Cảm hứng xê dịch trong văn học việt nam nửa đầu thế kỷ XX (1900 1945) tt tieng anh

1
INTRODUCTION
1. Reasons to choose a topic
1.1. Literature in the first half of the Twentieth Century (1900– 1945) has
played a special role, particularly in the history of ethnic literature – the opening
phase of modern Vietnamese literature. This literary process took place during the
long period of time (less than half a century), but it was fully qualified for a literary
period. Although that has been investigated, however, Vietnamese literature in the
first half of the twentieth century (1900 – 1945), has many things that must be
further clarified, including problems of the creative inspirations of literary biases.
1.2. The issue of creative inspiration for literature and art always has a
significant role. Before a reality as social reality in Vietnam first half of the
Twentieth century, there were many new problems, phenomena of life impacting
strongly on writers. There are many inspirational circuit lines appeared in the
literature, which has inspired the move. This is an inspiring new circuit line in
Vietnam literature, being particularly an important role to help writers towards new
horizons of creativity in literature, art and give them a chance to join modern
European literature - West world.
1.3. The appearance of inspiration movement for Vietnamese literature in the
first half of the twentieth century (1900– 1945) was expressed by many authors in
many different artistic tendencies, especially in romance and romantic tendencies
(with two export delegates top color: Tan Da and Nguyen Tuan). It’s shown that this
is a problem has profound rule. Inspiration movement with a lot of new contents
(moving to escape from the cramped, ridiculous constraints; moving to escape the
dark reality, deadlock; moving to unleash what I long imprisonment; moving to
change , finding the new, exotic ones; moving for freedom; move for unconscious
purposes, moving only to move, etc.) It is currently a big problem with many
questions such as where the basis are, where the meaningful content of society and
its deep aesthetic are, where the lively art world originality created thanks to
inspiration movement and methods is, how to create it?...
So far, inspiration move in Vietnamese literature in the first half of the

Twentieth century (1900– 1945) has been only known through pieces of several
authors/writers, however, they have been still too thin. That means this inspiration
has just been "spotted", swallowed and digested in creative aspects by a few
artists. The Mints and scientific generalizations about inspiration movement
throughout a period of literature have not been completed and deepened as its right
level of containing. It’s essential that there should be a deep research about it. This


2
research not only fulfilled uncompleted one on inspiration movement of a particular
era but also suggested the matter be reasoning, methodological significance.
1.4. Exclusive Studies in Vietnam in the first half of the twentieth century
(1900 - 1945) also has a practical significance for teaching – in this part (with many
excellent phenomena: Tan Da, Nguyen Tuan, a new poet 1932 - 1945, authors of Tu
Luc Van Doan, ...) at school. The research results of the thesis may be useful
references for those who are interested in modern literary Vietnam, the first half of
the twentieth century (1900- 1945).
2. The object of research and the limits of the subject
2.1. Research objects
As the name of the subject was defined, the object of research is Inspiration
movement in Vietnamese literature in the first half of the twentieth century (1900 –
1945).
2.2. The limit of the subject
Topics cover the entire Vietnamese literary creation in the first half of the
twentieth century (1900-1945) were written from inspiration movement, however,
they will focus on the typical phenomenon such as poetry and prose of Tan Da, the
new trend of poet 1932- 1945; composes of Nguyen Tuan, proses of Tu Luc Van
Doan,…
Surveyed text files include the typical selection of works are:
- Full collection of Vietnamese literature ( collected by authors ), in the vol

20,21,22,23,24A,24B, Products of Science and Society, Ha Noi, 1997.
- Full collection of Tan Da (Collected and compiled by Nguyen Khac Xuong),
5 volumes, The literary publishing house, Hanoi, 2002.
- Collection of Nguyen Tuan (Selected by Nguyen Dang Manh), 2 volumes, The
literary publishing house, Hanoi, 1982.
- Nguyen Tuan - selected works (Selected by Nguyen Dang Manh), The
educational publishing house, Hanoi, 2000.
- Collection of Nguyen Tuan (Selected by Lu Huy Nguyen), 3 volumes, The
literary publishing house, Hanoi, 1998.
- Romantic Vietnamese prose 1930– 1945 (Compiled by Nguyen Hoang Khung
along with many other authors), 8 volumes, social sciences publishing house, Hanoi,
1989.
- Literature of Tu Luc Van Doan (Selected and Introduced by Phan Trong Thuong
and Nguyen Cu), 3 volumes, educational publishing house, Hanoi, 2001.
- New Poets 1932 – 1945, authors and works ( Composed by Lai Nguye An ),
Products of Science and Society, Ha Noi, 2006.
...


3
3. Purposes and tasks of research
3.1. Purposes of research
Through surveys, analysis, interpretation of inspiration movement in
Vietnamese literature in the first half of the twentieth century (1900– 1945) both in
terms of contents and modes of presentation, the thesis aims identify characteristics
and roles of this circuit inspiration for the literary history of the nation on the path to
modernity, communication and integration with world literature with a view to
suggesting some problems of research about inspiration movement in modern
Vietnamese literature.
3.2. Tasks of research

3.2.1. On the basis of identity, embracing the circuit of inspiration movement in
Vietnamese literature in the first half of the twentieth century (1900- 1945), the
thesis overviewed issues of research and established the theoretical basis for the
implementation of the subject .
3.2.2. Identify the cultural preconditions, social, aesthetic- the basis for the
emergence of inspiration in Vietnamese literature in the first half of the twentieth
century (1900 – 1945).
3.2.3. An insight into the survey, an analysis the contents of the inspiration
movement in Vietnamese literature in the first half of the twentieth century (19001945).
3.2.4. An insight into the survey, an analysis of the methods shown inspirational
literature move Vietnam's first half of the twentieth century (1900– 1945).
Finally, some conclusions about the role and social meaning – sense of
inspiration movement in Vietnamese literature in the first half of the twentieth
century (1900– 1945) and proposed a number of issues need to continue to study...
4. Research Methodology
Choosing the subject for Inspiration movement in Vietnamese literature in the
first half of the twentieth century (1900– 1945), author of the thesis applied many
different research methods, which mainly means following measures:
4.1. Historical method: historical method helps to recognize, define the journey
of Inspiration movement in Vietnamese literature in the first half of the twentieth
century (1900 - 1945), renews the main aspects of the historical context - cultural social impact having an influence on the new unique circuit of inspiration.
4.2. Analysis methods- synthesis: This method helps to analyze and synthesize
the issues, the content-oriented survey of the thesis.
4.3. Comparative method- type: This method is used for comparison, compare
the similarities and differences, diversity and consistency of content from inspiration


4
movement created by a number of authors with multiple methods and forms different writing genres.
4.4. Interdisciplinary method: This method helps to mobilize the knowledge of

some other sectors such as culture, philosophy, psychology, linguistics ... to refer
and illuminate the surveyed issues learnt in the thesis.
4.5. A structured approach- system: Set of literary works in the system shifted
literary genre of the period 1900- 1945, and identifying the internal structure of this
piece.
5. Contribution of the thesis
Thesis is the process of understanding, research Inspiration movement in
Vietnamese literature in the first half of the twentieth century (1900– 1945), with a
look of concentration and system.
The thesis is an effort to cover, identify, review research issues and established
the theoretical basis for the research of Inspiration movement in Vietnamese
literature in the first half of the twentieth century (1900– 1945).
Thesis contributes not only to build, sketch modern Vietnamese literary
paintings in the first half of the twentieth century (1900– 1945) around inspiration
movement but also through explore characters of a literary period ethnic when being
written by inspiration movement – an unique new vein of inspiration, but it used to
be recognized and assessed improperly, unscientifically.
The research results of the thesis can be used as a reference for the study and
use in teaching in the school of modern Vietnamese Literature in general, as well as
a number of authors whose works linked to movement topics selected to teach at
school such as Tan Da, Nguyen Tuan, New Poems 1932– 1945, ...
6. Structure of thesis
Introduction, Conclusion, and References, the main content thesis is divided
into 4 chapters:
Chapter 1. Overview of research and theoretical foundations of the topic.
Chapter 2. The premise of the appearance of inspiration movement in
Vietnamese literature (1900-1945).
Chapter 3. The basic content of inspiration movement in Vietnamese literature
(1900-1945).
Chapter 4. The expressions of inspiration movement in Vietnamese literature

(1900-1945).
Chapter 1
GENERAL SITUATION OF RESEARCH
AND THE THEORETICAL BASIS OF THE SUBJECT


5

1.1. Overview of research situation
The period 1900– 1945 literature has an important position in the development
of ethnic literature. Thus, studies on the history of literature this period obvious
focus of attention at an elevation from the researchers. On the modern look can find
3 sexual orientation research focus: research from the perspective of literary
history; research from the perspective of the French school exam and learning style
of art and research from the perspective of creative inspiration.
1.1.1. General research Vietnamese literature in the first half of the
twentieth century (1900 – 1945) from a number of angles and on some basic
aspects
1.1.1.1. The research Vietnamese literature in 1900 – 1945 from the
perspective of history of literature
Derived from many angles, different research purposes, but in General,
basically, researchers are appreciated achievements and essential unity in all the
main characteristics of this period literature: literature was modernized; Literature
developed with intensive pace; Literature distributed into many different art
trends. On the Division of stages, most of the researchers are uniting politically
literature 1900 – 1945 into two phases: 1900 – 1930 and 1930 – 1945.
The important thing we want to emphasize here is Vietnamese literature from
the early twentieth century to 1945 completely eligible of a literary period. The
research of a problem (such as a circuit line inspired creativity flows throughout this
period literature or the mobilization of a category or category system of it, etc.) is

completely scientific basis and is required. Also from here to see the rule of a
literary period in the particular area.
Being able to see obviously many great problems which are concerned with the
process of periods of Vietnamese literature in the early XX century ( 1900 – 1945 )
actracting the concern of international and domestic researchers. However, there are
many issues like that – big issues being in a process in the whole period of literature
not found out or researched clearly ( as like the issue of this thesis )…
1.1.1.2. The research of profoud regular phenomenon of Vietnamese literature
(1900 - 1945) relating to the issue of the thesis.
Derived from the prosody and learning style of art, researchers have been
finding out some features relating to ideas or style of art of inspiration movement in
works of Tan Da, Nguyen Tuan, New Poet and Prose of Tu Luc Van Doan.


6
1.1.1.3. Research Vietnamese literature in the first half of the twentieth century
(1900 – 1945) of songwriting inspiration
Overall, from the point of view of inspiration, when researching on Tan Da,
New Poems, Tu Luc Van Doan, researchers sought to understand in the specific
aspect is: romantic inspiration, inspirational reality inspirational, patriotic, religious,
inspirational, ...
1.1.2. On learning, research inspiration movement in Vietnamese literature in
the first half of the twentieth century (1900 – 1945)
1.1.2.1. In poetry
Studies inspiration movement in poetries of Tan Da and New poems,
researchers have peeled some aspects typical of inspiration shifting during the
writing of authors such as: the basis of aesthetic form the inspiration movement
(from the East and the West); specific expression of inspired move (mainly by way
escapism is: look up the fairy world, looking at the past, look at love, looking at
religion, find in nature, ...) and a innovation in the form of poetry, poetic language as

well as typical art icon.
1.1.2.2. In prose
Overall, inspirational prose moved in Tan Da, Nguyen Tuan and Tu Luc Van
Doan has been mentioned in a number of research projects individually identifiable,
the system has not been established. About proses of Tan Da, researchers have put
proses of Tan Da in historical context, social transitional period and appreciated his
innovation in the autobiographical aspects. However, Tan Da’s prose is still not out
of the frame medieval prose in some respects enforcement. About prose rendering of
the Nguyen Tuan, the researchers emphasized at category custom pen and
confirmed: Nguyen Tuan is a desire to go, always like to move, passionate romantic
adventure life; a unique personal ego, conceited goose. The researchers also pointed
out that consensus basis forming aesthetic inspiration for songwriting shifted
Nguyen Tuan are: both serial traditional ethnic culture has brought the influences of
culture, Western literature. As for moved literature of Tu Luc Van Doan, researchers
pay particular attention at the Government Guest iconic image and depraved
character in the short story and the novel by the author.
In summary, through extensive historical research problems as above, from the
perspective of research performance, learning, learning style art for the inspiration,
we found that problems inspired move in Vietnam literature in the first half of the
twentieth century (1900 – 1945), though there are explored, studied less but mainly
with nature as the spirit of a few individual writers. The research inspired move with


7
nature as a matter of regularity of a literary period (or in a specific period) has not
been placed in any scientific work. Research topics of this thesis: Inspiration
movement during the Vietnamese literature in the first half of the twentieth century
(1900 – 1945), therefore is both new, is both specific, meaningful on both theoretical
and practical area.
1.2. The theoretical basis of the subject

1.2.1. Theoretical studies of inspiration and inspiration movement in literary
creation
Problem inspiration for the artist always has the role of primary importance,
without it there can not be the writings arts. In literary theory in the West and the
East, the researchers famously lot of discussions on this issue, typified notions of
Hegel (Aesthetics); Bielinxki, E.G. Rudneva (Introduction to the study of
literature); Le Quy Don, Nguyen Quynh (From the heritage); ...
From the late nineteenth century, the West has appeared neo-shifting, shifting
theory with many outstanding representatives André Gide, Paul Morand, Friedrich
Nietzsche ... This theory advocated movement / "go "to convert the geographical
position, switch feeling about the image; movement / "go" to change, to liberate the
bondage, find new feel (Nguyen Tuan called "change the menu for the
senses"); even movement / "walking" aimlessly, ...
1.2.2. Some theoretical studies literary criticism be applied to implement the
project
Thesis will use several methods of research have been many researchers use
such poetic school, psychoanalysis, theoretical expression object, aesthetic theory,
cultural studies, .... to solve each problem-specific research inspired literary shifting
during 1900 -1945.
1.2.3. The concept of "movement" and inspired by "movement" in literary
creation
Concept inspiration movement in the literature can be understood as the
inspiration for the position changes, displaced, is inspired of leave, the leave, the
commitment ... to look to new horizons, finding new feel that life confined, cramped
they can not find. Writers composes by inspiration movement, does not mean that
the writer is actually, in real life, that all required to travel, to move ..., means that
writers can move entirely imaginary, creation. Writers can send hobbies, spiritual,
ideological, move your character through the character.
It can not merge inspiration movement with neo movement though the two
concepts are related. Concept inspired move with much broader connotation neoshifting concept. In writing literature, neo-shifting is a phenomenon that the height

and especially the inspirational move ... Move was a theory borrowed from the


8
Western end of the nineteenth century early twentieth century, promoting lifestyle
personal freedom to go wide bohemian know much to satisfy personal taste and
experience the feeling of reality. Inspired move which was interpreted as inspiration
for the switch position, changing accommodation, is inspired on the go, went to look
for a change, find new feel ever tasted, converting the feeling of the image.
However, the concept on nature only clarify the movement in space, nature
motor that we encounter in life. Obviously, going into literature, the concept of
movement will bring a more complex connotations. Via learn initially, we
understand the concept of movement in literature includes several levels, different
meanings. Depending on the criteria that the concept of shifting definition contains a
separate meaning. This shows the complexity of the inner as well as the concept of
shifting within the research literature.
In terms of the nature of the actions "go", movement can be divided into the
departure and the departure proactive nature passive.
Considering the purpose of the action "go", the central question is going to do,
we can divide the inspiration moved into the literature in later levels:
1. Go to a trip, travelers Coliseum (close to the tourist today) pertains to satisfy
personal interests of the upper class (official in feudal colonial society);
2. Go for the purpose of political and public affairs. For example, the medieval
scholar after the business trip abroad has composed works of literature about the
country, people in the trip;
3. Go for the purpose of ecological excursions, study sociology, ethnography;
4. Go to escape feudal colonial society rife with injustice ensure liberation
personal ego;
5. Go to realize dreams, political ideals.
In terms of movement forms, can be divided inspiration in literature moved into

two categories: in fact moved and shifted in mind.
In terms of aesthetics and history, can be divided inspired move in literary
success: movement as the type of confician (in medieval literature) and movement in
modern style (influenced by culture methods West) in the period of modern
literature. Of course, there will be steps forward to reconcile the two types of
knowledge on which moved most clearly demonstrated is the case of Nguyen Tuan.
To sum Chapter 1
Through overview research situation and established the theoretical basis for
the subject, the thesis summarized the following issues:
Firstly, inspiring move in literary Vietnam first half of the twentieth century
(1900- 1945), though there are explored, studied less but mainly with nature as the


9
spirit of a few individual writers. The research inspired move with nature as a matter
of regularity of a literary era has never been raised in any scientific work.
Secondly, the establishment of the theoretical basis for the subject, the thesis
has made efforts to establish and choose some theory consistent, meaningful prop up
science for the implementation of the subject .
Thirdly, the thesis also gives the conception of inner inspiration shifting
terminology in literature, as well as differentiated concept with some concepts that
reach as sense objects exile, escapist literature. This is an important theoretical
premise serves as the basis for the survey and analyze the specific dimensions of
inspiration shifted in modern literature Vietnam first half of the twentieth century.

Chapter 2
THE PREMISES OF THE EMERGENCE
INSPIRATION MOVEMENT DURING VIETNAMESE
LITERATURE
1900 – 1945

2.1. The premise objective
2.1.1. Historical context, society and culture of Vietnam in the twentieth
century and the demands of the times for the national literature.
The context of economy, society and policy of Vietnam in the first half of the
twentieth century is a picture stuffy, dark, chained. Before the drastic change of life,
literature obviously does not except. Literature needs to be renovated, must be
modernized. That is an inevitable trend, the urgent need of both objective and
subjective. Literature can not exist as it used to - framed in the rules, can not be for
the idle, ... Literature has to express spirit and new aspirations of people, including
spiritual, yearning for a change, movement, looking for something new, something
different from the old ones, estating of a bygone era ...
2.1.2. The premise from the influence of culture and Western literature on
Vietnam in the first half of the twentieth century (from 1900 to 1945)
2.1.2.1. The effects on the level of ideas and theories
In the period from 1930 to 1945, artists forces tried to promote the
modernization of literary none other than the writers new type- those who are trained
by Western education, especially those who were directly studied in France. The
emergence of the West, the Western idea, whether direct or indirect, by the way of
science, life or literature, can form the basis for inspiration shifting during the
Vietnamese Literature in the half of the early twentieth century.


10
According to philosophy, one of the Western philosophical thoughts had a great
influence on literature of Vietnam in 1900– 1945 is the philosophical thought of
Nietzsche. One of the most important philosophical concepts of his influential
literary depth to Vietnam is the theory of human superheroes (or hero- Superman).
2.1.2.2. Implications from the practice composing
If the premise aesthetics on the move in medieval literature has greatly
influenced the creation of Tan Da, then the premise aesthetics of inspiration moved

in Western literature have a strong impact on the composition Nguyen Tuan, writers
Tu Luc Van Doan and New poetry movement. The authors represent the most
profound impact may be mentioned are: André Gide, Paul Morand, Friedrich
Nietzsche ...
The famous works of André Gide has been translated and have strongly
influenced the writers contemporary Vietnam, especially in the array of topics
moved are: The journey of Urien (1893), The return of the son gang (1907), The folk
music (1919), Tours of the Congo (1927), Return from Tchad (1928), Return from
the Soviet Union (1924), ... The special work is The return of son gang with motif
core is to deny the role of the family, had a strong impact to the sensory composition
of the author period from 1930 to 1945, most notably Nguyen Tuan and Tu Luc Van
Doan .
The thesis also highlights the literary works along with the subject moved,
adventure has less impact directly or indirectly to the literary creativity of the author
Vietnam in the first half of the twentieth century is typical: God song (Dante– Italy),
Don Quixote (Cervantes– Spain), Gargantua and Pantagruel (François Rabelais–
France),... And some anonymous writings famous travel diary as: Robinson Crusoe
(Daniel Defoe ) On The road (Jack Kerouac), Orient surf the window (Paul
Theroux).
2.2. The premise subjective
2.2.1. The premise from traditional literary
Thesis determined the foundation of aesthetics on the movement of the
confician scholars leave warhead bold in medieval literature Vietnam (Nguyen Du,
Ho Xuan Huong, Nguyen Cong Tru, Cao Ba Quat, Pham Thai, Chu Manh Trinh,
...). Medieval literature has left a mass literary heritage remarkable spirit moved
extremely valuable on both aspects is the notion of aesthetic (style of grape
amateurs) and practicality of their songs . Have to say, it is one of the important
preconditions for the writers and poets of the new literature first half of the twentieth
century can be followed and grown to a new level.
2.2.2. Internal resources and capabilities of national literature itself prior

requirements indispensable and urgent to reform and modernize


11
Vietnamese literature throughout millennia Middle has proven the capacity of
their own, that it is possible to express a sincere and profound, the most delicate
issues of realization of permission traditional literary forms. The infancy of the spirit
moved soak in The song of the lady, Tale of Kieu, The poet in autumn , in
compositions of Ho Xuan Huong, Nguyen Cong Tru, Chu Manh Trinh ... had an
important contribution to helping national literature a reserve, an abundant domestic
resources of energy to wait occasion breakthrough in many ways, including spiritual
and inspirational romance, move. Tan Da has followed that tradition. Then, follow
Tan Da, development of inspiration movement as writers of the modern class with
The Lu, Huy Thong, Che Lan Vien, Nhat Linh, Hoang Dao, Nguyen Tuan, ... of
which, Nguyen Tuan is working best part.
2.2.3. Desire liberation and renewal of class professional writers in the dawn
of modern
In the effects of the conditions of culture, history, society, politics ... in the early
twentieth century, a culture new school was formed, moving from medieval literary
models to model modern literature. On the level of psychological creativity of
artists, new literature has posed challenges, has created tremendous opportunities for
the affirmation of identity the artist in the realm of literary art, especially new
intellectual writers. From within their capital, they were receptive, imbued with new
notions of culture, literature and progressive ideas from the West. And this is a good
opportunity to turn theory, books that became literary works.
Thus, in harmony with the objective impact outside, the movement of literature,
writers and artists are well aware that it was time to step on the stage of the new
creative stressful but also very inspiring start to release the creative ego and set a
new milestone in the national literature.
2.2.4. The conversion of image/ style author from the University switched to

modern
Based on the theory of paradigm, the thesis defined in literary period 19001945, inspiration movement is generated from the conversion paradigm authors,
from the confician scholars (and style author dilettante scholar meeting time,
especially Tan Da) switch to the intellectual class Western artists learn. Two types
of authors had to escape concepts songwriting period medieval literature, provide a
source of new life for literature by sticking to the side of Ego, say the necessities of
Ego.
2.3. "Move" as an expression of nature's era liberation aspirations,
innovation and an inspiration trigger creativity of writers
2.3.1. "Move" as a manifestation brought the era with aspirations freeing the
imprisoned, to find something new in literary creation


12
The formation of inspiration movement in Vietnamese literature in the first half
of the twentieth century had flowed from traditional cultural circuit has arisen due to
the new requirements of the times produced it. In the feudal era, the concept shifted
never discussed. To the modern era, the progressive ideas, fresh from strong
Western influence in Vietnam ... Demand liberated individual ego to the demands of
its diversified is a trend weak era. This happened not only in literature and art, but
also a deep place in your life - where Confucianism was rooted throughout the
millennia.
In the need to liberate the Ego, there is urgent need liberating the imprisoned,
"framed" in all limits so long. Move itself become a necessity in life as well as in
literary and artistic creation. Author inspired by innovation, shifting is no longer a
personal behavior, no longer a separate form of existence which becomes an
ideological tendency, aesthetics really.
2.3.2. "Move" as an inspiration trigger creative writer
Serial romantic wanderings of the poet predecessors, poet Tan Da - a
representative of the last of the type of grapes amateurs in medieval literature,

became the most prominent names in the literature meeting time (early 30 th
century). It can be seen, if no move (in thought or in action real experience), from
Tan Da to the new church, from Nguyen Tuan to the authors Tu Luc Van Doan, ...
seems hard to have composed. From there, could not see that move really such an
inspiration trigger creativity of writers ...
To sum chapter 2
In chapter 2, the thesis was to identify and clarify three basic contents:
Firstly, there is the premise of an objective impact on shaping the inspiration
movement in Vietnamese literature in the first half of the XX century (1900– 1945);
Secondly, there is the premise of the subjective impact on the formation inspired
move;
Thirdly, the thesis initially identified and determined: "Move" as an expression
of nature's era liberation aspirations, innovation and an inspiration trigger creative
writer.

Chapter 3
THE BASIC CONTENT OF THE INSPIRATION MOVEMENT
IN VIETNAMESE LITERATURE 1900 - 1945
3.1. The move as a way of "escapism" reality filled with cramp, ridicule,
unfairness


13
3.1.1. Social reality Vietnam first half of the twentieth century (1900– 1945)
under the colonial regime of the feudal
In the history of the first half of the twentieth century has also exposed the
cramped, deadlocked by the outdated, ridiculous constraints of the feudal doctrine
and the colonial regime. All the specific and vivid expression of nature's predictions
for August revolution splendor that our nation has done.
It can be said that Vietnamese Literature in the first half of the twentieth

century (1900– 1945) accompanied with history and reflected an honest, vividly the
international circuits most of the times, from physical pain to the mental anguish that
Vietnam must endured the thunderous of history.
3.1.2. The literature search with the move -"escapism" in reality
(MÂY MỤC NHỎ NÀY EM DỊCH CÙNG CHUNG MỘT CẤU TRÚC
NHE HUY! TẠI VÌ BẢN DỊCH CŨ KHÔNG CÙNG CẤU TRÚC NÊN
NGƯỜI TA YÊU CẦU CHỈNH LẠI CHO GIỐNG NHAU)
3.1.2.1. The escape into the world of Wonderland
In early modern literature of Vietnam, Tan Da is the earliest person to create
should be a unique dream realms. His world is mainly looked at through the prism of
charity grace, through the love of men and women. In 1932– 1945 New Poems, how
the search on the dream, the first to escape from reality. We can see that through a
series of examinations of authors as: Han Mac Tu, Luu Trong Lu, Nguyen Binh,...
3.1.2.2. The escape into the world of Wonderland
Seen from the perspective of the world, the first schedule is one of the artistic
motifs characteristic of Oriental literature, including poetry from Middle Chinese. In
Vietnam, now concert time Eurasia, Tan Da, who wove the dream first in poetry
with verses of famous fantasy world with fairies, beautiful people that the poet was
an opinion , where the first Companion was. Serial circuit flow, the new poets have
also exploited the world first scene with the creation of its own. Most of the poets
she is the case of the poet of the movement of this poetry – poet of World Tourism.
3.1.2.3. The escape into nature, religion, love
Enjoying in nature, dropping in the spring, autumn, moon ... is the specific
manifestation of the new poets on the move of inspirational creator: escapist
realities. Nature featured in the creative work of the self is the village space
van. This space is the erase nature scenery, repentance for the sins of the past, that
the character has caused for themselves as well as their relatives (the White
Butterfly, rainy wind, lit Life , ...)
The new poetry also escaped by searching on Buddhism and Christianity (Han
Mac Tu, Huy Can, Che Lan Vien, ...). Meanwhile, the religion has the most

influence in the creation of Tu Luc Van Doan is the Buddhist (The soul of the


14
butterfly dream of fairy and An afternoon). In love is also a useful direction in which
the new poets find in how to escape reality. Love in the New Poetry is very diverse,
many colors. In that sense, awakening of love not the highlight is that the romantic
poet has learned from Western romantic literature.
3.1.2.4. The escape into the past
Writers of Tu Luc Van Doan and poets of New Poetry also toward the past
through images of travelers. In the new poetry, images of travelers were crystallized
in poetry of Luu Trong Lu, The Lu, Tran Huyen Tran, Tham Tamn ... in prose of Tu
Luc Van Doan, images of travelers were expressed through the character such as
Dung, Thai, Tao, Truc (The End, The Couple) ... the thesis also analyzes images of
travelers - who were soliers in poetry of revolution through two typical cases such as
Phan Boi Chau and To Huu to find the similarities and differences in the aesthetic
sense.
3.2. Move like a hobby, wealth and desire for freedom
3.2.1. Some gender theory and generalization
3.2.1.1. Some hobbies of Gypsy, unidentity and desirability for freedom
Hobby, which is indeterminate in modern Vietnamese literature influenced by
two sources of Western and Eastern cultures, from circuit source medieval literature
for to modern ideas influenced by the West. Two sources of such ideas is not
necessarily antithetical but complementary to each other in order to promote to the
maximum level of individual properties of the artist in the journey to find the ego,
satisfies the legitimate needs and necessities of the individualism , including the
need for the move, romantic hobby.
3.2.1.2. Travelling as a hobby, unidentity and desirability for freedom
Hobbies of Tan Da attached to the beauties, with wine , with poetry ... the
author wandered not only in real life, but also in the dream world, with the beauties,

fairies that were considered as his best friends... hobbies of Tan Da expressed the
life of a conficianist rather than modern humans with the Western style.
Romantic literature in the thirties of last century, infinite pleasures influenced
by western concepts rather than the traditional concept of style amateur scholar. In
poetry on this stage, There were the prominent names of the new poetry such as The
Lu, Luu Trong Lu, Nguyen Binh ... In prose, the name of Nguyen Tuan and writers
of Tu Luc Van Doan changed strongly in thoughts about the West's move to apply in
writing.
3.2.2. The expression of the content move-to "come out" as a wanderer,
unidentity and the thirst for freedom
3.2.2.1. Poetries before 1932 ( typical phenomenon - poet Tan Da)


15
Inspiration movement are reflected mostly in poetries of Tan Da, Still Playing
(poems, 1921); The block of love I (poems, 1931); The block of love II
(1938); Original block of love; ... The thesis defines the movement in poetries of
Tan Da bringing two main characteristics: very high bar, standard, oriental style of a
confucianist and attached to true life.
3.2.2.2. New Poems In 1932 – 1945
In the poetries of a number of new poets such as Nguyen Binh , Luu Trong Lu,
Vu Hoang Chuong, Ho Dzenh, ... romantic man was also deployed on the basic
formula is: going for dreams, leaving love behind, swearing, marriage ... The
purpose of the movement was not clear, almost just to satisfy himself with the hobby
of adventure.
3.3. Move as a way to liberate the human ego, someone’s point of view.
3.3.1. Some general theory about the human ego someone’s point of view and
movement as the way of deliverance.
3.3.1.1. About personal ego and personal human
Ego is a very familiar concept in literary theory. In feudal society, with the

profound grip of Confucian teachings, ego seemed not to have any class in literature
and real life. In the modern era, the emergence of ego has changed completely
aesthetic conception of the artists period 1900– 1945, with an array composed on the
subject of movement.
3.3.1.2. About move as a way to liberate individual ego, personal human
literature in Vietnam 1900 – 1945
In the field of poetry, the outstanding one is New Poetry 1932 – 1945, the
appearance of ego has created an important turning point in changing the thinking of
poetry, style, creative personality of the artists. The main paths of movement of the
romantic poet is: backing to the fairyland and nature, looking for love and the past,
backing to religion ... For the romantic artists, the emergence of ego helped them
bravely to fight for the right to life, personal liberation from the constraints of the
era of injustice. Because ego was separated from the struggle of the masses, it was
lonely, deadlock and no way out.
3.3.2. Basic features of Movement and deliverance of human ego, someone’s
point of view.
3.3.2.1. Move to search and confirm his ego, wandering, adventure in poetry
before 1932 through typical phenomenon as Tan Da
Ego in poems Tan Da shown through hobbies, adventure, poetry and wine ...
Among the confician, Tan Da was a poet with the most distinctive voice in exposing
the personal ego, willing to raise individual preferences into a pleasure in life. Tan


16
Da not only expressed himself rashly for his hobbies but also adopted it in his
poetry.
3.3.2.2. Move to satisfy personal ego under egoism, extreme individualism,
fallen in the novel of Tu Luc Van Doan
Extreme individualism, fallen in the novel Tu Luc Van Doan appeared after
1939. To clarify matters, the thesis has analyzed some of the characters in the novels

of the group represented Tu Luc Van Doan (Rocky Life, White butterflies, ...) and
came to the conclusion that the mark depraved, selfish, extreme novel Tu Luc Van
Doan deeply influenced Western literature, mainly André Gide.
3.4. In search of something new, something different and awareness of
them in Vietnamese Literature in the half of century XX ( 1900-1945)
3.4.1. Some gender theory and overview
3.4.1.1. About something new, something different
The new one in literature is the actual need of literature and the compulsion that
determines the character, the artist's character. In general, literature is a private
journey of creation, cannot repeat others and repeat themselves. Creating what the
East West ancient rule is.
3.4.1.2. Of the idea of finding new ones, another of Vietnamese literature the
first half century's XX (1900 – 1945)
The idea of finding new ones, the unknown Vietnamese literature of the first
half century's XX (1900 – 1945) based on the basic spirit of following and upgraded
ideology, new minds from the West Space. The new art of Tan Da and some new
poets were influenced deeply from fairy tales, classical literature in the middle of
era. Meanwhile, composes of Nguyen Tuan and Tu Luc Van Doan affected strongly
from the West's thoughts , which is the theory of action, inauguration of purpose,
escaping to enjoy new experience so as to cure the adventurous disease, freely in
appearance rather than a true purpose for the community and peoples.
3.4.2. Significant examples for awareness of movement in search of
something new, something different.
3.4.2.1. This new space, new life in poems of Tan Da
New space, new life in poems of Tan Da were expressed through sites,
landscapes which were stepped by adventure romantic poet's passing, as well as the
world's first scene that he was adored. Have to say, more than anyone, Tan Da is the
best poet in the continuation and fairy wings world from medieval poetry in
Vietnam. Thereby, he created a unique world of its own – separated completely from
the others. Here's the most remarkable success of the array "first examination" in the

cause of poetries of Tan Da.
3.4.2.2. The other plane, strangeness in the New Poems 1932– 1945


17
In New Poems 1932 – 1945, the different realms like paradise, paradise, planet,
god ... became space for leave and was profoundly aesthetic. This format has
brought color spirituality, just reality in the minds of the era: the boredom of life,
wanting to escape reality, neediness, tedious ... of new poets.
3.4.2.3. The new land, a new life, strangeness in composes of Nguyen Tuan and
proses of Tu Luc Van Doan
On his wandering, Nguyen Tuan has recruited almost everything that was hit to
him, from the smallest thing to the biggest scene. The dream of wanderings brought
his footsteps to all the countries, from the North to the South, from his country to
overseas. In prose of Tu Luc Van Doan, the space of the new land, a new life,
strangeness was shown clearly through the behavior of the characters: Dung (The
End, The Couple, An afternoon), Truong (White butterfly), Tuyet (Rocky life).
From the analysis, the thesis goes to remark that the new lands, a new life,
strangeness in composition of Nguyen Tuan and prose of Tu Luc Van Doan
deployed on the platform of aesthetics from the West, namely the notion of André
Gide, with sayings/ manifesto immortal: "my family, I hate you!".
To sum Chapter 3
Chapter 3 of the thesis focuses on clarifying the basic content of inspiration
movement in Vietnamese literature in the first half of the twentieth century (1900–
1945).
Firstly, move as a way of "escape" reality of feudal colonial regime illogical,
unjust.
Secondly, move - " leave " as a hobby, infinity ... and desire for freedom.
Thirdly, move as a way to liberate the individual, individual humans.
Fourthly, move - in search of something new, something different.

Chapter 4
THE WAY OF EXPRESSING INSPIRATION MOVEMENT
IN VIETNAMESE LITERATURE (1900 – 1945)
4.1. The choice of categories
4.1.1. Adapting styles of poets flexibly for expressing inspiration movement
To show successfully inspiration movement, the poets had an innovation based
on classic poetry and folk poetry. Tan Da was considered as the one who creatively
applied many ethnic poetries, heralded the change and reform in poetry .The authors
of New Poems combined three forms of poetry from three sources different circuits:


18
medieval poetry (7 sounds), folklore (the folk to be six– eight) and modern poetry
(free verse, 8 sounds). It can be seen clearly that this innovation was collective- the
total harmony of old and new, based on the literature and ethnic culture.
4.1.2. Adapting proses creatively for expressing inspiration movement
4.1.2.1. Sign
Sign, especially able travelogue, memoir, custom pen ... has a special role to
express important inspiration in movement of literature in Vietnam in the first half
of the twentieth century (1900– 1945). Tan Da is the first writer to write a memoir,
brought personal behavior shown on literature, took private life as
inspiration. Nguyen Tuan developed sign to the next level up (One trip, Essay I,
Essay II ...). The impression of these works was certainly inspiration movement, the
leave relating to wandering here and there of Nguyen Tuan’s ego was assimilated
into the image of the protagonist.
4.1.2.2. Short story
Compared to sign and essay, the short story is not expressed directly ego of the
artist, but it focused on building the iconic character from which, indirectly talk up
the concept, idea writer about a certain aspect of thought move. The thesis has

analyzed a number of short stories by Tan Da, Nguyen Tuan and Tu Luc Van Doan
to clarify the role of the short story genre in expressing inspired move.
4.1.2.3. Novel
In the novel genre related to array the subject of movement, the group Tu Luc
Van Doan has contributed greatly to the process of modernization of Vietnam's
literature through innovation in the aspects described psychological character ,
textures, themes ... novel of Tu Luc Van Doan related topics move also successfully
built two types of characters: humans depraved and human adventure (The End, The
Couple, Rocky life,…).
4.2. The choice of style
4.2.1. Romantic style with the show inspired move in Vietnam learn first half
of the twentieth century (1900– 1945)
To show the contents of inspiration moved, it can be said without any kind of
dominant style is romantic style. Tan Da, the new church, the Tu Luc Van Doan
authors use this style. Romanticism toward reality with indignant disgust attitude,
focused praise, confirmed what the opposite of reality. The character of romanticism
so often escape reality, back to the past, embrace the world of fantasy or ensconced
in a tiny personal ego.
4.2.2. The combination of the romantic style and realistic style to express the
inspiration of literature shifted Vietnam first half of the twentieth century (1900 –
1945)


19
Vietnamese literature in the first half of the twentieth century (1900– 1945), the
writer relating to inspiration movement, one hand, they focused on the romantic
style, as this was a key style; but on the other hand, they noted realistic style, seek to
combine the realistic style of the place, the situation needed.
4.3. Arts organizations of tone and language
4.3.1. Arts organizations of the tone in expressing inspiration movement

4.3.1.1. The overall of tone and arts organizations in expressing inspiration
movement in Vietnamese literature in the first half of the twentieth century (1900 –
1945)
Tone covers, throughout the creators of writing inspiration movement, from
Tan Da to new poems, Nguyen Tuan and authors of Tu Luc Van Doan were lyrical philosophical. The tone and the tone arts organizations depend on genre, poetry
course in many aspects different from prose. Can see autobiographical poem as the
author's mood. Also in prose, especially in short stories and novels, the tone of the
document is shown in many aspects of the structural work (through role narrative of
the author or storyteller, can pass character language, ...).
4.3.1.2. Some specific expression of lyrical tone and philosophical in expressing
inspiration movement of Vietnamese literature in the early twentieth century (1900 –
1945)
Lyrical voice is dominant in the short story and customize pen Nguyen Tuan
(Nguyen, The new suitcase, One trip, A father for Tet holidays, ...). Most of the
writers in the group Tu Luc Van Doan are applied to lyrical tone highlights inner
sense of character at different levels (Rocky life, White butterflies, The End, The
Couple ,. ..). By lyrical methods in writing also used in many short stories and
novels related to the topic of movement by Nhat Linh (The End, The Couple).
In proses of Tu Luc Van Doan, interior monologue form to characters can
philosophical about the problems related to his fate. Not only the character, both the
author (with personalities as storyteller hidden) also participated in the process of
philosophical ideas stream of characters. This approach is a universal nature, which
appears in most of the works of literature, especially prose with natural forms of
psychological character. In composing Nguyen Tuan, object philosophy of the
character is also very diverse, from beauty, language, the arts and human issues (life,
death) ...
4.3.2. Language and organization of art in expressing inspiration movement
of Vietnamese literature in the half of century XX ( 1900-1945)
4.3.2.1 In poems
To express inspiration movement, authors of new poets not only learn original

traditional literature but also have something new in using national language. One of


20
them, the lyrical way in accent plays an important role in expressing different
features in the world of lyrical characters – travellers – the main character in poetry
inspiration of New poet 1932 – 1945.
4.3.2.2. In prose
From personality to literary art, Nguyen Tuan always considered writing so
differently, so newly, but not the same to anyone else. It is not only using measures
rhetorical art for both ways of organizing his sentence there are also personality
traits, is difficult to come across in a different artist. Nguyen Tuan with his extensive
knowledge of the cultural capital of Vietnam, East West stock metal, especially from
the Vietnamese capital. Almost always researchers met at the praise, praise the art of
using letters of ingenuity and sophistication of the author.
Characteristic of art institutions in prose language Tu Luc Van Doan was
feeling kind of language, linguistic psychology. Languages that are deployed based
association axis similar nature: similarities between animals and humans; feel for
others. It is a new definition of how to use the language of the Tu Luc Van
Doan. With innovation, innovation in using language like that, Tu Luc Van Doan
has contributed to creating a novel form new in the process of modernization of
Vietnam literature in 1900 – 1945, which is novel mentality.
4.3.3 Some of the art symbols for symbolism
4.3.3.1. Symbol of rain
In the prose of Tu Luc Van Doan and Nguyen Tuan
In the office of liberty, the weather symbolism is the most important point of
the art space, in the modern world, the winds in astronomical writings are just a
symbol of characters. The life of the character, and the wind symbol demonstrates its
abundance, depicting through the shapes, stretching through different parts of space,
carrying different properties, associated with what is connected to. The evil of the

character.
In the poems of Tan Da and New Poet
In poets of Tan Da, the wind is attached to the experience of the torso and
forgiveness... the subjects are in love. The wind symbolizes the distortion of her life,
an adventure. In poets of Tan Da, the rainy icon carries a color and classical tone,
bound with nature, especially the autumn. It contains the two crabs that are basically
cold and lonely by the lyrical character.
In New poet, the rain icons are usually associated with alcohol, creating a
double - rain symbol: rain. Rain here is just a natural phenomenon, which
symbolizes the cold of life, the martial world. And the wine is my friend, helping the
poets to release the melancholy on the road all the way down.
4.3.2. Symbol of way
In the prose of Tu Luc Van Doan and Nguyen Tuan
In the prose of Nguyen Tuan


21
The form of river and sea
With men linking to travelling as Nguyen Tuan, the world of characters must
not be without characters being on the sea, the ship became a symbol for example.
Aspiring to travel, leaving, dreaming of taking the burden of the characters.
The form of station and train
The form of station and train in works of Nguyen Tuan: is the place to break up;
where to reunite and meet the people of love, memory.
The prose of Tu Luc Van Doan
The form of river and sea
In the works of Tu Luc Van Doan, the space associated with fun, travel or hide
out of life; the new youth class, the faeries of fake masters. This is a miniature
picture of high life, entirely against the lowly labour scenes around the characters,
we can catch the sea view in the novels and the short stories of Tu Luc Van Doan

such as: White Butterflies, Windy and rainy life, The stream of Huong River, Two
streams of water,…
In the poets of Tan Da and New poet
In the poets of Tan Da
The form of river and sea
In the poets of Tan Da, the road of river and sea is a symbol for searching and
tuning with closed friends. The river is bonded with waves, ships, water, river and
sea are symbols of infinition, vasting, vasting expansion of nature, creation, the vast
Universe, and the thirst for harmony and nature must be strong. And that's what they
usually do.
The form of station and train
It's like the form of the road of river and sea, the ship's symbol, the station in
the inspiration movement is not too much. The largest emotion of Tan Da is aware
of the very well. Well, the utility of modern transport to the public. It's traditional
but it's not about modern civilizations, but it's important to you, it's important.
The way of life and idea
In the poets of Tan Da, the path of life can be carried through the expression:
the highways, the path, the path, the road, the schools, the road... It's a reflection of
life in the Tan Da. It's negative noise, it's a reflection, a reflection of life in the art,
lack of empathy, lack of things that can't be possible in hope.
In the New poet
The form of life and idea in New poet
Photos of boat in the new poetry contain classical elements, shown in the
following: the tiny, fragile elements statictists and above all tied to the period
workers - people geisha - one of the elements of adventure emotions but we still
caught in this kind of confucians.
Station - train, a form of symbolic way in the New poet
In the New poet, photos of station and train have brought a real meaning, are
both symbolic meaning. In terms of real meaning, that two dual symbolism, art

22
space, where the breakup occurred. About symbolism, this dual emblem symbolizes
the departure and stopping of adventurous life.
Road of life forms, the ideal way
In the New poet, the way icons are concretized: the road of suffering, horizon,
place, country and marine lake, thousands of miles to sea, the sky, landing silently,
far shore, footpaths, ... In terms of the love couples, the road is a symbol of
suffering, separation. In romantic relationships with adventure, image path iconic
association with: happiness; with infinite adventures; Ideal established itself, ... In
addition, the way of icon in the new poetry is also the way back to the homeland - a
clear manifestation of the sense of exile.
To sum chapter 4
Chapter 4 of the thesis focused on survey, analysis and evaluation for methods
showing inspiration movement in Vietnamese Literature in the first half of the
twentieth century (1900 – 1945) on three basic dimensions: genre; style; tone and
language.
In genre, first of all, the thesis turns to the survey, analysis and evaluation of the
role of poetry, memoirs, short stories, novels and the choice of that category in the
show inspired move of the operation authors typically: Tan Da, the New poetry,
Nguyen Tuan and Tu Luc Van Doan. The innovation of the author in each specific
category based on classic literature and external factors that impact from Western
literature. The main innovation that has helped accelerate the process of
modernization of national literature, literary Vietnam put in orbit general literature
and world region.
In style, thesis focuses on analyzing, evaluating the role of a romantic style and
the style combines romantic - realistic style, whether this is the most outstanding
success of the authors. The choice highlights penmanship style, personality of each
author speaks as a general rule in the show inspired move.
About the tone and language of the show inspired move of Vietnam literature

first half of the twentieth century (1900– 1945), the thesis turns clarify: specific
expression Highlight tone lyrical and philosophical reasoning; art organizations in
composing language Nguyen Tuan and Tu Luc Van Doan and New Poet ...
CONCLUSIONS
1. In literary and artistic creativity, problem inspiration is always the most
important role, because it stimulates euphoria, lay awake feelings, thoughts, passion
of the artist , from which the artist entered the journey composing, creating spiritual
products, works. Through the survey, analysis, interpretation inspired move in
literary Vietnam first half of the twentieth century (1900– 1945) especially through
the typical phenomenon (poetry and prose Tan Da, Poetry 1932 – 1945; composed


23
by Nguyen Tuan, prose Tu Luc Van Doan) both in terms of content and modes of
presentation, the thesis have the facility to determine the role is difficult to replace
the circuit this inspiration for national literature history on the road to modernization
and exchange and integration with world literature.
2. Vietnamese literature first half of the twentieth century ever learn, study
more, from many different perspectives (from the perspective of literary history,
perspective and style poetics study art; from the perspective type - the genre, from
the perspective of thought or inspiration, ...). The research inspired move as a rule
issues of both a literary period, the first time this thesis focused on learning, research
with a look at the system.
3. Inspiration movement during the Vietnamese literature in the first half of the
twentieth century (1900 – 1945) was formed by the impact of many factors:
historical context, social, cultural and Vietnam entering the twentieth century and
the requirements of the times for the national literature; The influence of culture,
Western literature review on both aspects of ideology, theory and practice
writing; The premise of literary tradition; Internal resources and capabilities of
national literature itself before urgent demands to reform and modernization; Desire

liberation and renewal of professional writers in the dawn of the modern age ...
factor plays a decisive role is still the subjective premise from national literature
itself. Literature Survey Vietnam 1900 – 1945, the study completely no basis to
determine that "Move" as an expression of nature's era liberation
aspirations, change; and this is the inspiration trigger powerful creative possibilities
of the writer. Thanks to it that national literature has many lively art world, unique.
4. Write inspired move, literary Vietnam first half of the twentieth century
(1900 – 1945) showed much fresh content. First, move as a way of escapism in
under feudal colonial regime than cramped, illogical, unjust. Second, move - "go
away" as a hobby Gypsy, infinity ... and desire for freedom. Third, move as a way to
liberate the individual, we individual humans. Fourth, move – in search of
something new, something different. All content that we show that inspired a
connotation move quite extensive and includes many manifestations, different
aspects. This is entirely appropriate, in harmony with the concept presented theories
that we have given in Chapter 1 of the thesis.
5. In order to show new levels of attraction, Vietnamese writers in the first half
of the twentieth century (1900 – 1945) made a major effort in using multiple
methods, technological guidelines, and technological guidelines to say It's the kind
of exercise; pen; the tone and the language. Romantic writing is the proprietary
writing in the editorial theme, besides, the writers are also combining romance with
real writing, about the accent, the two mostly primal voices used as an accent. In the


24
language of the language, using the language of Nguyen's language, to obey the
highest character, attach to the brilliant and the character of the author. The language
of the rich culture is emotional and psychological, the nature of the character, in that
promoting world, promoting characterizations of art is: the rains, the roads and the
lines of consciousness and meaning. Deeply characterized, dedicated to the open
portion of reality and expressed the sensation of the artist on the move.

6. Studying in inspiration movement of Vietnamese literature in the first half of
the twentieth century (1900 – 1945) is really an interesting problem which is
considered significantly in a varity of features, especially in society and beauty.
The researcher has a look at in not only an obvious way but also a comlicated
issue not solved completely such as our guided things. To be honest, there is a
requirement not only a more research but also working of a lot of people to carry out
this issue perfectly. Nowadays, travelling is considered as an interesting issue
known worldwide; the young have been eager with the trend called “ Phuot ”. In this
case, there are so many people who have no intention of becoming a writer,
however, they want to “ write about their life”, there are some works written from
inspiration movement such as: Nonsese Story , Being alone in EU – Phan Viet, The
sign of foot left by his wife, Tibet – Flower in sunshine – Van Cam Hai, The
excursion of the young, Paris in dream – Duong Thuy, etc ….. in modern literature.
“This young literature ” is in paralell with the works of Thuan (Novels: Chinatown,
T being lost. Hanoi, Saigon, Paris); Doan Minh Phuong (Novels : Being in dust,
Rain in afterlife ); Nguyen Van Tho (Novels: Quyen, Peach Blossom); etc…, which
indicates that inspiration movement (or relating to Movement) in modern literature
has been an inspiration researchers can not help concerning.