Tải bản đầy đủ (.pdf) (311 trang)

Handbag designer 101 everything you need to know about designing, making, and marketing handbags

Bạn đang xem bản rút gọn của tài liệu. Xem và tải ngay bản đầy đủ của tài liệu tại đây (28.28 MB, 311 trang )




HANDBAG
DESIGNER101
EVERYTHINGYOUNEEDTOKNOWABOUTDESIGNING,
MAKING,ANDMARKETINGHANDBAGS
EMILYBLUMENTHAL


CONTENTS
INTRODUCTION
TheAnatomyofaHandbag
HandbagSilhouettes
SewingSkills
FabricandThreadTips
PARTITHEBAGS
EASY:
Tote
Bucket
Wallet
FacileFrame
INTERMEDIATE:
Satchel
Clutch
StructuredCase
Barrel
Drawstring
Messenger
ADVANCED:
Frame


Hobo
Camera
Backpack
Briefcase
PARTIITHEBUSINESS
1GettingStarted
2HandbagDesignFundamentals
3HowtoDesignYourHandbagandGetitMade
4DesigningforYourMarket:GuaranteeYourBagsWillSell
5GoingintoProduction:EverythingYouNeedtoKnow


6TheFundamentalsofStartingYourHandbagBusiness
7FindingYourPlaceintheMarket
8HowtoPresentandSellYourHandbagLine
9Publicity101
10NextStepsforHandbagandBusinessDevelopment
Appendix:BusinessSkills
ResourceGuides
Index
AbouttheAuthor


INTRODUCTION
ForeveryaspiringactorinLosAngeles,thereisanaspiringhandbag
designerinNewYork.Anyonewhohasattendedatradeshow,craftfair,
or home shopping party will recognize the truth of this statement.
HandbagDesigner101willrevieweverythingyouneedtoknowabout
handbags:fromlearningtocreatefifteenessentialhandbagsilhouettes
todevelopingaprofitablebusiness.


MYSTORY
MynameisEmilyBlumenthal,andIamthecreatoroftheYasmenahandbag.
Withoutanydesignexperience,Icreatedabagthathit“thebigtime,”
structuredalicensingcontractwithawell-knownleathergoodscompany,
mademultipleappearancesonQVC(wheremyhandbagssoldoutinlessthan
fourminutes),andaccruedamajorsportswearlicense.TheYasmenabageven
hadacameoonSexandtheCity.
Theideaforthissmall,stylish,practicalhandbagsprungfrommyreal-life
experiences:Aftergoingtowork,togradschool,andthenouttoclubsalmost
fivenightsaweekwithmythenDJboyfriend,Ibegantonoticeavisiblelack
offunctionalhandbags.Whetherawomanwasdancing,drinking,socializing,
orsmoking,allhandbagoptionsseemedtobecumbersomeand
uncomfortable.Womenevenperformedceremonialdancesaroundtheir
handbags.ItwasthenthatIhadanepiphany:therewasavoidinthehandbag
marketfora“goingoutbag”—afashionableyetfunctionalbagthatholdsthe
essentials.TheYasmenabagwasthesolution.
Sincethelaunchofmylinein2000,Ihavebecomeatelevision“Handbag
Expert”whileconsultingformanyup-and-comingindependenthandbag


designersandteachingattheLearningAnnexinNewYorkCityandschools
liketheLaboratoryInstituteofMerchandisingandParsonsTheNewSchool
forDesign.In2006,IlaunchedthewebsiteHandbagDesigner101
(www.handbagdesigner101.com)asacommunityforhandbagdesigners,
aficionados,andexperts.Nowwithmorethan300,000uniquevisitorsand
pageviewsdoublingeverymonthsinceitslaunchandcurrentlyreaching2
million,HandbagDesigner101isanintegralpartoftheaccessoriesindustry.
InJune2007,IheldthefirstannualIndependentHandbagDesignerAwards
attheMuseumoftheCityofNewYork.TheIndependentHandbagDesigner

Awardsprovidedanopportunityforbuddingandexistingdesignerstobreak
intothenotoriouslyexclusivefashionandaccessorybusiness.Designersofthe
trendiestandmoststylishhandbagssquaredoffagainstoneanotherwith
awardsgivenforHandbagDesignExcellence.Fiveyearslater,theHandbag
Awardshasbecomeanindustryevent.Withmorethanathousandinternational
applicants,theIHDAremainstheonlydesigncompetitiontosalutethe
independenthandbagdesigner.

HOWTOBEAHANDBAGDESIGNERORJUSTSEWLIKE
ONE
Throughmyyearsintheindustry,I’vegainedintimateknowledgeofthedayto-daystrugglesandsuccessesthatindependenthandbagdesignersexperience,
andIwanttosharethemwithyou.Whetheryouplantosewhandbagsathome
foryourowncloset,createhandbagsforcraftfairsandartshows,ormakeit
bigandproducebagsthatthehottestcelebritieswanttocarry,thisbookwill
helpyouonyourjourney.
First,youwillfindpatternsandsimplehow-toinstructionsforthefifteen
keyhandbagsilhouettes,includingthosemostpopulartoday:thehobo,clutch,
satchel,andtote.Groupedintermsofdifficulty—beginner,intermediate,and
advanced—thesebagswillhelpyoubuildupskillsasyougoalong.Thebags
picturedaremadeinwhitecanvastoconsistentlydemonstratehowthisbag
willlookifyoufollowtheinstructionsprovided.Alongwitheachsilhouette
arehelpfulsewingtipsfromtheSingerSewingCompany,wordsofwisdom
fromindustryexpertsandwell-knowndesigners,andanecdotesfrom
independentdesigners,plusimagesofdesignerbagstoserveasinspiration.
Thesecondsectionofthebookisacomprehensiveguidetoturningyour
handbaghobbyintoabusiness.AsmyfathersaidtomewhenIstartedout,
“Youwillalwaysbeabletofindsomeonetobuyyourbag,butthatdoesnot


meanyouhaveabusiness.”Hereyou’llfindtheinformationIwishIhadwhen

Iwasstartingout,orevenfiveyearsintomyline:apricingsheet,sample
request,anoperationalflowchart—fromdesigningyourbagtogettingpress
—tradeshowtips,andevenaneasy-to-followmarketingplan.
HandbagDesigner101alsocontainsin-depthskillsinstructionloadedwith
advicefromexpertsinthemarket:fabricandthreadtipsfromCoatsandClark,
interfacingtipsfromPellon,andmuchmore.
Whetheryouseektobuilddesignconfidenceorabusinessarsenal,youwill
finishreadingHandbagDesigner101feelingself-assuredandready.Youhave
tobealittledaringtojointheworldofhandbagdesign,butultimately,taking
thatriskcanbethemostrewardingexperienceofallbecauseyoutoocanbe
thedesignerofthenext“itbag.”


THEANATOMYOFAHANDBAG
MEASURINGAHANDBAG
1.Drop:Measurefromtheheightofthetophandle(inthemiddleofthe
handle)downtothetopseamofthebagbody.
2.Height:Measurefromthecentertopseamofthebagtocenterbottomseam
ofthebag.
3.Length:Measurethefrontofthebagfromthebottomleftseamtothe
bottomrightseam.
4.Width(oftenreferredtoastheGusset):Measurefromthefrontside
seamtothebacksideseam.
*Keepinmindthathandbagsectionsoftentaperorwiden,soitisagoodidea
tospecifyanysizevariationsofthesectionthatyouhavemeasured.

KEYTERMS
PieceGood:Materialthatabagismostlycomposedof,forexamplepie,
fabric,etc.



Trim:Anymaterialthatisusedasanaccentordecoration.
TopHandle:Atypeofhandlenotlongenoughtogoovertheshoulder,it
allowsthebagtobeheldinthehandorinthecrookoftheelbow.
*Thetophandlesofthisbagare“rolled,”whichisatreatmentappliedtothe
materialtogiveitatubularshape(asopposedtoaflathandle).
Seam:Thelinewherepiecegoodsarestitchedtogether.
TopZip:Atypeofzipperedmainclosurethatrunsalongthetopofthebag
body.
Hardware:Anymetal,plasticorjewelthatactsasaconnector,closure,clasp,
ordecoration.
BagBody:Thecentralandlargestcompartmentofthehandbag.
Flap:Portionofthebagorpocketthatreachesoverthetopofagusset,usually
closingthetopopeningofthegusset.
TopStitch:Anyvisiblestitching,usuallyclosetoseams.Topstitchingcanbe
decorative,functional,orboth.
Gusset:Thetriangularendpieceofahandbagorpocketthatgivesdepth.
Feet:Small,usuallymetal,pegsplacedonthebottomofabagtoaddstability
andprotect.
Zipper:Afasteningdeviceconsistingofthreemajorparts:a.)zipperteeth;b.)
zippertape;c.)zipperpulley.Eachoftheseshouldbespecifiedwhen
requestingsamples.
*Often,asmallD-ring(D-shapedmetalring)withastitchedzippertabora
tasselactsasazipperpulley.
InteriorBackWall:Thebackinteriorofthebagisthemostaccessibleareaof
thebaginterior.Forthisreason,itisusuallywheremostpocketsandinterior
functionsareadded.
Lining:Athin,softmaterialthatencompassestheentireinteriorofthebag.
Liningisnecessarytoseparateandprotecttheitemsinthebagfromthe
exteriorshellmaterial.Liningisalsoagreatwaytoenhancethedesignofthe

bagthroughcolor,pattern,andtexture.
Interface:Interface(notshown)isanymaterialthatpadsoraddsstructure
betweentheexteriorshellandtheinteriorlining.Interfaceiscommonlyused


whentheexteriorpiecegoodisverythinorfragile.
C/OLabel:Thecountryoforiginlabelcallsoutwherethehandbagwas
physicallysewntogether.C/Olabelsarenownecessarybylawformostitems
topassthroughU.S.customs.
SeamAllowance:Thedistancebetweentheseamlineandthecutedgeofthe
fabricontheinteriorofabag.Regardlessofwhethertheseamallowanceis
visible,itshouldalwaysbe“clean”topreventfrayingandadddurability.See
detail.
*Thistypeofcleanseamiscalleda“machineovercast.”
*Ifyouaremakingasmallbag,keepinmindthatyoushould“allow”for
about1/2inch(13mm)ofinteriorspaceforseamallowanceateachseam.
ZipperedBackWallPocket:Thisisthemostbasicinteriororganization
element.
BagDivider:Separatingtheinteriorofthebagintohalvesforbetter
organization,thisdividermaybezipperedorhaveadditionalpocketsaddedto
it.
InteriorPockets:Anotherorganizationalelement,theymaybeaddedtoany
oftheinteriorbagwalls.
WovenLabel:The“signature”ofabag,thisisawaytoclaimabagaspartof
afashionlineandisusuallysewntothetopofthebackinteriorwall.


IllustrationbyMeganKearneyASOG



HANDBAGSILHOUETTES
Bucket:Shoulderbagshapedlikeabucketwithwideopentop
entryandovalorroundflatbottomandshouldercarryingstrap.

FacileFrameorSnapFrame:Thistypeofbagusesajointedor
hingedcoveredmetalframethatsnapstogethertoclosethebag.
Unlikearegularframe,thewearermustapplypressuretoopen
thebaginsteadofapplyingpressuretocloseit.

ToteorShopper:Amediumtolargecarry-allsquarebagwith
anopentopentryandtwohandles.

WalletorBillfold:IsasmallminibagorPocketbookthatfolds
andhascompartmentsforcreditcardsandcash.Thewalletispart
oftheSmallLeatherGoods(SLG)category.

BarrelorRollBag:Horizontal,cylindricalpursewithaziptop
closureandshorthandle(s).TheDuffleisthelarger,sturdier
versionofthisbagandisgenerallyusedtocarrysports
equipment.

DrawstringorPullTie:Abagthathasacordwoventhrough
eyeletstogatherandcloseatthetop.Thedrawstringmayform
strapsorthebagmayhaveaseparatestrap.


ClutchorPouchette:Sonamedbecauseitisusuallyclutchedin
thehandsof,orbetweenthearmandthebodyof,thewearer.Itis
asmallbagthateitherhasnostrapsorremovablestraps.The
Envelope(shown)isatypeofClutchwithaflapclosure.


Messenger:Rectangular,roomybagwithalongadjustablestrap
thatiswornslungacrossthebody.Messengersareusually
East/West(horizontalorientation),butmayalsobeNorth/South
(verticalorientation).MessengerBagswereoriginallydesigned
(andnamed)forurbanbicyclemessengersasanalternativetoa
backpack.TheSchoolBagisavariationofthemessenger,with
twobuckledoutsidepocketsandanadditionaltophandle.
Satchel:Squareordome-shapedbagwithawideandflatbottom,
azipperedorclaspedtop,andtwoshorthandlesorstraps.The
bottomofthisbagusuallysitsonroundmetalorplasticfeetthat
protectthebottomofthebag.TheSatchelwasadaptedfrom
luggageandmaybedifferentsizes.Variationsofthisbaginclude
theDoctor’sBag(withacoveredframeclosure)ortheBowler
Bag(taller,usuallywithhardplastichandles).
StructuredorBoxBag:Bagthatisreinforcedwitharigid
material(usuallycardboard)forstructure.Theterm“BoxBag”
referstoitstypicalshape.

Frame:Bagthathasahingedmetaltopthatfastenswithasnap,
knob,orclaspclosure.Oftenusedineveningbags.

Backpack:Bagwithverticaldoubleshoulderstrapsthatisworn
ontheback,betweentheshoulders.Thisbagusuallyhasan
additionaltophandle.Mayalsobewornslungoneithershoulder.


AttachéorBriefcase:ThisbagissimilartoaMessengerin
shape,handles,andsize.However,theAttachéismorestructured
thanaMessengerandhasadditionalinteriororganizationand/or

paddingforofficeitems.Oftenhasatopzipclosureconstruction
toprotectelectronics.Duetoitssizeanddurability,itisoften
usedasaLaptopBag.
Camera:Arectangularbagwithroundedcorners.Ithasatopzip
closureandoftenhaszipperedexteriorpockets.Thisbagusually
hasonelongadjustablestrapusedtocarrythebagacrossthe
bodyandprovideeasyaccesstothewearer.TheFlightBagisthe
largerversionofthisbag.
Hobo:Slouchy,crescent-shapedshoulderbagthatdipsinthe
centerandusuallyhasazip-topclosureandshoulderstrap.

Trapezoid:BaginanA-lineshapethatcanalsobereferredtoas
aFour-Poster.TheTrapezoidcanbereferredtoasaSatchelas
well.

ShoulderBag:Bagthatwascreatedinitiallyforwomentobe
handsfreeintheearlierpartofthe1930s.Historicallysmallto
medium,thisbagcanrunlargeandispairedwithtwothinstraps
orsometimeschainhandlestobewornovertheshoulder.The
CrossbodyisatypeofShoulderBagandhasbecomepopular
andsometimeshasonestrapthatisadjustable.
Wristlet:Thewristletisasmallhandbagwithwallet-like
interiorpocketswithawristcufforstraphandleattached.The
wristletbecamepopularagainduetoitsconvenientshapeand
hold-everythingcapacity.Itissimilarinshapebutnotinsizeto
theclutchandcanalsobeaframebagaswell.
LuggageHandle:Abagwithahard,structuredhandle.Thistypeofbagis


carriedinthecrookoftheelbowbylacingthearmthroughthe

cut-outholeofthehandle.


SEWINGSKILLS
LEATHER
Leatherisnature’sproduct:beautiful,appealing,luxurious,andtimeless.
Attractivetooursenses,welovethewayitfeelsandsmells.
Leathercancomefromalmostanyanimal,issoldpersquarefoot,andis
calledskins.Cowhidestendtobestrong,aremoreconsistentacrosstheskin,
andaretypicallyusedforcasualhandbagsbecausetheyaremoredurable.
Sheep,lamb,andcalfskinarelighterinweight,softer,andtypicalofamore
expensivebag.Thecostperskinisreflectedinquality,thetreatmentofor
finishtotheskin,andtheavailabilityoftheanimal.
MostleatherbagsonCanalStreetinNewYorkCityarepigskin.Reptile
skinsarealsopopular.Snake,eel,lizard,fish,andeventurtleskinsareused.
Theseskinsalsohaveavarietyoffinishessuchasantiqued,glazed,patent,or
suede.Withtoday’stechnology,thereisvirtuallynoendtothedifferent
varietiesofleather.

TYPESOFSKINSAVAILABLE
Cowhide:bestforluggageandcases
Calf:handbagsandwallets
Sheep/lamb:smallbags,handbags,eveningbags
Goat/kids:wallet,structuredbags
Pigskin:smallerbags,handbags
Shearlings:usedforwinterbags
Reptile:alligator,lizard,snakeskin(suchaspython,anaconda),usedfor
fancyleathergoods

FINISHESANDTANNINGPROCESSES

Anilinefinish:fullgrainleathercoloredwithdyestuffratherthanpigments
Buffed:leatherthathasbeensmoothedorsuededbymechanicalsanding
Embossed:amechanicalprocess,usinglotsofheatandpressure,that
permanentlyimprintsdifferenteffectsintotheleathersurface;canresemble


exoticskins,suchaslizards,alligator,crocodile,frogs,turtle;floral,
geometric,andbasketweaveareavailable
Fullgrain:grainleatherinwhichonlythehairhasbeenremoved;available
inanilineorglazedfinishes
Glazedfinish:surfaceoftheleatherpolishedtohighluster
Split:theunderneathlayerofthesidethathasbeensplitoff
Suede:leathersfinishedbybuffingthefleshsidetoproduceanap
Thephysicalpropertiesofleatherhaveuniqueandvaluablequalities.
Functional,flexible,andstrong,wecanmatchspecifictypesofleatherto
variousend-useitems.Cowhideandcalfskinarebestusedforbriefcases,
backpacks,camerabags,hobos,buckets,barrels,drawstrings,messengerbags,
satchels,andtotes.Softer,moredelicateskins,likelambskinandpigskin,are
usedforenvelopes,eveningbags,drawstrings,andframebags.Thesmall,flat
grainofthekidskinsandmoregrainygoatskinsarebestforstructuredbags
andwallets.

SYNTHETICS
SyntheticleatherisusuallyreferredtoaseitherPU(polyurethane)orPVC
(polyvinylchloride).Theycanalsocomeinavarietyoffinishes,somethe
sameasleather.Syntheticsuedeisalsoverypopularandistypicallyreferred
toasUltrasuede®,acommonbrandusedineverythingfromfashiontohome
furnishings.Syntheticsaresoldbytheyardandhavethesamenuancesas
leather;theycomeindifferentgradesandweight.Inadditiontobeinganimal
friendly,syntheticsalsoavoidtheinequalitiesandimperfectionsthatanimal

skinspossess.

OTHERMATERIALS
Othermaterialsrangefromanyfabricyouwouldseeonagarment,jacket,or
evencouch:straw(naturalorsynthetic),canvas,burlap,velvet,tapestry,lace,
satin,silk,andevenyarn.
Ifyouarebuyingastronganddurablesatin,thereisagoodchancethatitis
apoly-satinorapolyesteryarnmadewithasatinweave.Thesematerials
sometimescomeinblendslikepoly-cottonorpoly-rayon.Weaves,suchas
bengaline,arealsoquitecommonforlining.


MATERIALDECORATION
Patternsandprintscanbeaddedfordecorationaswell.Thiscanbedonevia
screen-printing,heattransfer,weavingadesignintothematerial,orhavingthe
fabricmadewithacertaindesign.Embossing,aprocessbywhichdecorations
arepressedintothefabric,isalsoquitepopular.Indebossing,thereverse
processofembossing,thesedecorationsareraised.Whennoinkisused(asin
the“genuineleather”marksonhandbags),itisacalledablindemboss.
Finally,thesematerialscanalsoberuched,whichisagatheredpleat,pleated,
quilted,andevenperforatedstampthatmakesaseriesofholes.
Whenitcomestosourcingfabricsandmaterialslocally,understandwhat
youareaskingfor,howmaterialissold,andhowtonegotiateforbetter
pricing.Makingconnectionsisprioritynumberonebecauseitwillbeyour
tickettonegotiatingmaterials.Whenbuyingfabric,askhowmuchmaterial
qualifiesaswholesale.Mostfabric,regardlessofwhatitis,issoldbytheyard
(asopposedtoleather,whichissoldbythesquarefootsinceit’saskin).
Makeaswatch(apieceoffabricthatiscutofftobeusedasasample)card
ofthematerialsyoulike,andnotethepricesperyardorskin.Thisswatchcard
willbeyourguidelineforyourcolorsperseasonandwillbenecessarytosend

ifyoustartworkingwithanoverseasmanufacturer.Theswatchcardisalso
usedtodemonstratetheothercolorsavailableforyourhandbags.Itcanbe
usedinplaceofproducingsamplesindifferentcolorstosaveoncostandwill
playavitalroleinsourcingmaterialforyourfuturelines.

TRIMMING
Findingtherighttrimmingalsomeansfindingtherightdesignandmaterial.
Beforegettingstartedonselectingtheperfecttrimming,youneedto
understandthematerialyou’regoingtouseforyourhandbag.Onceyouhave
anideaofwhatkindofhandbagyouwouldliketocreate,startoffwithasketch
andthenworkyourwayintothematerials.Makeextracopiesofyoursketch.
Alwayscollectsamplesofswatchesbeforegettingstarted;sometimeswhat
looksgoodonyoursketchmaynotlookgreatinperson.Trylayingoutthe
swatchesalongthesketchtoseeiftheymakethestyleofthehandbagyou
wouldliketocreate.Checkwhatkindoftrimmingitis,aseachtrimminghasa
differentstyleofapplication.
Ifyouaregoingtoaddjewelstoyourhandbag,layoutthedesignwiththe
jewelsfirsttomakesurethejewelsarewellfittedonthehandbag.Takea


pictureofitsoyourememberwhereeachjewelisplaced.
Anotherwayyoucanstartselectingtherighttrimmingisatthetrimming
store.Therearesomanymaterialsthatwouldinspireyou.Onceyouseea
trimmingthatyoufallinlovewith,youcandesignaroundit.

INTERFACING
Interfacingisahiddencomponent.It’sthemagicinthemiddle.
Choosingjusttherightinterfacingiskeytoyourhandbag’sappearanceand
performance.Inahandbag,purse,ortotebag,itcanmakethedifference
betweenaprojectlookingprofessionalandwearingwell.Ifyouusean

interfacingthatistoofirm,itcanmakeyourhandbagstiff,rigid,and
uncomfortable.Withouttherightinterfacing,yourhandbagcanbelimpand
lifeless.
Interfacingmayalsobedescribedasfusibleorsewin.Fusibleinterfacing
hasanadhesiveononeortwosides,whichwillbeactivatedbyyouriron.The
choicebetweenafusibleandasew-ininterfacingdependsonthefabric,the
degreeoffirmnessdesired,andpersonalpreference.Fusiblesaregreattime
savers.They’reeasytoworkwithandcompatiblewithmostfabrics.Theywill
makeafabricslightlycrisperthanasew-ininterfacingofcomparableweight.

PRETESTING
Alwayspretestanyfusiblesbeforestartingyourproject.Werecommend
prewashingyourfabricsifpossibletopreshrinkaswellastoremoveany
finishesthatmaybeonthefabricandcouldinterferewiththefusingprocess.
Topretest,cuta4×4-inch(10×10-cm)pieceoffabric.Cuta2×4-inch(5
×10-cm)pieceofinterfacing.Fuseonlyhalfofthesquarepertheinstructions
includedwiththefusible.Allowthefabrictocool.Theinterfacingshouldbe
firmlyattachedtothefabric.Ifnot,moreheat,time,orpressuremaybe
needed.Evaluatethesurfaceofthefabric.Itshouldbesmooth/unchanged.If
not,theinterfacingmaybetooheavyforthefabricortheironmayhavebeen
toohotduringfusing.Ifthefabricseemstoocrisporheavy,changetoa
lighterweightorconsiderasew-in.Ifthefabricseemstoolimp,considera
crisperinterfacingoraddasecondlayerofinterfacing.
Somefabricssimplycannotbefused.Thefibercontentorthefinishwillnot
allowtheadhesivetopenetrate.Otherfabricsmaybetoosensitive:theheat,


moisture,andpressureneededmightdamagethem.Asew-inmightbe
preferable.Generally,Pelloninterfacingsdonotneedtobepreshrunk.
ThefollowinglistincludessomePellon® Fabricshandyforuseinmaking

handbags,totebags,andpurses:
65 Pellon® Heavyweight Stabilizer: This stable sew-in nonwoven is
greattouseinbagswhereyouneedjustatouchoffirmness.
70 Pellon® Peltex® Ultra-Firm Stabilizer: This ultra-firm sew-in
nonwoven has the weight of cardboard but will bend and wash like
fabric. It is great to use two layers in the bottom of a bag or in the
handlestogivefirmnessandstability.It’salsogreatforfabricsthatyou
donotwanttofuse.
71F Pellon® Peltex® I - 1 Sided Fusible Ultra-Firm Stabilizer: This
one-sided fusible ultra-firm stabilizer can be used either on the outer
fabric or fused to your inner fabric to give you stability and a crisp
exterior. When multiple layers are fused together, it will give you a
veryfirm,stableproduct.
72FPellon® Peltex® II - 2 Sided Fusible Ultra-Firm Stabilizer: This
two-sided ultra-firm stabilizer can fuse two fabrics together while
givingwonderfulfirmnesstoyourbag—anditcanbeatimesaver.As
with the 70 and 71F, multiple layers will give you more stability and
firmnessyetwillstillbewashableanddrycleanable.
926Pellon®Extra-FirmStabilizer: This product is also a firm, stable
sew-inproduct.IthasaslightlysofterhandthanthePeltexseries,and
youmightpreferthisinbagsyouwanttoslouchabit.
808 Craft-Fuse® Iron-On: This thin, crisp iron-on lends support and
stabilitywithoutextraweightforsmallerhandbagsorpurses.
809 Décor-Bond Iron-On: Originally introduced for the home
decorating market, bag designers have taken a liking to its crisp but
lightsupportfortotebagsandpurses.
987FPellon® FusibleFleece:Thislightweight, low-loftfusiblefleece
is perfect to add some stability and firmness to a purse, backpack, or
tote bag without adding too much fluff. An absolute favorite of
designers!



988Pellon®Fleece:Thisightweight,low-loft,sew-infleececanadda
small amount of loft to your project. Used by itself, it will keep your
smallclutchsoft,butifyouaddastabilizerlike70or71For72F,you
willhavefirmnesswithlowloft.
TP970 Thermolam Plus® : This heavily needled, sew-in fleece is
wonderful for use in small luggage, backpacks, large tote bags. . .
anywhere you prefer a little extra loft. Use it in conjunction with a
stabilizerlike808or809,andyouwillgetagreatresult.
TP971F FusibleThermolamPlus®: The fusible version of the heavily
needled,polyesterfleeceisgreatforallkindsofbags.Useitaloneor
withanotherstabilizerforextrafirmnesswithbody.
SF101 Shapeflex® Woven Fusible: This 100 percent cotton woven
fusible is great for light- to medium-weight fabrics. Fused to the
outsidefabric,itgivesalightfirmnesstoyourpursewithoutbeingtoo
crisp.


FABRICANDTHREADTIPS
TIPSFORSEWINGWITHHEAVYTHREADS
1.Uselargeneedles:size18or20dependingonthicknessofthreadand
densityoffabric.
2.Useatopstitchingneedle.Thisneedlehasalargereyeanddeeperscarf
(thegrooveinthefrontoftheneedle)toaccommodatethethread
3.Lengthenthestitchto8-10stitchesperinchor4mm.Alargerthread
takesmoreroomtoformthestitch.Ashortstitchlengthwillresultin
poorlyformedstitchesandthreadjams.
4.Sewslowly.Thickerthreadsaresometimeslessflexibleandneedtobe
handledmorecarefully.

5.Increasetoptension.Ittakesmoretensionontheheavierthreadtopull
upthebobbinthread,especiallyifyouareusingtheheavierthreadin
thebobbinaswell.

RufflesandGathers
Useaheavythreadsuchastopstitchingorupholsterythreadtosewstitches,
gatheringstitchesespeciallyonthick,heavyweightfabricsorleathers.Itwill
notbreakwhenyoupullupthegathersandwillsupporttheweightofthe
fabric.

HandSewing
Threadssuchashandquiltingthreadandbuttonandcraftthreadaredesigned
forhandsewing.Theyhaveaglacefinishthatprotectsthemfromabrasion
whenbeingpulledthroughthefabric.

SewingButtons,Snaps,andOtherFasteners
Buttonandcraftthreadisstrongerthanall-purposethreadandisabetter
choiceespeciallyforabuttonthatisfunctional.

SewingStrapsandHandles


Useaheavy-dutythreadforaddedstrengthwhensewingonweightbearing
strapsandhandles.Besuretoswitchtoalarger-sizeneedle,astheseareasare
typicallythickerthanthebodyofthebag.

StitchLength
Theappropriatestitchlengthdependsonthepurposeofthestitchingand
fabric.Followthesegeneralrecommendations:
Generalpurposestitching:2.5mm(10-12stitchesperinch)

Topstitching:3-4mm(6-8stitchesperinch)
Basting,gathering,easing:4mm(6stitchesperinch)Reinforcement
stitching:1.5mm(15-20stitchesperinch)

SelectingThread
Forthebestcolormatch,buyyourfabricandthreadatthesametime.Select
threadthatisashadedarkerthanyourfabricbecauseitwillappearlighter
whenitissewnintothefabric.Forplaids,tweeds,andprints,selectthreadto
matchthepredominantcolor.

General
Whensewingthroughthickfabricsormultiplelayers,guidethefabricandlet
thefeeddogsdothework.Pushingorpullingcanbendtheneedle,whichcan
causeskippedstitchesandthreadbreakage.
Whensewingthroughmetallics,sequins,orfabricswithspecialfinishes,be
suretouseaneedlethatislargeenoughandchangeitfrequently.Thesespecial
fabricswearontheneedle,causingburrsorroughspotsthatwillcausethe
threadtobreak.

XPTHREADADVISOR
Usethechartonpage17,ahandyguidetonewDualDutyXPandotherthreads
manufacturedforfashionsewing,quilting,machineembroidery,home
decoratingsewing,craftsewing,andspecialembellishmenttechniques.It
providesinformationonmatchingthreadtodifferentfabrictypesandguides
toneedleselection.


×