236750911 guitar play along vol 119 ACDC
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Cover Photo: © 88 Michael Uhll/Ebet Roberts Photography
ISBN 978-1-4234-8920-7
Music Sales America
HAI_«L_EONARD
C O R F» O R
For all works contained herein:
Unauthorized oopying, arranging, adapting, recording, Internet posting, public performance, or other distribution
of the printed or recorded music in this publication is an infringement of Copyright.
Infringers are Nable under the law.
Visit Hai Leonard Online at
www.halleonard.com
Guitar Notation Legend
Notes:
THE MUSICAL STAFF shows pitches and
rhythms and is divided by bar lines into
measures. Pitches are named afterthe first
seven letters of the alphabet.
TABLATURE graphically represents the
guitarfingerboard. Each horizontal line
represents a string, and each number
represents a fret.
ll *F
F
—
D
n
u
A
?
E
A
E
4th string, 2nd fret
Ist & 2nd strings open,
played together
WHOL E-STEP BEND: Strike the note and
bend u p one step.
T
A
D
-^
open D chord
GRACE NOTE BEND: Strike the note and
immediately bend up äs indicated.
^
m-^=
»J
Hl
^v—
Ä" T ----:?^r*j
i
BEND AND RELEASE: Strike the note and
bend up äs indicated, then release back to the
original note. Only the first note is struck.
1—
B
G
tif*
rrrs
t>
o
**
r-»
:
Strings:
high E
Iow
HALF-STEP BEND: Strike the note and bend
up 1/2 step.
E
jf
r*
_5^y— g
n
SLIGHT (MICROTONE) BEND: Strike the
note and bend up 1/4 step.
C
f
1/2
i
T —/
A
9
n
D
II
PRE-BEND: Bend the note äs indicated, then
strike it.
VIBRATO: The string is vibrated by rapidly
bending and releasing the note with the
fretting hand.
PULL-OFF: Place both fingers on the notes
to be sounded. Strike the first note and
without picking, pull the finger off to sound
the second (Iower) note.
"Jt^"~~^X
„
LEGATO SLIDE: Strike the first note and
then slide the same fret-hand finger up or
down to the second note. The second note
is not struck.
H
«j
A~V
"""l
D
PALM MUTING: The note is partially muted
by the pick hand lightly touching the
string(s) just before the bridge.
1/2
T
I
A
/
\)
9
B:
HAMMER-ON: Strike the first (Iower) note
with one finger, then sound the higher note
(on the same string) with another finger by
fretting it without picking.
=9-
TRILL: Very rapidly alternate between the
notes indicated by continuously hammering
on and pulling off.
TAPP1NG: Hammer ("tap") the fret indicated
with the pick-hand Index or middle finger and
pull off to the note fretted by the fret hand.
SHIFT SLIDE: Same äs legato slide, except
the second note is struck.
3T^°B
NATURAL HARMONIC: Strike the note
while the fret-hand lightly touches the
string directly over the fret indicated.
PINCH HARMONIC: The note is fretted
normally and a harmonic is produced by adding
the edge of the thumb or the tip of the index
finger of the pick hand to the normal pick attack.
4-
TREMOLO PICKING: The note is picked äs
rapidly and continuously äs possible.
VIBRATO BAR DIVE AND RETURN: The
pitch of the note or chord is dropped a
specified number of Steps (in rhythm), then
returned to the original pitch.
-j>—
VIBRATO BAR SCOOP: Depressthe bar just
before striking the note, then quickly
release the bar.
w/bar
VIBRATO BAR DIP: Strike the note and then
immediately drop a specified number of
Steps, then release back to the original pitch.
1
T- sB
Additional Musical Definitions
D.S. al Coda
D.C. al Fine
(accent)
• Accentuate note (play it louder).
(staccato)
• Play the note short.
Go back to the sign ( % ), then play until
the measure marked "To Coda," then skip
to the section labelled "Coda."
Go back to the beginning of the song and
play until the measure marked "Fine" (end).
Fill
• Label used to identify a brief melodic
figure which is to be inserted into the
arrangement.
N.C.
• Harmony is implied.
Repeat measures between signs.
When a repeated section has different
endings, play the first ending only the first
time and the second ending only the
second time.
Back in Black
Words and Music by Angus Young, Malcolm Young and Brian Johnson
Intro
Moderately slow Rock J = 92
D5
E5
N.C.
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N.C.
I
1. Back in black,
2. See additional lyrics
I've been too long, I'm glad _
hit the sack.
to be
back.
Yes, I'm _
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N.C.
let
loose
that's kept
from the noose
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Copyright© 1980 by J. Albert & Son Pty., Ltd.
Internationa] Copyright Secured All Rights Reserved
me
hang - in'
a - round. _ I keep a
E5
D5
A5
look-in' at the sky 'cause it's get-tin'me high.
-3
N.C.
For-get the hearse 'cause Fll nev-er die.
-3
3
I got
(F
e—o-
E5
D5
A5
^P^=^-H
N.C.
7-^-^=^=
vi»
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nine lives,
v& tt ff —
i
cat's eyes.
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A - bus - in' ev-'ry one of them and ran- nin' wild.
^—m —m
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:
'Cause I'm
-73 Tä itir^^
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Chorus
Yes, I'm
back.
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back.
Yes, I'm.
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back.
Well, I'm
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back, __
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back..
Well, I'm
To Coda
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Guitar Solo
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D.S. al Coda
A5
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Interlude
N.C.(ES)
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4—2—4
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(A5)
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Chorus
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back,
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back,.
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back..
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B5
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It's back in
black. _
YesJ'm
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Additional Lyrics
2. Back in the back of a Cadillac.
Number one with a bullet, I'm a power pack.
Yes, I'm in the band, with the gang.
They got to catch me if they want me to hang
'Cause I'm back on the track,
And I'm beatin' the flack.
Nobody's gonna get me on another rap.
So look at me now, I'm just a makin' my pay.
Don't try to push your luck, just get outta my way.
10
/
1
oo
/
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Heils Beils
Words and Music by Angus Young,
Malcolm Young and Brian Johnson
Intro
Moderate Rock J = 110
A5
Asus4
Am7
Asus4
w/ dist.
let chords ring throughout
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Copyright â 1980 by J. Albert & Son Pty., Ltd.
International Copyright Secured All Rights Reserved
11
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1. F m a roll - in' thun- der,
2. See additional lyrics
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Additional Lyrics
2. FII give you black sensations up and down your spine.
If you're into evil, you're a friend of mine.
See my white light flashin' äs l split the night,
'Cause if good's on the left, then I'm stickin' to the right.
19
Girls Got Rhythm
Words and Music by Angus Young,
Malcolm Young and Bon Scott
Intro
Moderate Rock J = 138
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Copyright â 1979 by J. Albert & Son Pty., Ltd.
International Copyright Secured All Rights Reserved
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1. Wear - in'
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2., 3. See additional lyrics
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