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mirrors the complex struggle of life
the inspiration is to seek truth
either to become part of the process or
be left behind
This is the social significance which
differentiates modern dramatic art from
art for art’s sake.
It is the dynamite which undermines
superstition, shakes the social pillars, and
prepares men and women for the
reconstruction.
“The State is the curse of the individual.
How has the national strength of Prussia
been purchased? By the sinking of the
individual in a political and geographical
formula... The State must go! That will
be a revolution which will find me on its
side. Undermine the idea of the State,
set up in its place spontaneous action,
and the idea that spiritual relationship is
the only thing that makes for unity, and
you will start the elements of a liberty
which will be something worth
possessing.”
(Henrik Ibsen )
What Writer’s Have Said About Henrik Ibsen:
“All of Ibsen is <sub>visionary drama</sub>… His
mastery of <sub>inwardness</sub> is second only to
Shakespeare’s.” — Harold Bloom
“Had the <sub>gospel of </sub>Ibsen been <sub>understood</sub>
and <sub>heeded</sub>, these <sub>fifteen millions </sub>might
have been alive now.” — George
Bernard Shaw (Discussing the loss of life
during World War I)
“His characters may hate one another or
be happy together, but they will <sub>generate </sub>
1. Nora –
. The protagonist of the play and the wife
of Torvald Helmer.
. a playful, naïve child who lacks
knowledge of the world outside her
home
. not as innocent or happy as she
appears.
. In the end she finds her position in her
2. Torvald Helmer –
Nora’s husband.
Torvald delights in his new position at
the bank, just as he delights in his
position of authority as a husband.
He treats Nora like a child, in a manner
that is both kind and patronizing.
He does not view Nora as an equal but
rather as a plaything or doll to be teased
and admired.
In general, Torvald is overly concerned
with his place and status in society, and
he allows his emotions to be swayed
heavily by the prospect of society’s
3. Krogstad –
A lawyer who went to school with Torvald
and holds a subordinate position at
Krogstad’s character is contradictory:
though his bad deeds seem to stem from
a desire to protect his children from
scorn, he is perfectly willing to use
unethical tactics to achieve his goals.
His willingness to allow Nora to suffer is
despicable, but his claims to feel
sympathy for her and the hard
4. Mrs. Linde –
Nora’s childhood friend.
Kristine Linde is a practical,
down-to-earth woman, and her sensible
worldview highlights Nora’s somewhat
childlike outlook on life.
Mrs. Linde’s account of her life of
poverty underscores the privileged
we also learn that Mrs. Linde took
responsibility for her sick parent,
whereas Nora abandoned her father
when he was ill.
5. Dr. Rank –
Torvald’s best friend.
Dr. Rank stands out as the one character
in the play who is by and large
unconcerned with what others think of
him.
He is also notable for his stoic
acceptance of his fate.
Unlike Torvald and Nora, Dr. Rank admits
to the diseased nature (literally, in his
case) of his life.
For the most part, he avoids talking to
Torvald about his imminent death out of
respect for Torvald’s distaste for