also Terry Frost Prints, page 17

w. barns-graham
a studio life
new centenary edition
Lynne Green
Includes 191 colour and 41 b&w illustrations
November 2011, 344 pages, Paperback, 290 x 249 mm
ISBN 978-1-84822-095-9. £25.00/ $50.00
/>This new paperback edition of Lynne Green’s classic
monograph completes the story of Wilhelmina
Barns-Graham’s life and work with a new Coda
covering Barns-Graham’s final years, which draws
for the first time on the artist’s personal diaries and notebooks.
As this new edition demonstrates, in the last decade of her life Barns-Graham’s creative
invention blossomed and her output increased dramatically, not least because of her
enthusiastic adoption of cutting-edge contemporary screenprinting techniques. In these
years she worked with a new sense of urgency and creative freedom, in which risk-taking
became a central theme. The result was some of the most exhilarating, joyful, and life-
affirming work ever produced by a British artist.
st ives and british abstraction
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
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8
ivon hitchens
Peter Khoroche
Includes 110 colour and 40 b&w illustrations
May 2007, 208 pages, Hardback, 280 x 270 mm
ISBN 978-0-85331-936-8, £45.00/ $90.00
/>‘ it remains the most comprehensive account of
his life and work and draws on much of the artist’s
own writings and unpublished correspondence.’

Arlis
Ivon Hitchens (1893–1979) is widely regarded as the outstanding English landscape
painter of the 20th century. Immediately recognisable by its daring yet subtle use of colour
and brushmark to evoke the spirit of place, his work is to be found in public and private
collections throughout the world.
In this, the definitive study of Hitchens’ life and work now issued in a new, revised
edition, Peter Khoroche draws on the painter’s published writings, correspondence and
conversation to create a critical reappraisal of Hitchens’ theory and practice. He surveys
the entire oeuvre (still-lifes, flower pieces, nudes, interiors and large-scale murals besides
the landscapes), a huge legacy of work spanning 60 years, and charts the journey from
conventional beginnings to ‘figurative abstraction’.
A new selection of over 100 colour images provides a retrospective exhibition covering
Hitchens’ whole career. These illustrations, examples of his best and most characteristic
painting in all genres, demonstrate the artist’s outstanding talents and reinforce his standing
as a key figure in the history of British art.
mid-century paintersTERS
winifred nicholson
Christopher Andreae
Includes 190 colour and 10 b&w illustrations
May 2009, 208 pages, Hardback, 270 x 228 mm
ISBN 978-0-85331-972-6. £40.00/ $80.00
/>‘This is a delightfully light and airy book, a pleasure
to look at Andreae has written a refreshingly plain
and readable narrative of a painting life.’ The Art
Newspaper
Luminosity, open space and quick movements
characterise Winifred Nicholson’s paintings. Flowers on windowsills are a favourite
subject, not only for their intrinsic beauty, or even their personalities, but above all
for their living, translucent colour. The ways in which light divides into atmospheric
rainbow colours was a matter of childlike wonder to her throughout her long career.

This book shows Winifred Nicholson as much more than a ‘flower painter’. She
managed an unusually creative balance between motherhood and painting, her
children becoming subjects – as did her husband, the artist Ben Nicholson. Too often
given a cursory mention as his first wife, Winifred warrants independent recognition
for the striking originality of her own work.
This exciting book, which draws on Winifred’s extensive correspondence and
reproduces many previously unpublished paintings, offers a fresh and rounded view
of Winifred Nicholson’s life and art.
sheila fell
a passion for paint
Cate Haste
With a Foreword by Frank Auerbach
Includes 80 colour and 30 b&w illustrations
September 2010, 136 pages, Hardback, 260 x 220 mm
ISBN 978-0-85331-979-5, £35.00/ $70.00
/>‘Richly illustrated and quite revelatory, the book
draws on hitherto unpublished sources including
letters, diaries and interviews with friends and
contemporaries such as artists Frank Auerbach, the late Craigie Aitchison and Sir Peter
Blake, and has been well worth waiting
for.’ Cumbria Life
Talented, determined and charismatic,
Sheila Fell (1931–79) was one of the
very few women artists to achieve
national recognition in the 1950s and
1960s. Her tragic early death cut short
her burgeoning artistic career.
This book, the first comprehensive
study of her life and work, draws on
previously unpublished letters and

archive sources to establish Sheila Fell
as a significent voice in British figurative
landscape painting of mid-century.

william crozier
Edited by Katharine Crouan, with essays by
S.B. Kennedy and Philip Vann
Includes 176 colour and 24 b&w illustrations
September 2007, 208 pages, Hardback, 290 x 249 mm
ISBN 978-0-85331-970-2, £45.00/$90.00
/>‘A treat for the senses.’ The Spectator
William Crozier (1930–2011) was born in Glasgow
and educated at the Glasgow School of Art. He spent
time in Paris and Dublin before settling in London,
where he quickly gained a reputation as the 1950s equivalent of a Young British Artist
through the early success and notoriety of his exhibitions of assemblages and paintings. This
is the first major monograph on his work.
Crozier has exhibited widely in London, Glasgow, Dublin and Continental Europe. From
the 1980s, when he set up studios in Ireland and the UK, his painting of the landscape has
blossomed with an extraordinary radiance and confidence. Then, as now, his landscapes
and still-lifes use sumptuous colour to engineer the emotional intensity of the paintings. He
remains concerned with developing the language of figurative painting.
This book is the first to give substantial critical attention to an artist well known within the UK
and Irish art worlds, and gives new insights into the history of figurative painting in Britain.
It provides a detailed survey of Crozier’s wide-ranging work over the last 50 years, placing
it within wider European traditions as well as relating it to developments in Irish, Scottish
and English art. Crozier is a formidable colourist, and the critical texts are accompanied by
extensive reproductions of the artist’s work in colour. The book will be widely welcomed by
collectors and devotees of the artist’s work, students of modern art, and art lovers in general.

Lakeland Book of the Year 2011
Sheila Fell, Snowscape, 1960. © Anna Fell
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
Order online at www.lundhumphries.com/mba or phone: +44 (0)1235 827730/ US 1–800–535–9544
9
the art and life of
josef herman
‘in labour my spirit finds
itself’
Monica Bohm-Duchen
Includes 100 colour and 50 b&w illustrations
March 2009, 200 pages, Hardback, 260 x 220 mm
ISBN 978-0-85331-945-0 , £40.00/ $80.00
/>Born in Warsaw in 1911 into a working-class Jewish
family, Josef Herman arrived in Britain (via Belgium)
in 1940, settling first in Glasgow and then in the
South Welsh mining village of Ystradgynlais.
This monograph aims both to introduce this important artist to a new public, and to reveal an
artist of far greater diversity and complexity than even Herman’s longstanding admirers will
have suspected.
derrick greaves
from kitchen sink to
shangri-la
James Hyman
Includes 86 colour and 62 b&w illustrations
June 2007, 172 pages, Hardback, 290 x 246 mm
ISBN 978-0-85331-957-3, £45.00/ $90.00
/>Derrick Greaves (b.1927) initially gained acclaim in
the 1950s, when he represented Britain at the Venice
Biennale along with the other ‘Kitchen Sink’ painters

with whom he was associated: John Bratby, Edward
Middleditch and Jack Smith.
This is the first book to trace Greaves’s entire career to date, providing insight into how his
work developed from the social realism of the 1950s to a more heraldic style that parallelled
1960s Pop Art.

peter kinley
Catherine Kinley and Marco Livingstone
Includes 100 colour and 30 b&w illustrations
May 2010, 128 pages, Hardback, 290 x 246 mm
ISBN 978-1-84822-005-8, £35.00/ $70.00
/>Aptly described as ‘an artist’s artist’, Peter Kinley
(1926–88) was a well-respected painter who
achieved great early success and commanded much
attention during his lifetime.
Including 100 colour images of key works from
Kinley’s 40-year career, the narrative is supported
with biographical photographs from the Kinley family archive. These illustrations, combined
with informative and illuminating texts on his paintings and on his singular life, make this
publication an essential resource for anyone interested in this key British artist and the
period in which he worked.
mid-century paintersTERS
francis bacon
painting in a godless world
Rina Arya
Includes 52 colour and 22 b&w illustrations
April 2012, 200 pages, Hardback, 260 x 220 mm
ISBN 978-0-85331-945-0 , £40.00/ $80.00
/>Despite his militant atheism, Francis Bacon
(1909–92) exploited the symbols of Christianity,

especially the Crucifixion and the Pope, throughout
his career. Rina Arya explains how the artist
redeployed religious iconography both to show Christianity’s untenability in the modern age
and to convey an experience of the human condition, specifically animalism and mortality.
Placing the work within the context of post-war philosophical pre-occupations with the death
of God, this refreshingly original book marks a new approach to appreciating the work of one
of the leading artists of the 20th century.
Forthcoming 2013 Forthcoming 2013
new
julian trevelyan
picture language
Philip Trevelyan
Includes 250 colour and 50 b&w illustrations
April 2013, 208 pages, Hardback, 290 x 240 mm
ISBN 978-1-84822-112-3, £40.00/ $80.00
Julian Trevelyan: Picture Language follows the trail
of a painter’s visual language and motivation. Philip
Trevelyan, Julian’s son, set out to discover more about his father’s life as an artist. Like the
documentary filmmaker that he is, Philip takes us on a pictorial journey through Julian’s life
(1910–88), and presents here his personal view, offering insights from his researches and
first-hand knowledge of life in the studio at Durham Wharf in London.

joan eardley
Christopher Andreae
Includes 150 colour and 25 b&w illustrations
April 2013, 192 pages, Hardback, 270 x 228 mm
ISBN 978-1-84822-114-7, £40.00/ $80.00
Joan Eardley (1922–63) is considered to be the
most influential Scottish painter of her generation.
Her depiction of both the rural and urban sides

of Scotland is unique. This is the first book to do
justice to the range, scale and expressive power of
her work.
Julian Trevelyan, Low Tide,
Durham Wharf, 1950.
Joan Eardley, Boy in a Blue Jersey,
1953
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
Order online at www.lundhumphries.com/mba or phone: +44 (0)1235 827730/ US 1–800–535–9544
10
pop and beyond
peter blake
one man show
Marco Livingstone
Includes 200 colour and 25 b&w illustrations
May 2009, 240 pages, Hardback, 290 x 245 mm
ISBN 978-0-85331-980-1, £40.00/ $80.00
/>Paperback
ISBN 978-1-84822-015-7, £25.00/ $50.00
/>Limited Edition Hardback
ISBN 978-1-84822-039-3, £500.00/ $1000
‘This is a handsome book… The layout and choice of images is of high
quality and varied interest, further enhanced by seven new collages
by Blake specially designed as section markers. It is elegantly and
economically written and reveals Livingstone’s lifetime familiarity with both
pop art in general and Blake’s work in particular. The fruit of more than a
quarter-of-a-century’s thought about Blake’s art and intentions, it reads
with a graceful authority which draws the reader in and steadily informs
and stimulates.’ The Art Newspaper
Since his emergence in the early 1960s as a key member of the Pop

Art movement, Peter Blake (b.1932) has been one of the best-known
artists of his generation. Peter Blake: one man show considers the artist’s
remarkable diversity, assessing his work across all media, from the 1950s
to the present. Despite his forays into a range of more experimental
media, Blake sees figurative painting as the core of his work, the trunk of
a tree whose branches include excursions into Pop Art, collage, sculpture,
graphics and printmaking. This book reflects the engagingly diverse and
endlessly imaginative one-man show that constitutes the extraordinary and
prolific work of Peter Blake.
patrick caulfield
paintings
Marco Livingstone
Includes 190 colour and 20 b&w illustrations
February 2007, 288 pages, Paperback,297 x 259 mm
ISBN 978-0-85331-929-0, £25.00/ $50.00
/>‘This is a beautiful book on a great artist. Marco
Livingstone has been writing with unfailing
intelligence and perceptiveness on Caulfield’s
work for many years, and with an ever-deepening
understanding of its meanings. Bringing together earlier texts with new essays, including
several on individual paintings, superbly illustrated and handsomely designed, this is the
monographic survey the artist has long deserved.’ The World of Interiors
Illustrating over 150 works, this book reproduces almost all the paintings made by Caulfield
since 1961. Patrick Caulfield: Paintings weaves together analytical and interpretative texts
published over the past quarter century by Marco Livingstone, the foremost authority on
Caulfield’s work, with new material on different phases of the artist’s career. Individual key
paintings are awarded separate, in-depth attention. The significant events in his life and
career are charted in a comprehensive chronology compiled by Richard Riley.
Now available in paperback, this is the only major monograph to be published on the
paintings of Patrick Caulfield, whose work has enjoyed widespread popular appeal and

critical acclaim over the past four decades.
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
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11
tony bevan
Kosme de Barañano, Klaus Ottmann, Jonathan
Sinclair-Wilson and Marco Livingstone
Foreword by Jon Bird
Includes 183 colour and 30 b&w illustrations
November 2006, 280 pages, Hardback, 290 x 245 mm
ISBN 978-0-85331-951-1, £50.00/ $100.00
/>Tony Bevan (b.1951) is a British painter whose work
has achieved widespread international recognition
and acclaim. His work has always followed a
distinctly individual course, arresting and disturbing
its viewers with its rawness and sense of alienation. His use of charcoal and intensely
chromatic acrylic paint gives his painting a distinctively rich, scorched appearance.
This is the first major monograph to be published in English on Bevan’s work and covers
both his paintings and his works on paper. It reproduces over 180 works from Bevan’s entire
career: from the early single-figure paintings of the 1970s, through the more psychological
portraiture of the 1980s and 1990s, to the series of Head paintings and paintings of open
interiors produced from the late 1990s.
Essays by Klaus Ottmann and Kosme de Barañano consider Bevan’s depiction of heads
and faces, while Marco Livingstone’s interview with the artist examines Bevan’s working
methods, and Jonathan Sinclair-Wilson’s essay places Bevan’s work in a wider cultural
context. The book also features a detailed, illustrated chronology, lists of exhibitions and
public collections, and a select bibliography.
Tony Bevan provides a long-overdue assessment of a major figure in contemporary art, and
will be widely welcomed by art professionals and enthusiasts alike.
john byrne

art and life
Robert Hewison
Includes 98 colour and 18 b&w illustrations
June 2011, 144 pages, Hardback, 270 x 228 mm
ISBN 978-1-84822-047-8, £35.00/ $70.00
/>Limited Edition
ISBN 978-1-84822-080-5. £450.00/ $900.00
/>This is the first monograph to explore Byrne’s
remarkable artistic journey in both the visual and literary fields, and celebrates his contribution
to contemporary Scottish cultural identity.
John Byrne’s biography reflects his diverse talents. He has designed theatre sets and record
covers. His play The Slab Boys (1978) won him the Evening Standard’s most promising
playwright award. The immensely successful, six-time BAFTA award-winning television series,
Tutti Frutti, appeared in 1987. All these achievements have developed alongside Byrne’s artistic
career, which took off in 1967 when he assumed the identity of ‘Patrick’ for a solo show at the
Portal Gallery, London. A prolific painter, illustrator and print-maker, Byrne today boasts a range
of works held in prestigious public collections such as The National Gallery of Art, Edinburgh.
Including a valuable catalogue of Byrne’s editioned prints, Robert Hewison’s highly readable
text provides a chronological, critical account of the work and life of the artist.
graham crowley
Martin Holman
Includes 80 colour and 20 b&w illustrations
June 2009, 128 pages, Hardback, 295 x 245 mm
ISBN 978-1-84822-024-9, £35.00/ $70.00
/>Graham Crowley (b.1950) became a painter in
the early 1970s out of conviction for the validity
of painting, at a time when artists of the ‘1968
generation’ were seeking to break the link with
painting and its traditions. This book is the first
to review the achievement of a highly regarded

contemporary artist.
In a deliberate reaction to British dependence on American models, Crowley looked initially
to European Modernism, and the clamorous, bright, exciting, ‘non-figurative’ images he was
making by the late 1970s were directly inspired by Léger.
Quite quickly his visual language moved to the figurative, with the need to draw content into
his images: with his conscious adoption of ‘genre’ painting, his subject became increasingly
his own life and work experience. Following landscape paintings of housing estates focussed
on urban decay, Crowley directed his attention to the genres of rural landscape and flower
painting, the landscape of West Cork inspiring his most recent paintings since Crowley
moved there in the mid-1990s.
Martin Holman’s engaging text surveys the artist’s entire career to date and is accompanied
by colour reproductions of key works.
mary fedden
enigmas and variationsIONS
Christopher Andreae
Includes 201 colour illustrations
April 2007, 176 pages, Hardback, 290 x 240 mm
ISBN 978-0-85331-953-5, £40.00/ $80.00
/>Mary Fedden (b.1915) is one of Britain’s most
popular living artists. The focus of this book is the
artist’s creative process in various different media –
oil, gouache, pencil and collage.
In an engaging text, which draws on numerous
conversations with the artist, Christopher Andreae considers why Mary Fedden has
such a popular following, looks at the English quality of her work, and talks about the
commercialization of her art and her attitudes to the art market. Fedden is shown to be an
original, serious and prolific artist, a draftsman of unusual sensitivity and prowess, and a
colourist of power and subtlety.
Profusely illustrated with works from private and public collections, this is a book for Mary
Fedden’s existing devotees as well as newcomers to her work.

contemporary artistsISTS
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
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12
contemporary artistsISTS
sheila girling
Hannah Westley
Includes 138 colour and 10 b&w illustrations
March 2008, 200 pages, Hardback, 290 x 245 mm
ISBN 978-0-85331-974-0, £40.00/ $80.00
/>This is the first monograph on Sheila Girling, a
prolific painter who has been working consistently
for 30 years in her studio in Camden Town, London.
This book examines the evolution of Sheila Girling’s
paintings, beginning with the prize-winning works
from the Royal Academy Schools and ending with the present-day collages. Hannah Westley
has a close relationship with both Girling and her husband (Anthony Caro), and she has used
this to write a sympathetic and insightful account of a talented artist.

donald hamilton fraser
a retrospective:
metamorphosis not metaphor
Clare Clinton
Includes 67 colour illustrations
July 2009, 152 pages, Hardback, 280 x 244 mm
ISBN 978-1-84822-042-3, £35.00/ $70.00
/>This book is the first to look at the range of Hamilton
Fraser’s work as an artist, both in painting and in
printmaking. It examines his early abstract works,

the landscapes for which he is best known, as well as his depictions of figures (dancers and
skiers), and includes a new interview with the artist illuminating the progression of his career,
the influences on his art, and his methods of working.

mark francis
Richard Dyer, James Peto and Francis McKee
Includes 225 colour illustrations
July 2008, 224 pages, Hardback, 310 x 243 mm
ISBN 978-0-85331-996-2, £40.00/ $80.00
/>Mark Francis (b.1962, Northern Ireland) has played
a key role in the exploration of the essential nature
of painting. Primarily an abstract painter, Francis
often draws upon that which is unseen by the
naked eye, while pushing the boundaries of the
painted surface. This monumental monograph
spans the artist’s entire career to date, from his
early landscapes to his current abstractions as well as considering the varied influences and
sources of inspiration throughout his practice.
clive hicks-jenkins
Simon Callow, Andrew Green, Rex Harley, Clive
Hicks-Jenkins, Kathe Koja, Anita Mills, Montserrat
Prat, Jacqueline Thalmann, Damian Walford Davies
and Marly Youmans
Includes 277 colour illustrations
May 2011, 240 pages, Hardback
ISBN 978-1-84822-082-9, £35.00/ $70.00
/>This book is the first to survey Clive Hicks-Jenkins’
work as a whole, and was published in celebration of
the artist’s 60th birthday. Its wide-ranging texts, written by poets, novelists and art historians
based in Britain and the USA, address the themes inherent in Hicks-Jenkins’ different bodies

of work. The book will be welcomed by the artist’s growing following of supporters and
collectors and by all those with an interest in contemporary narrative painting.
jeremy gardiner
the origins of landscape
Ian Collins, Peter Davies, Simon Martin,
Christiana Payne and William Varley
Includes 100 colour and 25 b&w illustrations
January 2013, 144 pages, Hardback, 260 x 220 mm
ISBN 978-1-84822-100-0, £35.00/ $70.00
Limited Edition Hardback
ISBN 978-1-84822-101-7, £250.00/ $500.00
Providing a comprehensive assessment of Jeremy
Gardiner’s painting and printmaking career to
date, this monograph, the first of its kind, seeks to
explain how this distinctive artist has developed the
visions of mid-century landscape modernists like Peter Lanyon, John Tunnard and even Ben
Nicholson, to create a post-millennial artistic interpretation of landscape.

clive head
Michael Paraskos
With a Foreword by Jools Holland
Includes 100 colour illustrations
October 2010, 200 pages, Hardback, 290 x 249 mm
ISBN 978-1-84822-062-1, £40.00/$80.00
/>Clive Head (b. 1965) is the leading British realist
painter of his generation, known for his striking
paintings of urban landscapes. He has achieved a
worldwide reputation and his work is held in private
and public collections internationally. Although
there is a clear link between Head’s work and the traditions of American Photorealism, the

paintings extend that tradition by drawing on a European history of art, with the result that
Head’s work is as much a descendant of Canaletto, Constable and Ginner as Estes, Bectel
and Goings.
Forthcoming 2013
Jeremy Gardiner, ‘Mellow Sun,
Wheal Coates’ 2010, Acrylic and
jesmonite on poplar panel.
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
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13
contemporary artistsI
kurt jackson
the sketchbooks
Alan Livingston and Kurt Jackson
Includes 90 colour and 40 b&w illustrations
September 2012, 112 pages, Hardback, 270 x 228 mm
ISBN 978-1-84822-110-9, £35.00/ $70.00
The paintings executed by Kurt Jackson (b.1961) do
not reveal his day-to-day working practice. Behind
his finished canvases are hundreds of sketchbooks,
the result of his continual routine of making drawings,
marks, notes, poems and scribbles. This book examines
the importance of the sketchbook to Jackson.
Drawing on a selection of 20 sketchbooks, of differing sizes and in a variety of media, this
fascinating publication provides a rare insight in to the mind of a highly creative and original
artist.
ian mckeever
paintings
Marjorie Allthorpe-Guyton, Michael Tucker and
Catherine Lampert

Includes 110 colour and 45 b&w illustrations
September 2009, 208 pages, Hardback,290 x 249 mm
ISBN 978-1-84822-037-9, £40.00/ $80.00
/>This is the first in-depth overview of the work of Ian
McKeever RA (b.1946), an artist who has exhibited
to considerable acclaim in Britain, America, Europe
and Scandinavia.
Presenting a multi-layered discussion of McKeever’s significant body of paintings, the book’s
expert authors explore the evolution and complexities of the artist’s oeuvre.
Boasting an impressive selection of over 100 colour images, this publication is essential
reading for anyone interested in contemporary British art and the evolution of Ian
McKeever’s distinctive work.

thomas houseago
what went down
Lisa Le Feuvre and Rudi Fuchs, with an interview
between Michael Stanley and
Thomas Houseago
Includes 211 colour and 7 b&w illustrations
May 2011, 240 pages, Hardback
ISBN 978-1-901352-50-4, £35.00/ $70.00
/>‘The book’s images, some vibrantly extending to
the edge of the large heavy-stock pages, portray
Houseago’s over-scaled plaster, wood, and bronze
creations in larger-than-life splendour.’ International
Sculpture Center
Thomas Houseago (b.1972) is one of the most unique and distinctive contemporary
sculptors working today. This is the first ever monograph on his work and spans the last ten
years of his career.
kurt jackson

a new genre of landscape
painting
Mark Cocker, Helen Dunmore, Bill Hare,
Howard Jacobson, Richard Mabey, Philip Marsden,
Bel Mooney, William Packer, John Russell Taylor,
Tim Smit and Mike Tooby
Includes 90 colour and 40 b&w illustrations
June 2010, 160 pages, Hardback, 270 x 228 mm
ISBN 978-1-84822-041-6, £35.00/ $70.00
/>Paperback, January 2012
ISBN 978-1-84822-102-4, £19.99/ $40.00
Exploring the career to date of artist and environmentalist Kurt Jackson (b.1961) and now
available in paperback for the first time, this visually rich publication has at its centre the
artist and the natural world: Jackson’s paintings are set in places that he has travelled to and
explored regularly, and are created by an individual with a deep understanding of natural
history and ecology, politics and environmental issues.

new
New in paperback
tania kovats
Jeremy Millar and Philip Hoare
Includes 151 colour and 17 b&w illustrations
February 2011, 144 pages, Hardback, 325 x 245 mm
ISBN 978-1-84822-078-2, £35.00
/>After completing her MA at the Royal College of
Art in 1990, Tania Kovats (b.1966) won the Barclays
Young Contemporaries award at the Serpentine
Gallery in 1991. The intervening years have seen
Kovats’ early artistic promise grow and develop and
today she stands as an important figure within British

contemporary art. This monograph, the first of its
kind, is a much-needed addition to the scant literature available on this original artist.
john mclean
Ian Collins
Includes 150 colour and 12 b&w illustrations
November 2009, 176 pages, Hardback, 270 x 249 mm
ISBN 978-1-84822-012-6, £40.00/ $80.00
/>Limited edition with print
ISBN 978-1-84822-013-3, £300.00/ $600.00
/>Limited edition with original artwork
ISBN 978-1-84822-045-4, £375.00/ £750.00
/>This is the first book to be published on the artist John McLean (b.1939), and celebrates his
ongoing creativity in painting, as well as his more recent forays into printmaking, sculpture and
his glittering designs for cathedral stained-glass windows.
Kurt Jackson, Down the Thames
between Tadpole Bridge and
Chimney, Mixed Media.
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
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14
barbara rae
With texts by Bill Hare, Andrew Lambirth and
Gareth Wardell
Includes 200 colour and 20 b&w illustrations
May 2008, 192 pages, Hardback, 290 x 240 mm
ISBN 978-0-85331-990-0, £40.00/$80.00
/>Limited Edition
ISBN 978-0-85331-991-7, £300.00/ $600.00
/>This book traces the development of Rae’s work,
from her early days as a student and lecturer in

Edinburgh and Glasgow, and looks at the influence that her extensive travels have had on
her painting.
The contrasting approaches of the authors, alongside the lavish colour illustrations of Barbara
Rae’s unique work, make this an important and engaging homage to her life.

alan reynolds
Michael Harrison
Includes 222 colour and 18 b&w illustration
January 2011, 192 pages, Hardback, 270 x 260 mm
ISBN 978-1-84822-068-3, £40.00/ $80.00
/>This is the first full-scale survey of the work of Alan
Reynolds (b.1926), an artist whose career has been
in two parts: a landscape painter in the 1950s and a
Constructive artist for the past 30 years.

alessandro raho
Michael Bracewell and Nicholas Cullinan
Includes 59 colour and 20 b&w illustrations
December 2011, 144 pages, Hardback
ISBN 978-1-84822-093-5, £35.00/ $70.00
/>Exploring the career of Alessandro Raho (b.1971)
from the early 1990s to the present day, this mono-
graph, the first of its kind on the artist, places Raho
in the context of the period in which his career was
established and has flourished.

terry setch
Martin Holman
With a Preface by Michael Sandle and an
Afterword by Paul Greenhalgh

Includes 75 colour and 78 b&w illustrationsn
April 2009, 160 pages, Hardback, 245 x 195 mm
ISBN 978-1-84822-023-2, £35.00/ $70.00
/>This is the first full-scale survey of the art and life of
Terry Setch (b.1936), a British painter recognised
internationally as one of the most consistently
radical artists of his generation. It provides a critical
structure and historical perspective with which to
explore Setch’s artistic production over 50 years.

contemporary artistsI
the art & craft of
richard woods
Edited by and with an introduction by
Paul Bonaventura
Includes over 230 illustrations
May 2012, 256 pages, Hardback, 335 x 245mm
ISBN 978-1-84822-108-6, £40.00/ $80.00
Complementing the hugely successful monograph
on the artist, which was co-published by Lund
Humphries in 2006, The Art and Craft of Richard
Woods presents a multitude of case studies which
provide detailed insights into the production
processes associated with the entire range of the artist’s output, including the interior and
exterior installations for which he is best known, together with his paintings, sculptures,
furniture, prints, fabrics and lighting.
Paul Bonaventura explores the artist’s approach to making, focusing on life in his busy
studio. Thereafter each case study is contextualised in a series of short texts, ranging from
personal commentaries by the artist’s co-creatives, patrons, assistants and friends through to
facsimiles of exhibition press releases, magazine reviews and news coverage.

new
abigail mclellan
Matthew Sturgis
Includes 85 colour and 10 b&w illustrations
January 2012, 136 pages, Hardback
ISBN 978-1-84822-116-1, £35.00/ $70.00
Limited Edition
ISBN 978-1-84822-117-8, £250/ $500
Abigail McLellan (1969–2009) is known for her
pared-down images that were set against richly
worked backgrounds of saturated colour. She
battled with multiple sclerosis for the last ten years
of her life: this book, the first monograph on the
artist, charts the career of a painter of indomitable
spirit and unbounding creative energy.
new
Abigail McLellan, Wild Azealias
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
Order online at www.lundhumphries.com/mba or phone: +44 (0)1235 827730/ US 1–800–535–9544
15
sculptors
barbara hepworth
the plasters
the gift to wakefield
Edited by Sophie Bowness, with contributions by
Sophie Bowness, David Chipperfield, Frances Guy,
Jackie Heuman, Tessa Jackson, Simon Wallis and
Gordon Watson
Published in association with The Hepworth, Wakefield
Includes 85 colour and 115 b&w illustrations

March 2011, 200 pages, Hardback, 260 x 220 mm
ISBN 978-1-84822-066-9, £35.00/ $70.00
/>This groundbreaking publication combines a fully illustrated catalogue of the sculptor’s
surviving prototypes in plaster, and occasionally aluminium, with a detailed analysis of her
working methods and a comprehensive history of her work in bronze. In addition, insights
into the building which is home to the collection are provided through essays exploring the
history of The Hepworth and, in a contribution by David Chipperfield, the design of the new
museum by his architectural practice. A fascinating account of the sculptor’s connections
with Wakefield Art Gallery also features.
celebrating moore
works from the collection of
the henry moore foundation
David Mitchinson
Published in association with The Henry Moore Foundation
Includes 346 colour illustrations
July 2006, 360 pages, Paperback, 305 x 265 mm
ISBN 978-0-85331-944-3, £25.00/ $40.00
/>A centennial publication and celebration of The
Henry Moore Foundation’s Collection, this book
explains the history of the Foundation and its
Collection and examines Moore’s somewhat haphazard way of working. It contains over 250
reproductions of his works, many with extended captions.

the drawings of henry moore
Andrew Causey
Published in association with The Henry Moore Foundation
Includes 110 colour and 30 b&w illustrations
February 2010, 160 pagess, Hardback, 270 x 228 mm
ISBN 978-1-84822-029-4, £25.00/ $50.00
/>Henry Moore’s Shelter Drawings are universally

recognised as a key element of his oeuvre. However,
these drawings should not be seen in isolation: this
volume provides a highly readable account of the
development of Moore’s work as a draughtsman
so providing a well-rounded discussion of this
significant aspect of his artistic output.
henry moore
writings and conversations
Edited by Alan Wilkinson
Published in association with The Henry Moore Foundation
Includes 153 b&w illustrations
February 2002, 320 pages, Hardback, 243 x 205 mm
ISBN 978-0-85331-847-7, £45.00
/>Not available in North America through Lund Humphries
This collection of Moore’s writings is the most
complete compiled to date, containing unpublished
material from before 1966, and writings and
interviews from the last 20 years of his life.
Indispensable reading for scholars and Moore
enthusiasts alike.

hoglands
the home of henry and
irina moore
Edited by David Mitchinson
Published in association with The Henry Moore Foundation
Includes 236 colour illustrations
May 2007, 224 pages, Hardback, 305 x 245 mm
ISBN 978-0-85331-961-0, £40.00/ $80.00
/>Hoglands was home to Henry Moore and his wife Irina

for almost 50 years. This book traces the development
of the house, Moore’s studio, Irina’s garden and their
art collections from the early 1940s to the late 1980s, placing the history of the house within
the broader context of Moore’s life and work. It should appeal to all those with an interest in
Moore’s sculpture who are curious to know more about how he lived and worked.

london’s war
the shelter drawings of
henry moore
Julian Andrews
Published in association with The Henry Moore Foundation
Includes 82 colour and 36 b&w illustrations
October 2002, 144 pages, Paperback, 250 x 230 mm
ISBN 978-0-85331-844-6, £25.00/ $50.00
/>During the Second World War, Henry Moore created
a series of drawings documenting the plight of Londoners sheltering in the Underground.
This is the first book to examine Moore’s Shelter Drawings within the context of the Blitz.
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
Order online at www.lundhumphries.com/mba or phone: +44 (0)1235 827730/ US 1–800–535–9544
16
the sculpture of reg butler
Margaret Garlake
Published in association with The Henry Moore Foundation
Includes 12 colour and 268 b&w illustrations
November 2006, 176 pages, Hardback, 290 x 240 mm
ISBN 978-0-85331-914-6, £35.00/ $70.00
/>The Sculpture of Reg Butler is the first book to
provide an overview of Butler’s sculpture from 1949
(his first solo show) to his death in 1981, and to
catalogue and illustrate all extant works. Margaret

Garlake analyses the development, themes and
visual and intellectual origins of the sculpture;
considers why Butler has been largely ignored since the early 1960s; examines his studio
practice and sculptural techniques, and assesses his work in the context of that of his
contemporaries.
the sculpture of
william tucker
Joy Sleeman
Published in association with The Henry Moore Foundation
Includes 12 colour and 260 b&w illustrations
August 2007, 192 pages, Hardback, 290 x 240 mm
ISBN 978-0-85331-926-9, £35.00/ $70.00
/>William Tucker (b.1935) is a British-born sculptor
who moved to North America in 1976 and became
an American citizen in 1986. Tucker began making
sculpture in the late 1950s and came to public
prominence in the New Generation 1965 exhibition at the Whitechapel Art Gallery in London.
Moving to the US, Tucker established his reputation in a newly expressive and increasingly
bodily sculptural form.
This is the first major monograph on his work and includes a complete catalogue of his
sculpture to date.

sculptors
the sculpture of
f.e. mcwilliam
Denise Ferran and Valerie Holman
Published in association with The Henry Moore Foundation
Includes 8 colour and 354 b&w illustrations
July 2012, 192 pages, Hardback, 290 x 240 mm
ISBN 978-1-84822-049-2, £45.00/ $90.00

/>A highly respected sculptor, F.E. McWilliam
(1909–92) was described by Bryan Robertson in
1992 as ‘one of the truest artists to work in England
this century’. Yet despite achieving great acclaim in
his lifetime, McWilliam’s contribution to modern art has been unduly neglected in recent
years. This book, the first to include a comprehensive catalogue of the artist’s sculpture,
re-establishes McWilliam’s considerable artistic reputation.
the sculpture of
gertrude hermes
Jane Hill
Published in association with The Henry Moore Foundation
Includes 12 colour and 131 b&w illustrations
August 2011, 152 pages, Hardback, 290 x 240
ISBN 978-0-85331-865-1, £45.00/ $90.00
/>The Sculpture of Gertrude Hermes presents for the
first time a full analysis of the artist’s entire sculptural
oeuvre. Along with a comprehensive catalogue
of Hermes’ works, Jane Hill provides a full account of the artist’s life in the context of her
career as a sculptor. What results is a picture of a pioneering spirit whose robust and vigorous
treatment created busts and heads, decorative work and reliefs which display dynamism and
unpredictability.
the sculpture of
john skeaping
Jonathan Blackwood
Published in association with The Henry Moore Foundation
Includes 12 colour and 210 b&w illustrations
May 2011, 152 pages, Hardback, 290 x 240 mm
ISBN 978-0-85331-931-3, £45.00/ $90.00
/>Although his career spanned six decades, John
Skeaping (1901–80) is often associated with

the work he completed while he was married
to Barbara Hepworth. However, this period of just six years (1926 to 1932) ignores the
breadth of Skeaping’s visual output and fails to reflect his true artistic legacy. Long overdue,
The Sculpture of John Skeaping surveys the artist’s rich career in the round. Including a
full catalogue of Skeaping’s sculptures plus over 200 reproductions of the artist’s works,
the book is essential reading for all those interested in learning more about this unjustly
neglected figure within British sculpture.
elisabeth frink
catalogue raisonné of
sculpture
new edition
Edited by Annette Ratuszniak
With a Preface by Leo A. Daly and Contributions by
Arie Hartog, Michael Morpurgo and Julian Spalding
Includes 200 colour and 220 b&w illustrations
February 2013, 200 pages, Hardback, 290 x 240mm
ISBN 978-1-84822-113-0, £100.00/ $200.00
Elisabeth Frink (1930–93) was a leading British
sculptor and printmaker whose work is distinguished
by her commitment to naturalistic forms and themes.
This new edition of the catalogue raisonné of her
sculpture documents her complete sculptural output in a single volume for the first time, and
includes new texts by a range of critics and writers.
Forthcoming 2013
new
Elisabeth Frink, Maquette for
Risen Christ,1992
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
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17

anthony caro
interior and exterior
Karen Wilkin
Includes 80 colour and 14 b&w illustrations
November 2009, 152 pages, Hardback, 280 x 240 mm.
978-1-84822-031-7, £30.00/ $60.00
/>Anthony Caro’s works over the last two decades
have explored the relationship between architecture
and sculpture, interior and exterior space. Karen
Wilkin traces the development of this avenue in
Caro’s career, culminating in the commission for St John the Baptist Church, Bourbourg, Pas-
de-Calais. This 13th-century building has been treated by the artist as a sculptural volume in
which Caro has erected structures that penetrate and animate the space.
anthony caro
drawing in space
Mary Reid
Includes 66 colour and 20 b&w illustrations
November 2009, 152 pages, Hardback, 280 x 240 mm
ISBN 978-1-84822-030-0, £30.00/ $60.00
/>Anthony Caro’s linear sculptures are ‘drawings in
space’. Here for the first time Mary Reid addresses
these pieces as a coherent body, united by their
character of weightlessness. Her insightful text
introduces the reader to the concept of linear sculpture, and the plates serve to highlight
this important aspect of the sculptor’s career. Caro’s use of colour and his shifting attitude
to various materials are also discussed to enhance the reader’s appreciation of this stylistic
form.
anthony caro
presence
Paul Moorhouse

Includes 73 colour and 9 b&w illustrations
March 2010, 152 pages, Hardback, 280 x 240 mm
ISBN 978-1-84822-053-9, £30.00/ $60.00
/>This book surveys Caro’s free-standing, floor-based,
constructed, abstract sculptures from 1960 to the
present. The unifying theme of these works is that
they answer Caro’s imperative ‘to make something
that was as important in a room as a person’. The
author explores the idea of presence in Caro’s
sculpture, focusing on how, in order to invest sculpture with an independent existence and
self-contained reality, it was necessary for Caro to purge it of figurative references.

anthony caro
small sculptures
H.F. Westley Smith
Includes 82 colour and 14 b&w illustrations
March 2010, 152 pages, Hardback, 280 x 240 mm
ISBN 978-1-84822-051-5, £30.00/ $60.00
/>Though Anthony Caro’s oeuvre is most readily
identified by large-scale, plinthless sculptures
that sometimes dwarf the viewer, he has directed
a significant portion of his energies for over four
decades to the production of domestically sized
pieces in a variety of media. This volume explores
this aspect of Caro’s prolific output, covering: Table Sculptures, Writing Pieces, Ceramics,
Bronzes, Paper Sculptures, Lead and Wood Sculptures, Silver Pieces and Jewellery.

anthony caro
figurative and narrative
sculpture

Julius Bryant
Includes 55 colour and 23 b&w illustrations
November 2009, 128 pages, Hardback, 280 x 240 mm
ISBN 978-1-84822-032-4, £30.00/ $60.00
/>Over the past two decades Anthony Caro has moved
on from the steel sculptures with which he achieved
international standing to explore the unknown
ground where abstract, figurative and narrative
art all meet. As this book reveals, this is not some
reckless late style of an established artist determined to be provocative. Rather, these more
recent works share many of the concerns of Caro’s celebrated sculptures and provide a fresh
perspective from which to recognise essential qualities of Caro’s art as a whole.
anthony caro
the quest for new sculpture
Ian Barker
Includes 555 duotone illustrations
June 2004, 360 pages, Hardback, 220 x 245 mm
ISBN 978-0-85331-910-8, £45.00/ $90.00
/>‘ is as useful as it is enjoyable ’ Art History
Anthony Caro is internationally recognised as one of the greatest modernist sculptors.
Caro’s working processes and quest for a new language for sculpture are examined through
a chronological examination of his work alongside letters, interviews, press cuttings and
previously unpublished documentary images and correspondence with art critics.
sculptors
The definitive series on Anthony Caro is also available as a Limited Edition boxed set.
This is a boxed set of Anthony Caro: Drawing in Space, Anthony Caro: Interior and Exterior, Anthony Caro: Figurative and Narrative Sculpture, Anthony Caro: Small Sculptures and
Anthony Caro: Presence. The box has been specially designed by Anthony Caro.
ISBN 978-1-84822-057-7, £120.00/ $240.00, />Lund Humphries – Leading Publishers on Modern British Art for over 60 years
Order online at www.lundhumphries.com/mba or phone: +44 (0)1235 827730/ US 1–800–535–9544
18

printmakers’ cataloguesLOGUES
the prints of wilhelmina
barns-graham
a complete catalogue
Ann V. Gunn
Includes 130 colour and 20 b&w illustrations
October 2007, 160 pages, Hardback, 260 x 220 mm
ISBN 978-0-85331-969-6, £40.00/$80.00
/>‘A well illustrated, solid piece of research and a
thorough treatment of her work in print media.’
Print Quarterly
Based on new research, and drawing on information contained in her numerous diaries, The
Prints of Wilhelmina Barns-Graham incorporates a complete illustrated catalogue of all of
the artist’s known work in etching, linocut, lithography, screenprinting and monotype, from
1946 to 2007.

albert irvin
the complete prints
Mary Rose Beaumont
Includes 100 colour and 10 b&w illustrations
September 2010, 136 pages, Hardback, 290 x 245 mm
ISBN 978-1-84822-054-6, £35.00/ $70.00

Limited Edition Hardback
ISBN 978-1-84822-055-3, £300.00/ $600.00
/>Albert Irvin (b.1922) is renowned for creating
energetic, colourful paintings. Equally vibrant are
his prints, which are catalogued for the first time in this invaluable publication.
Irvin came relatively late to printmaking – he did not properly explore the medium until
the mid-1970s when he experimented with lithography. It was not, however, until 1980,

the beginning of his relationship with Advanced Graphics London, that Irvin discovered a
new outlet for his creativity through screenprinting. The resulting prints, almost exclusively
produced with Advanced Graphics, consolidate and add to Irvin’s rich body of work.

elizabeth blackadder prints
Christopher Allan
Includes 86 colour and 61 b&w illustrations
February 2003, 128 pages, Hardback, 260 x 220 mm
ISBN 978-0-85331-855-2, £40.00/ $80.00
/>‘She is an outstanding printmaker, but the author has
done more than just describe her work. His book is
a concise, very accessible introduction to the whole
business of printmaking.’ The Scotsman
Elizabeth Blackadder has been a respected
printmaker for over four decades and has experimented with a range of diverse media. This
book provides a complete catalogue of her prints.
the prints of john piper
quality and experiment
a catalogue raisonné 1923–91
Revised and Expanded Edition
Compiled and Edited by Orde Levinson
With Essays by David Fraser Jenkins and
Orde Levinson
Includes 428 colour and 160 b&w illustrations
November 2010, 232 pages, Hardback, 305 x 245 mm
ISBN 978-1-84822-063-8, £125.00/ $250.00
/>This is an expanded and revised edition of Orde
Levinson’s definitive catalogue raisonné of the prints of John Piper: an essential reference
book for collectors, curators, prints specialists and art historians, and an invaluable visual
resource for all those with an interest in Piper’s prolific and varied printmaking output.

terry frost prints
a catalogue raisonné
Dominic Kemp, with contributions by John Hoyland,
Stanley Jones, Brad Faine and
Charles Booth-Clibborn
Includes 260 colour and 10 b&w illustrations
March 2010, 304 pages, Hardback, 270 x 249 mm
ISBN 978-1-84822-035-5, £45.00/ $90.00
/>Limited edition with colour etching
ISBN 978-1-84822-036-2 £400.00/ $800.00
/>‘This book confirms Frost’s achievement as a major printmaker. His images explode off the
page and the viewer is assailed by colour at every turn.’ RA Magazine
This important publication brings together, for the first time, a complete catalogue of the
artist’s prints. The result is a colourful visual history of Frost’s remarkable printmaking career.

julian trevelyan
catalogue raisonné of prints
Silvie Turner, with contributions by Norman
Ackroyd, Frances Carey, Patricia Jordan Evans, Mary
Fedden and Nicholas Usherwood
Includes 30 colour and 400 b&w llustrations
November 2010, 184 pages, Hardback, 265 x 235 mm
ISBN 978-1-84822-077-5, £85.00/ $170.00
Revised Reprint
/>‘This excellent and long overdue book is a testament
to the impact of Julian Trevelyan’s work on British printmaking.’ Artists and Illustrators
Julian Trevelyan (1910–88) was a distinguished artist and printmaker best known for his
Surrealist prints of the 1930s. This important catalogue raisonné of his prints, originally
published in 1998, has become an essential reference resource for collectors and students of
Trevelyan’s prints and has been reissued in a new printing with minor revisions.

Lund Humphries – Leading Publishers on Modern British Art for over 60 years
Order online at www.lundhumphries.com/mba or phone: +44 (0)1235 827730/ US 1–800–535–9544
19
henry moore tapestries
Ann Garrould and Valerie Power
Published in association with The Henry Moore Foundation
Includes 53 colour and 62 b&w illustrations
November 1998, 112 pages, Paperback, 260 x 274 mm
ISBN 978-0-85331-781-4, £30.00/ $60.00
/>Working closely with the Tapestry Studio at West
Dean, Moore authorized a series of tapestries based
on his drawings. The brilliance of the drawings is confirmed in their transition into large
tapestries, seven or eight times the size of the original. These lost nothing of their power in
the process, retaining all the textural qualities of the drawing, from a smudgy chalk line to a
decisive pen stroke.
henry moore textiles
Edited by Anita Feldman, with an
introduction by Sue Prichard
Published in association with The Henry Moore Foundation
Includes 188 colour and 26 b&w illustrations
October 2009, 160 pages, Paperback, 305 x 245 mm
ISBN 978-1-84822-052-2, £20.00/ $40.00
/>‘The photographs of his stunning designs give
a wonderful introduction to Moore’s textiles.
This is a beautiful book – a great inspiration’ The
International Journal of the Guild of Silk Painters
This book surveys and interprets Moore’s fabrics, printed in numerous colourways, for
scarves, dress and upholstery fabrics as well as large-scale wall panels.
The images are newly photographed for this book and do justice to his vibrant colourful
designs, which reveal an entirely new dimension to this well-known artist.

british aviation posters
art, design and flight
Scott Anthony and Oliver Green
Published in association with British Airways
Includes 120 colour and 60 b&w illustrations
July 2012, 200 pages, Hardback, 260 x 220mm
ISBN 978-1-84822-084-3, £35.00/$70.00

From Futurism and Modernism to Art Deco and
Surrealism, aviation was from its earliest days
inextricably linked with revolutionary new ways of
seeing the world. Focusing on the golden age of British civil aviation, British Aviation Posters
shows how art and design were applied with great creativity and style to develop and
promote aviation in the UK and beyond.
london transport posters
a century of art and design
Edited by David Bownes and Oliver Green
Published in association with the
London Transport Museum
Includes 240 colour and 30 b&w illustrations
June 2011, 240 pages, Paperback, 260 x 220 mm
ISBN 978-0-85331-985-6, £19.99/ $40.00
/>‘The book is wonderfully informative and easy to
read. As is proper, it is handsomely designed. In short
it is “fit for purpose and pleasant to use”. Frank Pick
would have approved’. Print Quarterly
London Transport Posters: A Century of Art and Design is richly illustrated with examples of
posters from all periods, and will be an invaluable reference book and visual resource for all
those with an interest in 20th-century design.

posters, ceramics and textiles
the ceramic art of
james tower
Timothy Wilcox
With a Preface by Antony Gormley
Includes 60 colour and 220 b&w illustrations
April 2012, 176 pages, Hardback, 290 x 245 mm
ISBN 978-1-84822-070-6, £45.00/ $90.00
isbn/9781848220706
James Tower (1919–88) is widely regarded as one
of the most distinctive figures in post-war British
ceramics. This is the first single publication to be
devoted to his work and will reveal to a new audience the extraordinary range and quality
of his achievement. Tower’s career was unusual in inhabiting the worlds of fine art and
ceramics, and his output encompassed sculptural pieces in plaster and bronze as well as
glazed ceramic forms. This book provides a comprehensive visual document of Tower’s
work, incorporating a complete illustrated catalogue, and is set to be the standard source of
reference on the artist.
new
new
the art of modern tapestry
dovecot studios since 1912
Edited by Elizabeth Cumming, with an essay by
Dovecot Director David Weir
Published in association with Dovecot Studios, Edinburgh
Includes 130 colour and 10 b&w illustrations
July 2012, 192 pages, Hardback, 260 x 220 mm
ISBN 978-1-84822-105-5, £40.00/ $80.00
/>Setting out to celebrate, document and discuss the
work and role of an international tapestry workshop,

Dovecot Studios, since its foundation in Edinburgh
in 1912, this groundbreaking publication uniquely explores the artistic value, nature and
identity of tapestry through images, essays and the commentaries of weavers, artists and
patrons.
new
Lund Humphries – Leading Publishers on Modern British Art for over 60 years
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20
index
A
Aberth, Susan L. 5
Abigail Mclellan 14
Ackroyd, Norman 18
Adrian Heath 6
Alan Reynolds 14
Albert Irvin: The Complete Prints 18
Alessandro Raho 14
Allthorpe-Guyton, Marjorie 13
Andreae, Christopher 8, 11
Andrews, Julian 15
Anthony Caro: Drawing in Space 17
Anthony Caro: Figurative and
Narrative 17
Anthony Caro: Interior and Exterior 17
Anthony Caro: Presence 17
Anthony Caro: Small Sculptures 17
Anthony Caro: The Quest for new
Sculpture 17
Anthony, Scott 19
Archer, David 7

Arcq, Teresa 5
Art and Life of Josef Herman, The 9
Art & Craft of Richard Woods, The 14
Arya, Rina 9
Attenborough, David 4
Auerbach, Frank 8
B
Barañano, Kosme de 11
Barbara Hepworth: The Plasters 15
Barbara Rae 14
Barker, Ian 17
Beaumont, Mary Rose 18
Ben Nicholson 7
Bird, Jon 11
Bird, Michael 6, 7
Blackwood, Jonathan 16
Bohm-Duchen, Monica 9
Bonaventura, Paul 14
Booth-Clibborn, Charles 18
Bownes, David 19
Bowness, Sophie 15
Bracewell, Michael 14
British Aviation Posters: Art, Design
and Flight 19
Bryant, Julius 17
Bryan Wynter 7
C
Callow, Simon 12
Carey, Frances 18
Causey, Andrew 2, 15

Celebrating Moore 15
Ceramic Art of James Tower, The 19
Chipperfield, David 15
Clifford, Timothy 3
Clinton, Clare 12
Clive Head 12
Clive Hicks-Jenkins 12
Cocker, Mark 13
Collins, Ian 4, 12, 13
Constable, Freda 2
Crouan, Katharine 8
Cullinan, Nicholas 14
Cumming, Elizabeth 19
D
Daly, Leo A. 16
Davies, Peter 12
Derrick Greaves 9
Donald Hamilton Fraser 12
Drawings of Henry Moore, The 15
Duncan, Ronnie 7
Dunmore, Helen 13
Dyer, Richard 12
E
Edward Burra 2
Elisabeth Frink Catalogue Raisonné
of Sculpture 16
England of Eric Ravilious, The 2
Eric Ravilious 2
F
Faine, Brad 18

F.C.B Cadell 3
Feldman, Anita 19
Ferran, Denise 16
Francis Bacon 9
Fraser Jenkins, David 18
Fuchs, Rudi 13
G
Garlake, Margaret 16
Garrould, Ann 19
Gibbon Williams, Andrew 3
Gledhill, John 3
Gormley, Antony 19
Graham Crowley 11
Green, Andrew 12
Greenhalgh, Paul 14
Green, Lynne 7
Green, Oliver 19
Gunn, Ann V. 18
Guy, Frances 15
H
Hare, Bill 13, 14
Harley, Rex 12
Harrison, Michael 14
Hartog, Arie 16
Haste, Cate 8
Hastings, Gerard 4
Henry Moore Tapestries 19
Henry Moore Textiles 19
Henry Moore: Writings and
Conversations 15

Heuman, Jackie 15
Hewison, Robert 11
Hewlett, Tom 3
Hill, Jane 16
Hoare, Philip 13
Hoglands: The Home of Henry and
Irina Moore 15
Holland, Jools 12
Holman, Martin 14
Holman, Valerie 16
Hoyland, John 18
Hyman, James 9
I
Ian Mckeever 13
Ivon Hitchens 8
J
Jackson, Tessa 15
Jacobson, Howard 13
Jeremy Gardiner 12
Joan Eardley 9
John Byrne 11
John Craxton 4
John Mclean 13
John Minton 4
Jones, Stanley 18
Jordan Evans, Patricia 18
Julian Trevelyan 9
Julian Trevelyan: Catalogue
Raisonné of Prints 18
K

Keith Vaughan 4
Kemp, Dominic 18
Kennedy, S.B. 8
Khoroche, Peter 7, 8
Kinley, Catherine 9
Knowles, Elizabeth 7
Koja, Kathe 12
Kurt Jackson 13
Kurt Jackson: The Sketchbooks 13
Kusunoki, Sharon-Michi 5
L
Lambirth, Andrew 2, 6, 7, 12, 14
Lampert, Catherine 13
Le Feuvre, Lisa 13
Leonora Carrington 5
Levinson, Orde 18
Lewis, Adrian 7
Lewis, David 7
Livingston, Alan 13
Livingstone, Marco 9, 10, 11
London’s War: The Shelter Drawings
of Henry Moore 15
London Transport Posters:
A Century of Art and Design 19
M
Mabey, Richard 13
Macmillan, Duncan 3
Margaret Mellis 6
Mark Francis 12
Marsden, Philip 13

Martin, Simon 2
Mary Fedden 11
Matheson, Neil 5
Matthew Smith 3
McKee, Francis 12
Millar, Jeremy 13
Mills, Anita 12
Mitchinson, David 15
Mooney, Bel 13
Moorhead, Joanna 5
Moorhouse, Paul 17
Morpurgo, Michael 16
O
Ottmann, Klaus 11
P
Packer, William 13
Paraskos, Michael 12
Patrick Caulfield 10
Paul Nash 2
Peploe, Guy 3
Peter Blake 10
Peter Kinley 9
Peto, James 12
Powers, Alan 2
Power, Valerie 19
Prat, Montserrat 12
Prichard, Sue 19
Prints of John Piper: Quality and
Experiment, The 18
Prints of Wilhelmina Barns-Graham:

Complete Catalogue, The 18
Prunella Clough 4
R
Raay, Stefan van 5
Ratuszniak, Annette 16
Reid, Mary 17
Remy, Michel 5
Rivera, Antonio Rodriguez 5
Roger Hilton 7
Rose Hilton 7
Rosenthal, Norman 6
Russell Taylor, John 13
Rye, Jane 6
S
Sandle, Michael 14
Sandra Blow 6
Saunders, Linda 7
Sculpture of F.E. McWilliam, The 16
Sculpture of Gertrude Hermes, The 16
Sculpture of John Skeaping, The 16
Sculpture of Reg Butler, The 16
Sculpture of William Tucker, The 16
Sheila Fell 8
Sheila Girling 12
Simon, Sue 2
Sinclair-Wilson, Jonathan 11
S.J. Peploe 3
Sleeman, Joy 16
Smit, Tim 13
Sources of Surrealism, The 5

Spalding, Frances 4
Spalding, Julian 16
Stanley, Michael 13
Stevenson, Jane 2
St Ives Artists, The 6
Sturgis, Matthew 14
Surreal Friends 5
Surrealism in Britain 5
T
Tania Kovats 13
Terry Frost 7
Terry Frost Prints: A Catalogue
Raisonné 18
Terry Setch 14
Thalmann, Jacqueline 12
The Art of Modern Tapestry:
Dovecot Studios Since 1912 19
Thomas Houseago 13
Tony Bevan 11
Tooby, Mike 13
Tucker, Michael 13
Turner, Silvie 18
U
Usherwood, Nicholas 18
V
Vann, Philip 4, 8
Varley, William 12
W
W. Barns-Graham 7
Walford Davies, Damian 12

Wallis, Simon 15
Wardell, Gareth 14
Watson, Gordon 15
Weir, David 19
Westley, Hannah 12
Westley Smith, H.F. 17
Wilcox, Timothy 19
Wilkin, Karen 17
Wilkinson, Alan 15
William Crozier 8
William Roberts 3
Winifred Nicholson 8
Y
Youmans, Marly 12
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