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Lecture Drama II - Modern drama: Lecture 29 - Dr Irum Zulfiqar - Trường Đại học Công nghiệp Thực phẩm Tp. Hồ Chí Minh

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DRAMA II



Modern Drama | An


OVERVIEW



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SYNOPSIS



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Functions and



Characteristics of Modern


Drama



 mirrors the complex struggle of life
 the inspiration is to seek truth


 either to become part of the process or


be left behind


 This is the social significance which


differentiates modern dramatic art from
art for art’s sake.


 It is the dynamite which undermines 


superstition, shakes the social pillars, and 
prepares men and women for the 


reconstruction.



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The Role of Scandinavian Drama 



 “The State is the curse of the individual.


How has the national strength of Prussia
been purchased? By the sinking of the
individual in a political and geographical
formula... The State must go! That will
be a revolution which will find me on its
side. Undermine the idea of the State,
set up in its place spontaneous action,
and the idea that spiritual relationship is
the only thing that makes for unity, and
you will start the elements of a liberty
which will be something worth


possessing.”


(Henrik Ibsen )


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Ibsen’s Work



What Writer’s Have Said About Henrik Ibsen:


“All of Ibsen is <sub>visionary drama</sub>… His


mastery of <sub>inwardness</sub> is second only to


Shakespeare’s.” — Harold Bloom



“Had the <sub>gospel of </sub>Ibsen been <sub>understood</sub>
and <sub>heeded</sub>, these <sub>fifteen millions </sub>might
have been alive now.” — George


Bernard Shaw (Discussing the loss of life
during World War I)


“His characters may hate one another or
be happy together, but they will <sub>generate </sub>


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II. Characters and


Characterization



1. Nora –


. The protagonist of the play and the wife


of Torvald Helmer.


. a playful, naïve child who lacks


knowledge of the world outside her
home


. not as innocent or happy as she


appears.


. In the end she finds her position in her



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2. Torvald Helmer –


 Nora’s husband.


 Torvald delights in his new position at


the bank, just as he delights in his
position of authority as a husband.


 He treats Nora like a child, in a manner


that is both kind and patronizing.


 He does not view Nora as an equal but


rather as a plaything or doll to be teased
and admired.


 In general, Torvald is overly concerned


with his place and status in society, and
he allows his emotions to be swayed


heavily by the prospect of society’s


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3. Krogstad –


 A lawyer who went to school with Torvald


and holds a subordinate position at


Torvald’s bank.


 Krogstad’s character is contradictory:


though his bad deeds seem to stem from
a desire to protect his children from


scorn, he is perfectly willing to use


unethical tactics to achieve his goals.


 His willingness to allow Nora to suffer is


despicable, but his claims to feel
sympathy for her and the hard


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4. Mrs. Linde –


 Nora’s childhood friend.


 Kristine Linde is a practical,


down-to-earth woman, and her sensible


worldview highlights Nora’s somewhat
childlike outlook on life.


 Mrs. Linde’s account of her life of


poverty underscores the privileged


nature of the life that Nora leads.


 we also learn that Mrs. Linde took


responsibility for her sick parent,


whereas Nora abandoned her father
when he was ill.


5. Dr. Rank –


 Torvald’s best friend.


 Dr. Rank stands out as the one character


in the play who is by and large


unconcerned with what others think of
him.


 He is also notable for his stoic


acceptance of his fate.


 Unlike Torvald and Nora, Dr. Rank admits


to the diseased nature (literally, in his
case) of his life.


 For the most part, he avoids talking to



Torvald about his imminent death out of
respect for Torvald’s distaste for


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6. Bob, Emmy, and Ivar



Nora and Torvald’s



three small children.



In her brief interaction



with her children, Nora


shows herself to be a



loving mother.



When she later refuses



to spend time with her


children because she



fears she may morally


corrupt them



7. Anne­Marie



The Helmers’ nanny.



Though Ibsen doesn’t




fully develop her



character, Anne-Marie


seems to be a kindly



woman who has



genuine affection for


Nora.



She had to give up her



own daughter in order


to take the nursing job



offered by Nora’s father.



Thus, she shares with



Nora and Mrs. Linde the


act of sacrificing her



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